Cricket Sound Bites, NewsRevue Jotter Presumably, 17 April 1993

I have a heap of jotting pads I’ll want to trawl at some point, as part of my archive wallow, but here is a very rare example of me digitising some NewsRevue-oriented jottings in 1993.

It was the start of the cricket season, for the genuine (i.e. county) cricket lover, but much too early in the year for cricket to be in the news. So what was I doing jotting this stuff for NewsRevue?

Here’s what I think happened.

Michael Ereira’s run had started two days earlier – a breath of fresh air for us writers after a Terry Randall run packed with bawdy comedy of the cast and crew’s own making – see my smoker response clicking here or below:

Titty Titty Bum Bum, Presumably For A NewsRevue Smoker, 28 March 1993

Michael Eriera used a lot of my lyrics. I was particularly taken with a rendition of Don’t Fuck Up The Economy – the third lyric in the They Flew From Tuscany medley – click here or below – I’m pretty sure performed by Keith Wickham as John Major, including some excellent business with a cricket bat:

As Time Goes By or They Flew From Tuscany, NewsRevue Sketch and Medley, 10 October 1992

Keith might remember exactly what that cricket bat business was…or deny all knowledge/involvement.

Anyway, point is…

…that must have turned my mind to cricket and the potential for cricket-oriented NewsRevue lyrics.

The show had been blessed by a cracker the previous season – I’m pretty sure that it was by Jonny Hurst – You’ve Got To Pick A Cricket Ball Seam to the tune of Pick A Pocket Or Two from Oliver!

Indeed seam picking and inappropriate behaviour with barmaids was all I could think of in getting some ideas onto an e-jotter that April.

My guess is that I typed these ideas up in order to print the page out and chat ideas through with the team of writers at a writers meeting.

Sadly (or perhaps mercifully) nothing came of it – I don’t think I ever wrote a cricket-related piece for NewsRevue in the end – strange really.

Still, 1993 did turn out to be a very good year indeed for the county cricket lover, don’t ya think?

CRICKET SOUND BITES

(Some Bally Crickers Quickies That Have No Further To Go And May Just Be Enough)

 

CRICKET MEDLEY (A prize of 10p is offered to the first reader who can name the album from which all three songs in the medley originate)

 

NO WASIM (To the tune of “No Woman No Cry”)

No Wasim, no crime, no Wasim no crime,

 

And/or:No Waquar, no crime, no Waquar, no crime.

 

I SMOKED THE SILK CUT (To the tune of “I Shot The Sheriff”)

I smoked the Silk Cut,

But I didn’t smoke the dope or weed.

 

And/or:I chased the barmaid,

But I didn’t chase the drag on weed.

 

And/or:I pulled the barmaid,

But I didn’t pull or pick the seam.

 

GET UP STAND UP (To the tune of “Get Up Stand Up”)

Get up stand up, England cricket team,

Get up stand up, don’t just blame the seam.

The answer to the music “quiz” is of course Live! by Bob Marley and the Wailers – I must have been listening to side two that day. If you like this kind of music – here are some vids for you to enjoy. Not the versions from the album, but vids of live performances all.

…and finally a link to a live version of Get Up Stand Up, which includes all the lyrics.

 

Yugo Yugo, NewsRevue Lyric, 17 April 1993

I’m not sure whether this one ever saw the light of day in the show – Michael Eriera did used to use a lot of mine, even if they weren’t overtly funny.

But on re-reading this lyric 25 years later I am quite taken by some of the rhymes and in particular by the strength of sentiment I wanted to get across and, I think, managed to get across within a very sparse word pattern.

YUGO YUGO

(To the Tune of “Iko Iko”)

 

VERSE 1

My Grand Duke told your Grand Duke, the Balkan scene is dire;

My Grand Duke said to your Grand Duke, we’ll let them wallow in the mire.

 

CHORUS 1

Talking ’bout Yugo {Yugo} Yugo {Yugo}

Yugoslav-ee-i-ay; {Oh, oh}

Cannot interfere with Balkan ways, never mind the folks they slay.

