What a lovely, relaxing concert this was. Not so relaxing getting to The Wig on a Friday evening in the run up to Christmas. Nor all that relaxing navigating the inners of a packed Wigmore Hall. But once we were in our seats…bliss.
Janie must have asked me three times if it was ACTUALLY Ton Koopman‘s birthday that day. I said “probably not” and was right, but he had just turned 80 a few week’s before the concert, so this must be his 80th birthday tour.
A man who has dedicated his career to the Baroque canon, we sensed that Koopman surrounds himself with the finest exponents of baroque music, making a happy atmosphere and sound with those people.
All of the pieces were by Telemann. Before the interval, we heard:
Trio Sonata in D minor for recorder, violin and continuo TWV42:d7
Trio Sonata in G minor for oboe, violin and continuo TWV42:g5
Sonata in F minor for bassoon and continuo TWV41:f1
Trio Sonata in F for violin, viola da gamba and continuo TWV42:F10
Quartet in D minor for recorder, traverso, bassoon and continuo from Tafelmusik II TWV43:d1
After the interval we heard:
Trio Sonata in C for recorder, traverso and continuo TWV42:C1
Quartet in G for traverso, oboe, violin and continuo TWV43:G2
Trio Sonata in F for recorder, viola da gamba and continuo TWV42:F3
Quartet in G for recorder, oboe, violin and continuo TWV43:G6
You might get a feel for the sound from the following YouTube, which includes Robert Smith (whom we saw) on the bass viol and focuses on recorder sonatas, of which we heard a few:
Or this one, which is a live performance of a Telemann trio sonata with recorder and viol:
Or this one, a movement from the Oboe Sonata g5 recorded by Ton Koopman and his then mates 30 years ago:
Janie and I love the Bush Theatre and we love the Bush Studio.
Sometimes love puts people through trials and ordeals. On a horribly wet, blowy night, Janie and I wondered whether we love the Bush THAT much when we set off to see this show.
No pressure, but it had better be good…
…said a windswept me to the faintly-amused-rather-than-horrified young woman who sold me the play text.
We needn’t have worried. The Bush Studio has, once again, found and produced a truly excellent piece of small-scale theatre.
Light on plot and heavy on coincidence, the play explores the love trials and ordeals of two young women who fall for each other but who both, in different ways, working their way out of relationships with men. The piece is laced with symbolism and surrealism, at times reminiscent of Lorca, at other times reminiscent of Greek tragedy. We both liked its weirdness.
The play is performed as a two-hander by Nadi Kemp-Sayfi and Annabel Baldwin. We had seen Nadi Kemp-Sayfi before – in A Museum In Baghdad. Both are excellent actresses. The strength of the theatrical experience is surely down to those two and the director, Emily Aboud, who surely got the most out of their undoubted talents.
We saw the last preview. The audience was a little sparse, but perhaps that was a preview thing; a stormy Saturday before Monday’s Press Night. The audience was mostly people who were a lot younger than us; makes a change to go to places where we bring the average age up considerably.
We left the theatre feeling thoroughly exhilarated and genuinely glad that we weathered the storms to see that production. Having foreshadowed the tempestuousness of the relationships on show in the play, the weather then pandered to us as we left The Bush, keeping the wind and piss to a minimum for our journey home, before letting rip again soon after we got home.
It looks as though some tickets, especially for later in the run, are still available, whereas some nights are sold out or down to the last few. We’d thoroughly recommend this play/production, so if you fancy it, book early to avoid disappointment. Runs until 21 December 2024.
…to join him for an afternoon watching quality doubles at The British Open, followed by dinner, with Janie and Geraldine joining us for the grub bit.
Richard secured us front row seats in the dedans gallery, where we saw the following quarter-finals:
Rob Fahey & Steve Virgona v Louis Gordon & Rob Shenkman;
Tim Chisholm & Camden Riviere v Vaughan Hamilton & John Woods-Casey.
On arrival, I ran into a great many real tennis friends – many of whom I know from Lord’s. Indeed, Richard and I estimated that, at the start of that afternoon session, there were more MCC members than Queen’s members watching!
Janie made good time getting to Queen’s for dinner, so was able to join us for the last 20-30 minutes of the second match we saw.
