Written in the Edwardian era. Set 100 years or so before that.
Janie is usually unenthusiastic about these period pieces, but we have been supporters of the Orange Tree for a long time and tend to get withdrawal symptoms if we reject all of the period stuff.
Mostly Orange Tree regulars in the cast. Auriol Smith directing, Sam Walters hovering around like an expectant father (we were there very early in the run).
This was a great production. I recall gently persuading Janie to see Macbeth again – she’s no fan of Shakespeare and felt that she had “done” Macbeth when seeing the 1994 Jacobi version.
It was the pull of Tony Sher and Harriet Walter that won Janie round, firstly to attending and in the end to admitting what a fabulous production this production at The Young Vic was. It was fast, it was furious, it was very memorable. Greg Doran knows a thing or two about doing Shakespeare.
The Theatricalia entry reminds me that the 2000 version was an RSC touring production that started at the Swan in late 1999 and ended up at The Young Vic in mid 2000.
Stellar cast for this RSC production of the great Chekhov play. Alfred Burke, Simon Russell Beale, Amanda Root, John Carlisle, Susan Fleetwood, Roger Allam…to name but a few. In the capable hands of Terry Hands.
I hadn’t realised that this production was Terry Hands’s swansong for the RSC, but Nicholas de Jongh made much of that fact while praising the production in The Guardian:
I went up to Stratford with Moose (Mara Frank) where we saw this wonderful production of Much Ado. My log, I think mistakenly, suggests that we also saw Troilus And Cressida on that trip, but I suspect that I saw a preview of Troilus on my tod in April when in the Midlands for other reasons, perhaps procuring the programme when returning to Stratford with Moose and thus confusing myself a few years later.
Anyway…
…this was a great show. Susan Fleetwood as Beatrice, Roger Allam as Benedick, John Carlisle as Don Pedro, a fine supporting ensemble and the very capable hands of Bill Alexander directing.