 

VERSE 2

Look at those troops with blue berets, Boutros Boutros Ghali;

I bet you five dollars they do nothing today, UN troops will keep away.

 

CHORUS 2

Talking ’bout Boutros {Boutros} Boutros {Boutros}

Boutros Boutros Ghali; {Oh, oh}

Fails to save the Bosnian Muslims, fails to save the Somalis.

 

VERSE 3

My envoy told your envoy, Radovan’s a liar;

My envoy told your envoy, he’s goanna set Tuzla on fire.

 

CHORUS 3

Talking ’bout Cyrus {Cyrus} Cyrus {Cyrus}

Cyrus Vance and Owen; {Oh, oh}

When will the UN do anything, when will the UN go in?

 

VERSE 4

Look at those Serbs all dressed in green, Boutros Boutros Ghali;

They’re not just men they are killing machines, goanna rape and loot and slay.

 

CHORUS 4

I suggest you go {you go} you go {you go}

You go to Gorazde, {Oh, oh}

I shall keep a safe distance away, I shall stay at home and pray,

Yes, lets just stay at home and pray, lets just stay at home and pray;

{Boutros!!}

Below is a little vid with The Dixie Cups singing Iko Iko and the lyrics on the screen:

Letter To Michael Eriera At The Start Of A NewsRevue Run, 16 April 1993

An interesting letter to Michael Eriera, with whom I got on well and who liked my material. Useful as proof that some songs, about which I was unsure whether or not they ever featured in the show, were in fact used.

                                               16 April 1993

Dear Michael

Congratulations on a fine opening night.  I enjoyed the show and get the feeling that the other writers have been re-inspired.  Please pass on my compliments to the team.  Now that I have sobered up, I thought that some comments (hopefully they are constructive ones) may be helpful.

SLOWER NUMBERS (NORMAN LAMONT, WILL YOU EMPLOY ME)

I think these work surprisingly well the way you do them (I worry about the slow ones).  I was pleased to see the original Norman, rather than the less subtle rewrite that was in the show previously.  I decided I didn’t like Employ Me after I wrote it but you’ve made me change my mind.

JOHN MAJOR NUMBERS (DON’T FUCK UP THE ECONOMY, JOLTED JOHN)

I didn’t think there was anything else to say with Don’t Fuck Up, but Keith’s business with the cricket bat and that awful hat have brought it back to life.  Jolted John lacked something for me.  Perhaps Keith should be prepared to sound a bit less like John Major and more like a nerd in the original tune.  Try the spoken bits in between like theatrical asides.  That could also make it less static for the first few verses.

BETTER FACE

Needs something else.  I love the idea of Sonia doing it but it lacked the laughs.  It needs some OTT theatricality to it as it is not really a subtle song (rather, it has one subtle point and smells subtle).  I had the dubious privilege of seeing the video for the first time this morning and it gave me a few visual ideas.  Consider making one of the chorus a soldier rather than a child – you could spoof the “bass” in the last chorus.  Consider candle waving at the end (as long as you don’t burn down the pub).  If all else fails then by all means drop it – it’s had a good run before.  Please also remember to attribute the money to Save The Children Fund as I assigned the rights to them when I wrote it.

MAASTRICHT

Total success.  Proves the point that sailing close to the wind by doing some really difficult songs pays dividends.  Well done.

DESIGNER

Needs something.  I don’t think people could hear all the words.  It is really “a belter” – it cannot be too loud or too melodramatic.  I visualise him virtually in tears by the end – he is a ruined man and he’s telling us about it.  Consider knicker throwing – the Tom Jones/knickers mind set is so strong.  I also thought that it was too soon after the cigarette pun sketch for more puns.  If all else fails – try Grunge Clobber Wearer instead which is more topical (and is my pet song of the month).

