Masterpieces by Sarah Daniels, Finborough Theatre, 28 April 2018

I’d been keen to see this one. I remembered reading it “back in the day” and had wondered how it might work as a performance piece.

In truth, it didn’t work for either of us.

Here is a link to the Finborough’s resource on Masterpieces.

The subject matter of the play is fascinating; pornography, the objectification of women, violence against women and how all those things might interrelate. But, to me, the play fails to develop characters and plot sufficiently to make the audience care about the drama; only about the issues.

Janie thought that maybe it was the production that was a bit stilted rather than the play. Hard to tell.

Perhaps we were a little jaded because we were both tired after a longish day at a tennis match…

A Week Dominated By Intense Middlesex v MCC Contests, 24, 27 & 28 April 2018

…but then again, I played the same fixture the previous year, after which we saw and loved The Ferryman at the Royal Court:

The Ferryman by Jez Butterworth, Royal Court Theatre, 29 April 2017

A little unfair, perhaps, to compare a Finborough production with a Royal Court one, but the point is we do have the stamina for long days and long plays if/when the quality is high enough.

Returning to Masterpieces, I can understand why it seemed timely to revive the play, given the topicality of its issues in a subtly different context 35 years on. But as a play, it seemed very old-fashioned to me and the style in which the Finborough directed and produced this play very much locked it in as an 80s period piece, which (for me) was a mistake.

We rarely walk at half time, but on this occasion, tired and cognisant that the second half contains gruelling material, we did walk.

I believe this production is getting mixed reviews at the time of writing, so you don’t need to take our word for it – click here and skim the various reviews. Indeed, the piece has c3 weeks still to run at the time of writing, so you can go judge for yourselves.

On the matter of Sarah Daniels writing style, I cannot find an extract from Masterpieces but here is a short monologue from The Gut Girls which gives you a feel for the style:

Anyway, we have seen far more hits than misses at the Finborough, so we remain fans of that super place.

The Low Road by Bruce Norris, Royal Court Theatre, 23 March 2013

Gosh, this one didn’t really work for us, although we thought it would. We like Bruce Norris’s plays and the Royal Court was serving up a stellar collection of cast and creatives.

Here is a link to the Royal Court resource for this production.

To some extent we were unlucky – we’d booked an early preview and the mechanically complicated set had encountered some technical problems. We were kept waiting 30 minutes or more for a delayed start…

…for a play that we knew was quite long anyway…

…and at that time we were more easily pleased by short, sharp (and possibly less challenging) pieces.

But the other problem I had with this piece was the rather obvious way that points about the financial crisis and subsequent political/economic responses were rather obviously rammed down our throats.

Also, the play latched onto one of my bugbears which is the misrepresentation of Adam Smith’s subtle body of work into an unkind representation of all that is coldly economic.

It all felt a bit “tell rather than show”, which detracted from the drama, which is probably why the Drama 101 text book suggests “show rather than tell”.

Below is the trailer vid…

…and below this line is a behind the scenes vid:

It was all very clever and the cast was excellent, but by half time – pushing towards 22:00 already, we decided to give the second half a miss. After all, I had the script in my hand and could pretty well work out what was likely to happen.

Decidedly mixed reviews – really divided the critics, this piece – this link will take you to a search term that finds the reviews good and bad.