We weren’t as keen on this one as we had hoped to be, given the synopsis and the fact that the Almeida was going through a purple patch at that time.
I’m not sure that Patrick Hamilton works for us on the stage – indeed we have recently at the time of writing (May 2017) passed up an opportunity to see one of his in the forthcoming Hampstead Theatre run.
We’re becoming an increasingly picky pair these days. We tend to avoid booking much in that pre-Christmas period also, now, given the nightmare journeys that often ensue at that time of year.
It was of course an excellent production and very well acted. I think it was the play that didn’t quite do it for us. Janie and I like 1920’s and 1930’s styles generally, but strangely we don’t tend to like plays/the theatrical style of that era.
The reviews – mostly very good but not great – are mostly linked from the Almeida resource – here’s that link again.
For some reason British Theatre Guide doesn’t usually make it to those links – Philip Fisher makes good points in this review, not least that the play is quite long compared with the much vaunted Hitchcock film version.
Skimming the reviews reminds me how very well acted and produced the piece was, it just wasn’t really our type of piece.
Still, we’re both glad we caught this production; I have little doubt that this production is as good as it gets for Rope.