Liberetto III, Lars Danielsson Group, Wigmore Hall, 19 November 2019

I took a punt on this one – Janie doesn’t much like staying in town for anything on a Tuesday evening – but I guessed, correctly, that this would be a really good concert.

Here is the Wigmore Hall resource on this concert.

In fact the evening exceeded my high expectations.

There is a superb review of this concert by Rob Mallows on londonjazznews.com – click here or below:

I cannot better that review, so need only to defer to it and say little more, other than the fact that Janie and I were quite blown away by this gig. That “oh my gosh this is exceptional” feeling happens rarely for us now, as we are lucky and privileged to see a great deal of wonderful stuff.

But this concert really was the bees knees, as the above review explains.

I dowloaded all three Liberetto albums at the weekend, so we can listen some more to this material and to more of Lars Danielsson’s recent work besides.

Here’s a sample video of one of the tracks from the most recent, Liberetto III, album – Lviv:

Below is another trailer, from the first Liberetto album – different pianist on the vid but the current quartet played this piece on the night:

Have I menioned how good this jazz group is and how wonderfully Lars Danielsson’s music sounds?

I’ll stop and let Lars Danielsson Group’s work speak for itself.

A Gresham Society Visit To Fortnum & Mason, 18 November 2019

Janie and I started our Fornum & Mason cultural evening earlier than most, by visiting the Royal Academy across the road in the late afternoon – click here or below:

As planned, we still had time to take our own look around Fortnum & Mason ahead of the Gresham Society event. We had been told that we were not getting the standard guided tour of the shop…

…thank goodness – I mean, who needs a guide to take you around a shop, especially if you have Janie with you?…

…so the opportunity to have a butchers at the store ahead of the special artefact session we had been promised, was a good idea.

Of course, being Gresham Society, Janie and I weren’t the only people to have that bright idea. We ran into several Gresham Societitians, not least Barbara Anderson, while exploring the delights of Fortnum and Mason, without a guide.

Sweet
Also sweet
Surely I can’t go back to savoury now?
Everything looked nice enough to eat down there in the food hall

But our real purpose at Fortnum and Mason was to hear from the archivist, Dr Andrea Tanner and see some of the treasured artefacts she has gathered about the 300+ year old institution.

The Gresham connection is a little tenuous, but Fortnum & Mason have recently opened a branch in The Royal Exchange, which of course was founded by Sir Thomas Gresham.

While the direct connection might be tenuous, the international mercantile nature of both Gresham’s career and the commercial venture that is/became Fortnum & Mason, have some clear similarities.

We were honoured to be hosted in the Fortnum & Mason Board Room. We learnt that our visit was very much a one-off treat for The Gresham Society, as the regular “history tours” are more usually small groups on a shop tour. Such tours are most certainly not normally conducted during the run up to the festive season, so we were most firtunate and honoured to be thus welcomed.

Tea…
…and biscuits…
…in the charming Board Room…
…yes, indeed. So listen up, Mr Harris.

The history of the store is very interesting. Much of the history can be gleaned from the Wikipedia entry – click here – amongst other sources.

Janie was especially interested to hear about the post-war history of the business, as she treated Garry Weston (the Wagon Wheel man, as well as the Fortnum & Mason man) & his wife, Mary Weston, for many years.

But in truth, the elements that most interested us and the Gresham folk gathered that afternoon, were the extraordinary historical artefacts that Andrea Tanner was able to show us. These pieces illustrated the history of the place to a far greater extent than the (still interesting) dates and anecdotes.

We were warned not to open this unfinished jar of beef extract; who knows what lurks within such a jar once several decades have passed.
Tommy’s Tin – chocs and cards for the troops

Janie snapped a fair smattering, but not all, of the pieces handed round and explained.

Fortnum & Mason has diversified into all sorts at times in its history; it’s not all about teas, sweets and wines
Well I’ll be darned – more stuff for Tommy
Only Janie seemed to have the guts & dexterity to open this beautiful small watch
Not on the table, Imelda! What would your mother say?