Hope my comments are helpful.  I hope it doesn’t seem too critical as basically I believe that you are on track for a really good run.  Well done once again to you all – look forward to seeing you soon.

Easter Weekend With Phillie, Tony & Charlie In Ealing, 8 to 13 April 1993

My diary says that I played bridge with my gang at Tessa’s place on the Thursday evening. That would have been Tessa, Andrea and Maz.

Janie’s diary says that Phillie & family were arriving that day and that they were having dinner “at mum’s” that Thursday evening from 6.00 and that I would be coming over 12.30.

I think I had a key by then. Or this might have been the occasion that resulted in me having a key.

Anyway, Janie’s diary says that we all went for a meal at North China on the Friday evening. This is the gathering of Pauline, Phillie, Tony, Charlie, Janie and me, all around a Chinese restaurant table, that i recall so well from our early time together. I think we only ever did that as a group of six the once.

The diaries are very light on what we did. Possibly we didn’t do much.

To some extent Phillie, Tony & Charlie were probably using Sandall Close as a base to do other stuff.

Where the heck did everyone sleep at Sandall Close?

Anyway, we were all still talking to each other come the Tuesday, as the diary says we six (including Pauline) had a dinner party at Sandall Close on the Tuesday evening.

Janie and I both worked that day too.

I think the family stayed on with Janie until the Wednesday afternoon.

The Real Thing by Tom Stoppard, The Questors Theatre, 3 April 1993

It must have been dawning on me and Janie that our thing was the real thing…

…because this was a night at the theatre with Pauline; Janie’s mum.

According to Janie’s diary, we had drinks at Pauline’s place at 6:00 before going off to The Questors for a 7:45 show.

All I wrote in my diary was “Questors”.

A notice from a local paper – click here.

Janie and I felt motivated to see a professional production of The Real Thing a few years later at the Donmar Warehouse.I recall the play working much better, especially for Janie, second time around.

Still, I don’t think the evening went too badly. I’m pretty sure I treated the pair of them to dinner after show, but I do not recall where and both our diaries are silent on the matter.

It almost certainly would have been either Wine & Mousaka, Lisa’s or Noughts & Crosses in those days. I don’t know why, but I think it was Wine & Mousaka that first time.

We all lived to tell the tale.

Bosnia-Herzegovina, NewsRevue Lyric, 2 April 1993

What this one lacks in humour it can’t quite make up for with historical accuracy and clever rhymes on the names of obscure Slavic places and politicians names.

Some good lines though.

I cannot think of lyrics that work to Copacabana without remembering John Random’s classic: “His name was Tony, He was an arsehole, he used to drive his kids to school in a Japanese four-wheel cruiser.  It was a Shogun, from Mitsubishi…”

If we ask John nicely he might fill in the rest – I can recall some excellent fragments.

Anyway, my lyric that works to that tune reads like this:

BOSNIA-HERCEGOVINA

(To the Tune of “Copacabana”)

 

VERSE 1

His name was Owen, he was a shamen,

With his thick grey wavy hair, he looked like a grizzly bear,

And his friend Cyrus, did not inspire us,

From his compromising stance, you could see those Serbs ‘ad Vance;

Across poor Bosnia, those Serbs took Gorazde,

They were young and they had more weapons in Srebenica.

 

CHORUS 1

It’s Bosnia-Hercegovina, the place could not be more obscener;

In Bosnia-Hercegovina, when they’re not shooting, those Serbs are out looting,

In Bosnia, it’s hell on earth. {Bosnia-Hercegovina}

 

VERSE 2

Now Billy Clinton, hated what went on,

So he got his UN clone, to declare a no fly zone,

To aid the mission, for a partition,

In the way that Owen says, have ten separate provinces;

But Serbs won’t play along, they’ve had their way too long,

They’ve killed and raped and maimed and looted, but claim they’re not wrong.

