Steve Parsons 27 March 1994
News Revue
Dear Steve
NEW MATERIAL / NOTE FROM PARENTS
I enclose my latest pieces.
I apologise for the recent dearth of my material or indeed my very appearance. I can only attribute the problem to vast excesses of work. Unfortunately, I have been too busy even to get an absence note from my parents. Fear not. I expect to be with you this week with some friends in tow. I also hope the bank holiday weekend will give me a chance to produce yet more fresh material.
I also have some news for the “where are they now?” department. I spied Richard Katz (ex Laura’s run, October 1992) at the National Theatre in Caryl Churchill’s new play “The Skriker”. I must admit, I didn’t recognise him until about half way through the play during a song and dance routine with Richard wearing plastic flowers on his back. (Naturally, this behaviour made the News Revue memories come flooding back).
Be that as it may, I look forward to seeing you all on Thursday.
Yours sincerely
Ian Harris
encs
Author: Ian Louis Harris
Letter To Chris Edge At Spitting Image, 27 March 1994
The saga of Spitting Image having put me in touch with NewsRevue in the first place and then tentatively coming back into my writing life (never to be fulfilled in a Spitting Image sense) continued…
Chris Edge 27 March 1994
Spitting Image
17-19 Plumber’s Row
London
E1 1EQ
Dear Chris
SONG TORTURE
Thank you for your kind note and for passing my Domestic fuel song on to the new worthies.
I write a great many lyrics (about 50 pieces a year), many of which are performed at News Revue. I enclose a small sample of work from the past few months.
Your new regime might be seeking new approaches to the show. I should be happy to try and match my writing to your requirements if you let me know what you want.
Yours sincerely
Ian Harris
encs
The Skriker by Caryl Churchill, Cottesloe Theatre, 26 March 1994
A strange play, this. Here is a link to its Wikipedia entry. Writing about it 25 yrars later, it seems in some ways more relevant now than it did then, as evidenced by the several revivals of it in recent years.
According to my log, Janie and I both found the play and the original RNT production we saw very good. Here is a link to the Theatricalia entry for that production.
The wonderful Kathryn Hunter was in it. As was Richard Katz, who had, at that time, fairly recently done a grand job with my material in NewsRevue. I’m pretty sure it was Richard who belted this one, for example:
I’m struggling to find reviews, but this preview from the Independent is interesting.
Here is a clipping from The Guardian:
While here is a 79 page doctoral thesis about this play, which posits that our whole political and social system comprises patriarchal binary oppositions. So there.
And there was Janie and I thinking that we’d spent an evening seeing an interesting play by Caryl Churchill performed exceptionally well. What simple souls we were/are.
Comedy, NewsRevue Lyric (Incomplete), 20 March 1994
Clearly it was becoming a Sunday habit for me to write these lyrics for NewsRevue – all of the March 1994 ones were written on a Sunday – apart from one which I finished off on the Monday.
This one I didn’t finish off, nor, as a result, did I even catalogue it. I discover it now in the electronic folder with the others, looking sad and forgotten…
…which is exactly what it was.
_ COMEDY _
(To the Tune of "Tragedy")
VERSE 1
Here I lie in a lost and lonely Parliament,
Screw a spy and appeal up to the firmament;
Getting off with Bienvenida,
Army toff those boss men need her,
Holding them, moulding them, scolding them, balding men.CHORUS 1
Comedy, when you need a fuck with a tart named Buck,
A travesty, kissing in the dark with your research clerk,
It’s tough out there, so men who are faithful are going nowhere.
You’re history, with a Kings Cross slag or a plastic bag;
It’s parody, when your MPs lie and you know well why,
It’s hard to say, why men who hold power behave in this way.VERSE 2
Ev’ry day another top dog bites the dust,
Spokesmen say “a private tragedy”, you must…
Not believe this explanation,
They deceive, the entire nation;
Absurdity with birds you see ain’t tragedy or savagery.CHORUS 2
Comedy, when the knickers drop pants are down and the
Here are the Bee Gees singing Tragedy with the lyrics on the screen:
Shooting Four Mortars At Heathrow, NewsRevue Lyric, 13 March 1994
Yes, I think I can see what I was trying to doi here. Neat idea, reads quite well, but was not destined for a long run in the show, if indeed it got a go at all.