After the superb talk, artefact show and questions, we were each given a very jolly goody-bag, like we see at children’s parties these days…never would have happened in my childhood I might tell you. Tea and biscuits and vouchers in that goody bag – very nice.

Those of us brave or foolish enough to tackle the Fortnum & Mason wine bar prices, retired to the food hall wine bar for an hour or so, to enjoy excellent wines in superb Gresham Society company.

This was not the most intellectually stimulating Gresham Society trip ever, but it was extremely interesting and enjoyable.

We were genuinely privileged to be allowed such access to Fortnum & Mason at this time of year, so many thanks to Tim and Basil for organising the visit. The perfect hors d’oeuvres ahead of the repast that will be the Gresham Society soiree in a few week’s time.

More photos, including those from Janie’s and my earlier visit to the Royal Academy, can be seen in the Flickr album available by clicking here or on the photo link below.

Gormley & Freud At The Royal Academy, 18 November 2019

Neither of us would have made a special trip to the Royal Academy to see either one of these exhibitions on its own, but when we realised that we were due to be across the road in Fortnum & Mason for an early evening Gresham Society event that evening, the opportunity to see:

…was too good for me and Janie to miss. (Click the above links to see the RA’s excellent on-line resources for each of these shows).

First we took in the Gormley. Janie got trigger happy with her iPhone.

The signage tells you to duck and dive your way through this piece, while another sign tells you rather strictly to stick to the outside of the piece. Where’s my sat nav when I need it the most?
I tried to emulate the pose.
This matrix piece made us feel a bit dizzy
Janie was especially taken with the sketch books aplenty,
Having done various real caves and even the Củ Chi tunnels in our time, this synthetic cave held no fear for us, although the health and safety brigade warned us about the dark, head hazards and claustrophbia before we entered. It was fun.

While we were more interested to see the Freud than the Gormley, in the event the Freud was a small exhibition with only a few interesting pieces.

Lucian clearly fancied himself more when he was young…
…than he did when he was older.

As we had suspected, neither show would have satisfied us as a single visit show, but we were pleased to have seen both in one visit, especially so on a day when we were to be so nearby anyway.

There are more photos, in a single album with the Fortnum & Mason ones, to be seen by clicking the link below:

A Real Nailbiter Of A Finish, MCC v MURTC, Lord’s, 13 November 2019

It’s not very often I play in a match that is determined by the very last point or the very last ball, especially in my favourite sports, tennis & cricket. Professional matches occasionally conjure up such a nailbiter – this year seems to have been a bit of a year for it

…and I did once, in 2005, play in a hugely exciting, tied charity cricket match that lives long in my memory:

…but I digress.

On arrrival at Lord’s for the 2019 MCC v MURTC fixture, I encountered Jonathan Ellis-Miller, one of the MCC regulars for this fixture, looking uncharcteristically glum. He was bemoaning the fact that MURTC had conjured up some big South African ringers for this match. I know all about this type of team selection, having been on the right and the wrong side of such shenanigans in charity cricket matches many times. Indeed the 2005 Tufty Stackpole fixture linked above had a Saffer ringer element and the 2006 rematch even more so – rare examples of the big Saffers being on my side for a change.

I’m digressing again.

In truth, Carl Snitcher and Catherine Hudson can only be described as Big Saffers by dint of their indisputably big personailities and their unfeasibly big tennis rackets. We’re not talking “85 mph bowling” or “move your car out of the boundary-side car park, possibly into the next village” type big Saffers.

Anyway, point is, Jonathan Ellis-Miller was probably suspecting that he would struggle to repeat his 2018 heroics when up against the combined forces of Carl Snitcher and Catherine Hudson, despite the nominally numerical advantages of his double, double-barrelled pairing with David Mitchell-Innes.

In 2018 it was Jonathan, combined with Jeremy Norman, who snatched victory from the very jaws of defeat in the fourth rubber – I think they were a set and 5-1 or 5-2 down, to level the fixture. That allowed me and Nick Evans to seal the unlikely deal with a 5th rubber win to take the match 3-2.