 

CHORUS 2

It’s Bosnia-Hercegovina, the Serbs took to the ethnic cleaners,

Poor Bosnia-Hercegovina, Serbs break the silence, with combat and violence,

In Bosnia, it’s getting worse. {Bosnia-Hercegovina}

 

VERSE 3

One day Lord Owen, that aging shamen,

Got that old Serb git Radovan, to sign the Vance-Owen plan,

The folks in Britain, were truly smitten,

They didn’t realise this plan, had really only just began,

The UN went in more, they said they must make sure,

That the Muslims, Serbs and Croats really stop the war.

 

CHORUS 3

In Bosnia-Hercegovina, these rhymes get progressively thinner,

With Bosnia-Hercegovina, (once) they stop berating we’ll start celebrating,

For Bosnia, let’s hope peace lasts.

Here is Barry Manilow singing Copacabana with lyrics:

In June 1993 I updated Verse 3 and Chrus 3:

VERSE 3
 
One day Lord Owen, that aging shamen,
Was shocked when he learned Radovan, would not back the Owen plan,
Muslims and Croats, then had a go at,
Each other – the Vance-Owen plan, went right back where it began;
The UN’s best defence, was sitting on the fence,
Hoping Muslims, Serbs and Croats someday cease offence.
 
CHORUS 3
 
In Bosnia-Hercegovina, the vultures are the only winners
With Bosnia-Hercegovina, if they stop berating we’ll start celebrating,
For Bosnia, let’s hope for peace.

The Ultimate Love Song, Ben Murphy Recording, 1993

As part of The Ultimate Love Song‘s 25th birthday celebrations (born 29 February 1992, so perhaps six-and-a-quarterth birthday…

…and because I find it hard to resist responding to requests (thank you, Andrew Poole)…

…I think I have fiddled around and successfully uploaded an MP3 of Ben Murphy’s rendition of The Ultimate Love Song, which was on Ben’s 1993 cassette album “Cover of the Rolling Stone” along with several other songs of mine.  More on that anon…

…here’s The Ultimate Love Song, sung by Ben Murphy.

Leon The Pig Farmer, Followed By Dinner In Bristol With Hilary & Family, 26 to 28 March 1993

Janie’s diary is full of information for the Friday evening:

6.00 Leon Pig Farmer – Gary at Ian confirm?

7.15 starts (7.30) Kensington Odeon

Yes, I am pretty sure Janie and I saw Leon the Pig Farmer at Kensington Odeon.

I do not recall Gary (Davison, presumably) joining us at the movies that night.

Here is the IMDb resource for the movie.

Below is its trailer:

It was a quirky, rather corny film with some excellent actors in it.

I am pretty sure we ate and stayed at mine, not least because Janie treated one of her Saudi princess clients in town on Saturday moirning before we went off to Bristol. I don’t suppose they discussed Leon The Pig Farmer.

My diary is not at all forthcoming about the details of this weekend. All I wrote for the Friday evening and then Saturday were a couple of very short words:

PIG.

Hils.

Then some arrows and stuff across the Sunday, implying that we stayed in Bristol, Janie also had a symbolic line through Sunday.

With no other information about where we stayed, I’m guessing this is the one and only time that we stayed at Janie’s sister Hil and Chris Boswell’s house, in the conservatory, on their Z bed. (Sounds like a Cluedo accusation).

Memory suggests that we ate a very good meal with some good wine. Were “entertained” by the boys squabbling with each other and then tried our best to sleep on the Z bed.

Titty Titty Bum Bum, Presumably For A NewsRevue Smoker, 28 March 1993

My journal note for this lyric reads:

Tribute to the comedy legend Terry Randall

I’m going to guess that I wasn’t overly enamoured of Terry Randall’s March to April 1993 NewsRevue run. Presumably I wrote this for a smoker or just to show around the writers, some others of whom might well have been similarly disaffected:

TITTY TITTY BUM BUM

(A Song in memory of Terry Randall’s run to the Tune of “Chitty Chitty Bang Bang”)

 

INTRO

Titty bum bum, titty titty bum bum,

Titty bum bum, titty titty bum bum,

Titty bum bum, titty titty bum bum;

 

CHORUS 1

Ha ha titty titty bum bum, titty titty bum bum’s what we do,

And this titty titty bum bum, is a pretty dull dum News Revue;

Where has all the audience gone, they’re to thick to get the joke,

Bum bum titty titty bum bum, push pricks pubes paps and poke,

Bum bum titty titty bum bum, with TV sport and soap.