_ SHOOTING FOUR MORTARS AT HEATHROW _
(To the Tune of "24 Hours From Tulsa")
(Irish accents are virtually compulsory for this song)
VERSE 1
Gerry Adams,
Called us to say that the IRA might not fight no more,
But in the voice of an actor,
He also said that we should get rid of our old mortars.
So we were only taking four mortars to Heathrow,
Only transporting our aged arms,
Our Micra looked odd en route,
With missiles aimed out the boot….VERSE 2
Stuck in an M4 tailback,
When we all saw the Excelsior with a huge car park,
Right by a Heathrow runway,
We stopped the car and aimed our mortars to fire after dark;
Cos we were only, shooting four mortars at Heathrow,
Only 24 yards from a plane;
Some bastard sold us a pup,
The fire bombs failed to erupt,
But our car blew up.(You could try an instrumental with a little Irish jig type dancing at this juncture, or you might decide to give that a miss)
VERSE 3
But still we’d left some mortars,
Home we returned but as our car burned we went home by tube;
Set off some more bombs remotely,
Somewhere obscure like Terminal Four when the Queen was due.
And we were only firing more mortars at Heathrow,
Only discharging all of our arms;
Our mortars were a damp squib,
Security was so glib,
Gave us the rib,
So we shall never never never go there again…..
……ho, ho, ho, maybe?
Below is a video of Gene Pitney singing 24 Hours From Tulsa:
Little Willie Waldegrave, NewsRevue Lyric, 13 March 1994
William Waldegrave was a cabinet minister in John Major’s government.
It transpired that he was also a neighbour of mine in Notting Hill Gate and a regular at our favourite Chinese restaurant around the corner, The Park Inn, where he and his family became nodding acquaintances of ours.
But I didn’t discover the latter until after I had written this lyric (and others) about him. As far as I know, Waldegrave never discovered that I, his fellow diner, was also that lyricist.
_ LITTLE WILLIE WALDEGRAVE _
(To the Tune of “Little Willy”)
(Abba wigs might come in handy for this song)
VERSE 1
Big lies, small lies, Little Willie Waldegrave’s so fair he’s a chevalier,
Touchy, Duchy, Willie looks so silly with his bouffant funny looking hair;
Way past one and Willie’s such a sight,
Cos when Waldegrave debates he may talk all night,
Hey there, stay there, grey hairs, flair.
CHORUS 1
Cos Little Willie Willie’s hair, won’t comb,
And you can’t make Willie wear hair styling foam;
Tried telling him that he looks like a coxcomb,
Little Willie Willie’s hair, won’t comb.
VERSE 2
Left wing, right wing Little Wally Willie says its couth to express an untruth,
Hanky-panky Willie drives em silly on Profumo and Hartley Booth,
Tories sell arms to Iraq and Iran,
But Willie pins the lies on James Callaghan,
Forsooth, war sleuth, half-truth, proof.
CHORUS 2
Cos Little Willie Willie won’t tell lies,
Though he says all other MPs tell pork pies;
Now Willie Waldegrave’s the one they despise,
Cos Little Willie says MPs tell lies.
CHORUS 3
Little Willie says he won’t resign,
Though the Scott Inquiry says Willie did sign;
He oughtta style hair like Michael Hestletine,
Michael is ascendant while Willie’s in decline.
Here’s a video that plays Little Willy by The Sweet with the lyrics on screen:
While here is The Sweet on TOTP performing their song. Brian Connolly’s tank top and yellow outfit has to be seen to be believed – remember that this stuff was described as “Glam Rock” at the time, 1972:
The Life Of Galileo by Bertolt Brecht, Adapted by David Hare, Almeida Theatre, 12 March 1994
Janie and I see a lot of theatre and on the whole go to see productions that we find good or very good. But just occasionally we see something that is a cut above and is truly memorable as one of the best productions we have ever seen.
That is how my memory (25 years later) recalls this adaptation/production of The Life Of Galileo and my log from the time registers the simple phrase, “excellent production”.
Here is the Theatricalia record for this production.
Contemporaneous reviews only through the following clippings of Michael Billington’s review:
My take is that Richard Griffiths was superb as Galileo, ably supported by a top notch cast dirtected by Jonanathan Kent.