Feeling envious that you didn’t see those matches? Or wondering what they looked like? Or wanting to refresh your memory? Here are the highlights reels for those two matches. I recall a great many highlights in fact, so the reels might not have captured them all:
The food at The Queen’s Club is very, very good these days – it has certainly come on a long way, catering-wise, since the 1990’s:
Richard had not yet met Janie before and neither Janie nor I had previously met Geraldine. It was a great pleasure to spend an evening with those two, eating good food and chatting about all sorts.
Janie and I continued to get pleasure from this event for the rest of the weekend. The doubles semi-finals were on the Sunday and once we had decided to have a quick peep at those on the stream, we were hooked. The first of the semi-finals in particular was a humdinger:
Janie and I also felt quite smug about our modern tennis experience that weekend. Although the weather was shocking, we found a gap in the weather each day to have a decent enough game of “lawners” outdoors.
But the prevailing good feeling from the weekend was that most enjoyable late afternoon and evening on the Friday with Richard & Geraldine Prosser.
l to r standing: Peter, Graeme, Giles, Graham, Me, Jonathan, Piers, Chris, Nick, Paul T, Paul B-B, Kelsey, Susan, Noel, Ellen, Steve, Tony. l-r kneeling: Keith, Chris, Sarah. With thanks to Kelsey Dolan for this & other photos from the day
Long in the planning, a delegation of tennis enthusiasts from Newport, Rhode Island ventured across the pond to play real tennis (or, as they call it over there, court tennis) at the several courts in and near London. This day was their Lord’s day.
I was delighted and honoured to be selected for the MCC team, this being only my second opportunity to represent the club at international club level. My first international was actually my first ever match for the MCC, report linked here and below:
Newport Casino is a fascinating-sounding place, steeped in tennis history; home to the International Tennis Hall of Fame and the original location of the tournament now known as the US Open (lawn) as well as a court tennis facility and much else. Sounds like my sort of casino – I like those that aren’t gambling houses.
Perhaps it was the club’s deep links with history, perhaps it was my remembering seeing Rodin’s The Burghers of Calais in several places on my first visit to the USA in the 1980s…
…but I’m not entirely sure why I imagined the visiting delegation in the style of the Burghers of Calais. Anyway, in an attempt to envisage our visitors a bit better before the day, I asked the DeepAI Image Generator for help:
The picture made me laugh, although it seems that two of Rodin’s six burghers don’t play tennis and that all of them have grown “Eustache beards” since Rodin’s day. Anyway, I can safely state that our friendly and charming guests from Newport did not look like those Calais burghers. Some wags might suggest that the AI depiction suits the burghers of the Marylebone Cricket Club more than those of Newport Casino.
It was simply a pleasurable day. Most of the visitors were keen to see around Lord’s when they weren’t playing and several of us were similarly keen to show the visitors around.
The tennis matches, seven rubbers, were all extremely closely contested.
Steven Bishop & Graeme Marks v Keith Mayer & Paul Tromby
Jonathan Ellis-Miller & Ollie Wise v Steve Devoe & Chris Werner
Piers Vacher & Peter Brunner v Noel Shiland & Ellen Defoe
Ian Harris & Paul Buchanan-Barrow v Sarah Stanley & Kelsey Dolan
Barry Nathan & Nick Davidson v Noel Shiland & Kelsey Dolan
Iain Harvey & Piers Vacher v Chris Werner & Steve Devoe
Giles Pemberton & Graham Findlay v Keith Mayer & Paul Tromby
I don’t think I can remember an event where quite so many sets of tennis went to to deciders at 5-5.
“So what were the precise scores in each of the sets of each of the rubbers and all that”, I hear you readers cry. Well, you know what Colson Whitehead (almost) said:
What happens in Newport Casino stays in Newport Casino…
It really was one of those days when everybody won. I sensed that the visitors very much enjoyed our hospitality and the MCC team similarly thoroughly enjoyed the company of the interesting, friendly delegation from Newport.
Beyond the many interesting conversations about tennis and our respective clubs, I took great pleasure in showing several of the visitors around the ground. Kelsey, who is a softball enthusiast as well as a tennis enthusiast, took a shine to the indoor school and would really like a go at batting. Let’s arrange that for next time!