 

TV SPORT AND SOAP

East Enders screw everyone,

Brookside viewers read the Sun,

While Sky TV’s dropping like a stone;

Paul Gascoigne’s knee’s terrible,

And Vinnie Jones gropes the ball,

Mike Gatting is batting his bone.

 

CHORUS 2

Ha ha titty titty bum bum, titty titty bum bum’s all we’ve got,

And this titty titty bum bum, is a shitty rum numb not a lot;

Where have all the writers got to, they all know they’re out of luck,

Bum bum titty titty bum bum, so News Revue is stuck,

Bum bum titty titty bum bum, but we don’t give a fuck.

{Titty titty bum bum, titty titty bum bum, you’re all wankers, titty titty bum}

Below is embedded the Chitty Chitty Bang Bang Theme Tune:

Here is a link to those Chitty Chitty Bang Bang lyrics.

Ma Stricht, NewsRevue Lyric, 28 March 1993

25 years later Europe still dominates our politics here in the UK – oh boy.

Anyway, the Maastricht Treaty was the hot potato in 1993. I wrote this:

MA STRICHT

(To the Tune of “Ma Baker”)

 

FEMALE VOICE:Freeze, this here’s the Ma Stricht treaty.  Put your hands in the air and gimme all your constitutional powers.

MALE VOICE:This is the story of Ma Stricht.  The longest bill in old Westminster town.

 

VERSE 1

It was the longest bill, At the third reading stage,

A repetitious bill,It seemed to take an age,

It was no fun at all,No no no fun at all;

It was the tritest act, In old Westminster town,

A most prosaic act, They tried to bring it down,

Till the whips came along,Then Tories played along.

 

CHORUS 1

Ma ma ma ma, Ma Stricht is, Parliament’s main fight,

Ma ma ma ma, Ma Stricht keeps, MPs up all night,

Ma ma ma ma, Ma Stricht is, as boring as hell,

Ma ma ma ma, Ma Stricht cos it’s the Lords match as well.

 

VERSE 2

She was the meanest cow,In old Westminster town,

An old and bitter cow,In her red Ermine gown;

She had no heart at all,No no no heart at all;

She used her heavy mob,These thugs all owed her credit,

An evil heavy mob,Lord Joseph and Lord Tebbit;

They had no heart at all,And had no brains to call.

 

CHORUS 2

Ma ma ma ma, Marge Thatcher, she and her old Peers,

Ma ma ma ma, Marge Thatcher, fought Europe for years,

Ma ma ma ma, Marge Thatcher, she thought the EC,

Ma ma ma ma, Marge Thatcher ought to stage World War Three.

 

MAJOR:This is a special bulletin.  Marge Thatcher is the Tory Whip’s most considerably wanted woman.  Oh yes.  If you see anyone voting with this woman, please report it immediately to Tory Central Office.

THATCHER:Don’t anybody move.  Hand over that treaty.

 

VERSE 3

John Major’s dull and thick, But he knows Thatcher’s ploys,

He’ll make the treaty stick,With his Tory whip boys,

Though it won’t work at all,Cos it’s not meaningful.

 

CHORUS 3

Ma ma ma ma, Ma Stricht oh, when will the end come?

Ma ma ma ma, Ma Stricht needs, a referendum,

Ma ma ma ma, Ma Stricht has, got nowhere to go,

Ma ma ma ma, Ma Stricht cos half of Europe says “no”.

Here is a vid of Boney M (probably) singing Ma Baker:

Here is a link to Ma Baker lyrics.