This year, Nick Evans was involved in the first rather than the last rubber of the fixture, partnering Richard Boys-Stones. These two were on court doing battle with Messrs Rivlin and Humphris when I arrived and had that gloomy conversation with Jonathan Ellis-Miller.

This time I have scraped the highlights (i.e. the endings) of the matches from the MCC CCTV feed. Here’s the last ten minutes of that first rubber:

Thus the MCC led 1-0 after the first rubber.

Jonathan Ellis-Miller’s sense of foreboding for the second rubber was not unwarranted, although the handicap system did its job in making for a very close contest, despite the large handicap.

While that contest was playing out, Peter Luck-Hille, who had kindly turned up to observe, remarked that he came along to watch to get away from all the politics. Then I thought Peter also suggested forming a Dedanists’ Party, which I think would be an excellent idea. I suggested the strap line:

The Dedanists’ Party – Where Politics Gets Real…

…which can be reduced to a micro-slogan: “Get Real”…

…but then learnt that Peter had actually suggested forming a Hedonists’ Party, not a Dedanists’ Party. Frankly, if Socialism doesn’t work because it takes up too many evenings, I cannot see how Hedonism as a political force might work; too many evenings, too many late nights, too many lazy days…get real.

Returning to the reality of the match, in my humble opinion, Carl and Catherine both played really well together that day and deserved their win in the circumstances. You’ll see Jonathan try to repeat the antics of 2018 with a late charge from the rear (as it were), only to fall agonisingly short in the end. I have started the video a few moments after some unrepeatable language – from whence it came who knows? – about 15 minutes from the conclusion of this rubber:

1-1 on the rubber count, at which point Dominic Flint and I took to the court to face Sharon Maidment and Sebastian Wood.

Sebastian, like Carl, is a member of both clubs and has previously represented the MCC in this fixture. This is very much the way in real tennis, although Janie tells me that I should describe these fellows, in no-nonsense terms, as traitors.

But then Janie’s judgment might not be ideal for this matter. I asked her where I should start the highlights cut on this rubber, to which she said:

I’m not sure I’d describe any of it as highlights…

…then, when Janie observed my crest-fallen facial expression, she said…

…what I meant was, all of that rubber is a highlight.

Now that makes sense. So here, split into two halves, is the entire 57 minute episode that was Rubber 3. Below the first reel…

…but I’d recommend the second reel for all but the completists amongst you, as it starts at 5-5 30-30 towards the end of the first set:

So, MCC led 2-1 as we went into the fourth rubber. That was a more one-sided affair as Sam Asgedom and John Harrington took full advantage of the handicap bestowed upon them by Paul Cattermull and Nick Davidson. Without detracting in any way from the performances of others, young Sam demonstrated how quickly young players can develop their skills beyond the progression of their handicaps – an impressive display. Here is the last few minutes of that rubber:

The calculating amongst the readership (if anyone remains this far down the page) will have gathered that the match was poised at 2-2 with one to play, as indeed it had been poised last year. But whereas last year’s deciding rubber proved to be a rather one-sided affair, with me and Nick Evans both conjuring our very best tennis, together, at the same time, for just enough time to get two sets done in a hurry…

…this year the 5th and deciding rubber proved to be an absolute cracker.

By this stage of the evening, the delicious soup, curry, cheese and the rather scrummy Malbec wine had all been taken away or had gone, but the stalwarts who remained to cheer on their heroes somehow managed to fortify themselves with a plentiful supply of Pinot Grigio which remained. Or, in my case, ahead of an early start the next day, water.

Steven Bishop and Rodger Davis, two vastly experienced gentlemen of the MCC, took on Stuart Kerr and David Offen, MURTC regulars who became regulars far more recently than the MCC regulars. The MCC won a tight first set 6-4. We join the match towrds the end of the second set, which, at this stage, MURTC seemed to be leading reasonably comfortably:

At the end of the second set, Mark Ryan, who marked the match with his usual expertise and impartiality, let anyone who was listening (i.e. those without sound-proofed boxes over their heads) that he thought the MCC should have finished the match off when they had the match point to do so. I think Mark wanted to go home and frankly, as he was the one who was working past 22:00 in the evening, who could blame him for expressing his disapointment.

