Guest Contribution: Mark Ellicott’s Response To His Summer 1982 Mix Tape

Mark Ellicott more recently (actually 2016)

In response to my “forty years on” piece about a mix tape Mark made for me in 1982…

…which is probably worth reading before reading the following response…

…Mark responded with some fascinating reflections of his own about that music “forty years on”, along with his thoughts on what the follow-up mix tape should have been. I shall try to replicate that “thought-experiment mix tape” within this guest piece.

Ah Ian,

Every one of those tracks still gets a regular airing in my household! For me they have never aged because I’ve never gone through a prolonged period not listening to any of them. Anything by Grace Jones in that early eighties period always brings back memories of six in the morning in Freehold Street, Newcastle in the spring and summer of 1982 after a night at the 141 Club in Hanley  with the likes of Anna Summerskill, Mark Bartholomew, Vince Beasley and Jan Phillips, amongst others. Invariably all of us stoned / tripping and / or speeding. The ‘Nightclubbing’ album just tailor made for the wee small hours after a long night out just as everyone was coming down. It was THE album I most associate with that crazy summer term when I went through that cathartic metamorphosis!

The Grace Jones version of ‘She’s lost control’, originally by Joy Division, on that tape I made you was one of the more eccentric covers I’ve heard. Back in 1994 I had the good fortune to meet the great lady when she was booked to play at The Fridge in Brixton. It was touch and go whether she’d make it onto stage - she was several hours late I recall before the show eventually started - but I did ask what had prompted her to cover such a track by such a band. It transpired she knew nothing about the band, knew nothing about Ian Curtis’s suicide and had merely heard the original track before deciding there and then to do her own version. It ended up as the B side to her single ‘Private Life’. She was rather horrified when she found out about Curtis’s demise and that the song was about epilepsy - a condition he suffered from. 

The Roxy Music track ‘Both ends burning’ (from 1975) is etched into the memory because of their performance on Top of the Pops promoting it. Bryan Ferry dressed up as a GI with an eye patch dancing awkwardly as two heavily made up women, also dressed up in military garb, swung their hips behind him - looking vaguely glassy eyed in the eyeball department.

‘Violence Grows’ by the Fatal Microbes was always being played by John Peel. The singer was 15 year old Honey Bane, a schoolgirl who’d been signed up on the strength of her already provocative stage performances. This was a howl of rage from a time when there really didn’t seem much hope for young people as unemployment skyrocketed. Her indifferent tuneless vocal delivery for whatever reason just resonated. 

‘Atmosphere’ by Joy Division arguably my favourite track released just after Curtis’s death  a fitting tribute to the man’s genius. He was only 23 when he died - just imagine what might have come later on in his career had things been different. I wonder how ‘Blue Monday’ by New Order might have sounded had he gotten his teeth into it. I still recall John Peel announcing his death on air and playing ‘Atmosphere’ and being quite shocked. No one then could have imagined the cult status they would 40 plus years later enjoy. 

‘Typical Girls’ by the Slits just a wonderful piece of pop-punk-reggae by the original riot girls. Ari Up the singer (alas she died of cancer some years ago) was John Lydons (nee Rotten) stepdaughter. John married Ari’s mother Nora, a German heiress, back in the eighties. It’s a track that despite its 43 years of existence still sounds like it could have been recorded in 2022. 

Mark then went on to suggest a follow-on mix tape:

Had I made a second tape for you that year it would have undoubtedly included the following. All from that 1982ish period. 

‘My face is on fire’ - Felt
‘Fireworks’ - Siouxsie & the Banshees
‘Temptation’ - New Order
‘How does it feel?’ - Crass
‘Torch’ - Soft Cell
‘The back of love’ - Echo & the Bunnymen 
‘Second skin’ - The Chameleons
‘Persons unknown’ - Poison Girls
‘Hand in glove’ - The Smiths
‘Treason’ - Teardrop Explodes
‘Requiem’ - Killing Joke
‘Dead Pop Stars’ - Altered Images
‘Alice’ - Sisters of Mercy
‘Eat y’self fitter’ - The Fall
‘Painted bird’ - Siouxsie & the Banshees
‘Let’s go to bed’ - The Cure
‘Capers’ - The Birthday Party
‘Nightclubbing’ - Grace Jones
‘The look of love’ - ABC
‘Being boiled’ - Human League
‘Pissing in the river’- Patti Smith
‘Walking on thin ice’ - Yoko Ono

OK, let’s give that mix tape a go. I have really enjoyed listening to these tracks and hope readers enjoy them too. Many thanks, Mark, for your kind note and further selections forty years on.

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