Almost all of us retreated to The Ivy on St John’s Wood High Street for some dinner. Several of the visitors were, understandably, struggling to reconcile the pronunciation and spelling of the word Marylebone. I consoled them by explaining that we’re probably all getting it wrong when we pronounce St John’s Wood, as it was most likely pronounced “sinjin’s wood” back in the day.
To cap it all, amongst the assortment of fascinating conversations we were all having over dinner, Ellen and I discovered that we have a shared interest in early music, including madrigals. She was not aware that our young professional Alex is not the earliest generation of the Hume family to sing professionally and was intrigued to learn that several of us have played with his dad, Alistair, who was a founding member of The King’s Singers. I recommended the album Madrigal History Tour to her, and/but have found a YouTube of the TV show from whence that album sprung:
It was that sort of day and that sort of evening. Warm-hearted, interesting people finding things in common and enjoying each other’s company. We left The Ivy in a glow of high spirits…that was possibly the gemütlichkeit, but possibly it was the wine and cocktails.
John & Mandy suggested that we visit Saffron Walden for the dual purpose of seeing The Sixteen perform at Saffron Hall and to allow John to cook for us in his newly-extended kitchen…
…a kitchen so comprehensively extended that their home now appears to be a kitchen with some other rooms extended onto the kitchen, rather than a house with a kitchen extension:
But I’m getting ahead of myself.
15th Going On 16th Century Cottage
Janie and I decided to make this a “proper short break”, arranging three nights in a properly old cottage, Drake’s Cottage, in the medieval part of town. The headline photo shows a picture of the outside of the cottage, inside the cottage. It dates back to 1461, making it even older than the 1480’s place we stayed in at Stratford a few weeks ago…
…although in truth most of what remains appears to be a major rebuild from the 1530’s, around the time the bigger houses in the Myddlyton part of town were built. In any case, it is seriously wonky compared with proper mock Tudor such as our 1930’s Noddyland abode:
We arrived later than intended on the Thursday afternoon. I was keen to get to the cottage before dark, as I am now really averse to driving on country roads when it is dark or even dusky. We didn’t quite make it, although you could argue that it was still dusky…just “well dusky” when we arrived rather than “proper dark”.
As we were self-catering, I was keen to do a bit of rudimentary cooking for a change, so knocked up a prawn and pea pappardelle dish with a large salad.
We took our time before venturing out on the Friday, but did some strolling at our own pace and went to find the market square with a view to returning there the next day to see the market.
I offered to host John & Mandy for drinks and grub at our humble cottage before and after the concert at Saffron Hall, an offer which was gratefully accepted. A mixture of wild and posh farmed smoked salmon on mini bagels with a Pouilly-Vinzelles pre show.
Sixteen Going On 17th Century: Monteverdi, Vespers of 1610, The Sixteen, Saffron Hall, 8 November 2024
Part of this gargantuan piece, the Ave Maris Stella and the Magnificat, was probably the first Monteverdi music I ever heard, as it came as part of a collection of music records/subscription booklets that Uncle Michael gave me when I was a small child:
I still have that record and booklet. You can hear that version of the Magnificat digitised here:
I have a feeling that my dad wasn’t overjoyed by my affinity with early 17th century sacred music, hence him seeking out and getting me into Monteverdi madrigals instead:
But I digress. Let us return to November 2024 and the Saffron hall:
I proceeded to tell Mandy my favourite theorbo anecdotes:
Mandy must have been very keen to hear The Sixteen that evening, because she looked super-excited when the lights went down, I shut up and Harry Christophers strode onto the stage.
Back at our cottage, I had prepared a supper of charcuterie and cheeses, with a rather jolly bottle of Chocolate Block.
A super evening.
Saffron Walden Market, Bridge End Gardens & Dinner At John & Mandy’s Place, 9 November
Mandy & John supplemented advice we had already received about what to do on a Saturday in Saffron Walden, before heading to their place for John’s cheffy dinner.
I’ll tell the story mostly in pictures, as I have written more than enough words already:
Then into the Bridge End Gardens…
We were getting quite cold, so we didn’t attempt the maze in Bridge End Gardens.
Probably just as well – as a few hours later – we even managed to get lost in the relatively simple maze of streets between our cottage and the John & Mandy residence. Eventually John came out to rescue us in the street.
It was a really enjoyable evening. Indeed it was a really enjoyable and much needed short break for me and Janie.
If you want to see all 70+ photos from this trip, click the Flickr link below and scroll away: