Krokus Concert, Keele Ballroom, 18 February 1981

I remember this particular evening surprisingly clearly. It has been brought back to mind in the spring of 2019 by correspondence with Dave Lee, with whom I and other friends worked on Concourse, the student newspaper.

My diary records the event:

18 February 1981: Easyish day – in evening went to Labour Club. Simon then forced me to see Krokus – yuk.

“…forced me to see” is not a phrase you’ll often see in my diary. But I do recall on this occasion that I did not want to see the Swiss hard rock (or should I say heavy metal) band Krokus, but Simon had agreed to review the concert for Concourse, so he had to go.

I remember Simon exerting some “more than gentle” emotional pressure, along the lines that he really didn’t want to attend this particular heavy rock gig on his own. Something about fear was mentioned, as if Simon attending along with an eighteen-year-old, eight stone weakling like me was going to make the evening any safer.

Of course, being a Keele Ballroom gig, there was no real danger of the gig being over-run by packs of Hells Angels intent on causing trouble for weedy students anyway, but I suppose we were newbies still and had not been to such a gig before, so didn’t really know what to expect.

Simon reviewed the gig in the famous “Film Star Makes President” March 1981 issue of Concourse, about which I shall write plenty in the fullness of time.

For now, please just enjoy Simon’s review, headlined “live or dead?”:

I think it is fair to say that Simon didn’t like the concert much.

I especially like the line that describes:

three overpowering guitarists with about as much style as an airbourne [sic] rhinoceros.

As it happens, I have subsequently been to visit rhinoceroses in person (in the jungles of Assam in 2005) and can confirm the resemblance:

The airborne one can just be seen in the distance through the undergrowth.

In any case, I think my single word diary entry review – “yuk” – says enough. Although possibly my take would have been insufficient detail for Dave Lee’s editorial needs at that time.

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