This a David Hare adaptation was revived at The National some 12 years later; there are on-line reviews of that production – e.g. this one, which mentions the 1994 production.
The Wikipedia entry for the play provides a good synopsis.
An exceptionally good night at the theatre, I remember it well.
Letter To Steve Parsons Re NewsRevue, 6 March 1994
Steve Parsons 6 March 1994
News Revue
Dear Steve
SONGS
I enclose this weeks offerings and hope you like them. I have given you two versions of The Boy From New York City, as my song borrows structure from both.
The tape also includes a couple of tracks that Nick R Thomas asked me to tape for you; apparently you have his lyrics but couldn’t trace the tunes.
As I said on Thursday, your team are all bursting with talent. I’m sure that the run will be excellent once they all relax and enjoy themselves on stage (they were probably already doing just that by Friday last!)
Looking forward to seeing you all later in the week.
Yours sincerely
Ian Harris
Encs
They Are The Tories, NewsRevue Lyric, 6 March 1994
Yet another lyric which my log claims I penned on 6 March 1994. I’m not sure if this one was used or not; I don’t think it was…or if it was I don’t think it worked in the show.
Some good lines though, matching the lines from I Am The Walrus quite neatly.
_ THEY ARE THE TORIES _
(To the Tune of "I Am The Walrus")
VERSE 1
It’s absurd that such a turd as Douglas Hurd can run our foreign office;
See how they run those bits of a gun see how the arms, are firing.
Sitting in a courtroom, waiting for Lord Justice Scott,
Parliamentary penguins tried to cover proof up,
My they’ve all been naughty boys they are a wicked lot.CHORUS 1
They are the egg heads {ooooh} they sold the war heads {ooooh},
They are the Tories, goob goob ga joob.MIDDLE EIGHT
Sitting in a Baghdad garden waiting for the gun,
If the gun don’t come,
They’ll buy their Scuds from Georgia or from Ukraine.CHORUS 2
They are the despots {ooooh}, they have the death squads {ooooh},
They are the warlords, goob goob go joob.VERSE 2
Matrix Churchill bosses were still going down Old Bailey thanks to you,
Ministers all signed except for Heseltine says Justice Scott’s, inquiry;
(Inquiry, inquiry, inquiry.)
Yellow man don’t trust Hurd,
Although he can speak Mandarin;
Mahatir Mohamad’s angry in Malaysia,
Cos the English press say’s he made on the Pergau Dam.CHORUS 3
They were the aid men {ooooh}, now there’s no trade men {ooooh},
They are the Tories, goob goob ga joob goob goob goob ga joob ga goob.
Oompa oompa stuff Kuala Lumpur, Kuala Lumpur stick it up your jumper, oompa oompa damn Kuala Lumpur…….(exit gracefully).
Here is a video of The Beatles singing I Am The Walrus:
Reject, NewsRevue Lyric (Unused/Incomplete), 6 March 1994
I must have written this one at the same time as The Graft In Little Rock City…
…but it is incomplete and I didn’t even catalogue it, so my guess is that I felt it was less than satisfactory and was waiting for inspiration and/or the news to revive it…
…then I forgot all about it for 25 years.
Anyway, here it is. The idea of Hillary Clinton belting a lyric to the tune of Respect still pleases me…but probably not quite this lyric.
_ REJECT _
(To the Tune of "Respect")VERSE 1
Hilary Clinton that’s me,
Bill should be a lot more PC;
All I’m asking is for a little less sex with bimbos
{just a little bit, just a little bit}
‘Specially when I’m home,
{just a little bit, just a little bit}VERSE 2
Bill ain’t very strong, when it comes to women,
wrong woman
All I’m askin
Hit it, Billy C
(Sax Solo)VERSE 3
give you money
return honey
give me proper home
re reMIDDLE EIGHT
A REJECT
That’s what Bill considers me
DISSECT
I should cut off his willy.OUTRO
Sock it to him sock it to him sock it to him sock it to him,
Sock it to him sock it to him sock it to him sock it to him,
just a little
Here is Aretha Franklin singing Respect with the lyrics on the screen:
While I’m at it, here is Otis Redding, who wrote the song, performing it live. Personally I love both the Otis and the Aretha versions of this song: