Scarlett by Colette Kane, Hampstead Theatre Downstairs, 4 March 2017

I’m almost boring myself by going on about how good the Hampstead Theatre Downstairs is, so goodness knows what effect such comments are having on long-suffering Ogblog readers. But by gosh the quality of productions and performances is high.

The one paragraph description of Scarlett – a play about a woman who escapes to try and start afresh in the Welsh countryside – might not have caught our eye as being different enough, but we set that “synopsis bar” a little lower for the Hampstead Downstairs, as we so consistently enjoy our evenings there.

Yet again, we are so glad we chose to book this one.

Interestingly (and unusually) it is pretty much an all woman production – i.e. the writer, director, designer and all five performers are women.

Here’s a link to the excellent Hampstead resource on this production for all the details.

We had seen a Colette Kane play at the Hampstead Downstairs before; “I Know How I Feel About Eve” about four years ago – that will be Ogblogged in the fullness of time – for now here is a link to an introductory piece/mini-interview with Colette Kane at that time.

In both Colette Kane plays we have seen so far, the writing is delightful and thought provoking. Perhaps she has yet entirely to find her own voice. She is clearly a playwright steeped in modern theatre who knows how to cherry-pick style and tone without quite making her pieces unmistakably her own.

Still, Scarlett is a really superb 75-80 minutes of drama. All five performers are excellent, especially Kate Ashfield as the eponymous lead. All five surprise us a little at some point in the drama, but without interrupting a natural-seeming flow to the simple but compelling story.

Scarlett is very well directed too, by Mel Hillyard. We have seen her work before, quite recently; The Brink at the Orange Tree last April. We were very impressed then too. A young director to watch, methinks.

We started the evening by bumping into John and Linda – a couple we know simply because we quite regularly see them at theatres and who coincidentally (it transpires) live just across the road from the Notting Hill Gate flat. They were seeing Sex With Strangers upstairs – a production that didn’t appeal to us for booking. Janie and I rounded off our evening with some Iranian food from Mohsen.

At the time of writing, Scarlett still has three weeks to run. Janie and I would both recommend it thoroughly to people who enjoy top notch productions of well-crafted, short plays in small theatres.

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