The Low Road by Bruce Norris, Royal Court Theatre, 23 March 2013

Gosh, this one didn’t really work for us, although we thought it would. We like Bruce Norris’s plays and the Royal Court was serving up a stellar collection of cast and creatives.

Here is a link to the Royal Court resource for this production.

To some extent we were unlucky – we’d booked an early preview and the mechanically complicated set had encountered some technical problems. We were kept waiting 30 minutes or more for a delayed start…

…for a play that we knew was quite long anyway…

…and at that time we were more easily pleased by short, sharp (and possibly less challenging) pieces.

But the other problem I had with this piece was the rather obvious way that points about the financial crisis and subsequent political/economic responses were rather obviously rammed down our throats.

Also, the play latched onto one of my bugbears which is the misrepresentation of Adam Smith’s subtle body of work into an unkind representation of all that is coldly economic.

It all felt a bit “tell rather than show”, which detracted from the drama, which is probably why the Drama 101 text book suggests “show rather than tell”.

Below is the trailer vid…

…and below this line is a behind the scenes vid:

It was all very clever and the cast was excellent, but by half time – pushing towards 22:00 already, we decided to give the second half a miss. After all, I had the script in my hand and could pretty well work out what was likely to happen.

Decidedly mixed reviews – really divided the critics, this piece – this link will take you to a search term that finds the reviews good and bad.

Free Outgoing by Anupama Chandrasekhar, Royal Court Theatre Upstairs, 23 November 2007

We thought this might be a good one. That’s why we made the rare decision to book the Royal Court for a Friday evening.

We were not disappointed.

The story is simple enough; a young Indian girl in Mumbai has been videoed by her boyfriend having sex with him and the video inadvertently goes viral, ruining the youngsters lives; in particular hers and those of her family.

Lots of big modern issues in there. We found the play intriguing and disturbing. The production was very well done.

The Royal Court stub on this one is excellent, with several good reviews reproduced in full – here.

Charles Spencer’s in the Telegraph is not one of those reproduced, but is still a very good review, here.

Philip Fisher also gave it a rave review in the British Theatre Guide – here.

It is a fairly short piece but no harm in that. I seem to recall it got a gig downstairs a year or so later, deservedly so.