But sport is sport and we were in for a humbinger of a deciding set, which starts at 3-3. For the non-artithmetical amongst the readership, that makes it a “best of five games” set rather than the regular “best of 11 games” set. For the ultra-observant of the video clip below, Mark, in his fury, had recorded the second set score on his gadget as 6-5 MCC rather than 6-5 MURTC. But everyone knew what the score really was.

As this was a handicap match, a set can go to 5-5 40-40 and be determioned by a single point, which is exactly what happened here. Further, that “one point” that determined the match became a chase, just to add to the excitement. It really was very exciting to watch.

Here’s the whole set:

It was a really splendid evening. Good company, good sport and an exciting ending to boot. MURTC might be disappointed to come away from such a match without a win, but, if you’ll forgive the cliche, tennis is the real winner when matches are as close, convivial and enjoyable as this one.

I seem to have become a regular component of fixtures between the MCC and Middlesex University Real Tennis Club (MURTC), several of which I have written up (click here for my MURTC tag). Strangely, I did not write up the November 2018 version of this fixture at the time, but I hope I have covered the 2018 match as best I can within this write up.

Anyway, I hope I am selected again – I always really enjoy these matches. There’s also something of the local derby about MCC v MURTC too which adds a certain frisson to the excellent company and good sporting combat…especially/even when the match goes tantalisingly down to the very last point.

Sorry We Missed You, Ciné Lumière II, 11 November 2019

I’m really glad that Janie and I went to see this excellent film yesterday, but by gosh it is a depressing watch.

We saw it in Ciné Lumière II – very comfy but small screen -nothing like the big art deco screen at the Institut français.

Here is a link to its Wikipedia entry, which itself links out to IMDb, Rotten Tomatoes etc.

The piece is said to be about the gig economy, but in truth it is about that shady part of the economy which is purportedly “gig”, but is in truth sham self-employment contracts that condemn the individuals concerned to a form of bonded labour, as the contracts are ludicrously one-sided and are designed to deny the individuals workers rights.

The story of this family plays out in rather typical Ken Loach film fashion. The viewer has a sense of foreboding from the outset. It is a Ken Loach movie after all.

The father of the family, Ricky, buys a van and hopes for a more independent existence as a self-employed van driver. The mother, Abby, is also technically self-employed – i.e. an agency care worker on a zero hours contract.

Things do not go well for them.

There are many good reviews on-line but the Variety one – click here – is comprehensive and interesting.

Bursting with poignant scenes, the most poignant ones, for me, are:

  • several scenes where Abby, who is full of goodness, wants to look after her charges better but is constantly under time/commercial pressure to move on to the next or work unpaid in her severely limited own time;
  • when Maloney, the ghastly “gangmaster” at the delivery depot, explains why his depot tops the productivity charts and states that the company ought to erect a statue of him to celebrate his management achievements;
  • a late scene in which the daughter, Lisa Jane, breaks down and explains that she just wants the family to go back to the way it was before her dad had the van.

Set in Newcastle, there are some moments of humour in it, but not to the same extent as I Daniel Blake, the previous Ken Loach, which Janie and I also rated very highly indeed.

Movies like this tell us a lot about our society; those pockets of society that people like me, Janie and most Ogblog readers are, mercifully, spared.

Highly recommended – go see it.

Unknown Rivers by Chinonyerem Odimba, Hampstead Theatre Downstairs, 9 November 2019

We have a split jury on this one. I really liked the piece and found it interesting; Janie found it a bit ordinary and dull.

Not much pace, I’d agree, but it tackles topics such as mental illness, ethnic identity and urban social issues rather well in my view.

Here is a link to the Hampstead information about this play/production.

Below is a video about the play/production:

The acting was excellent; Renee Bailey, Doreene Blackstock, Nneka Okoye and Aasiya Shah all top notch – Janie and I both agreed on that. We also both thought the play well directed by Danial Bailey and we both liked Amelia Jane Hankin’s minimal yet imaginative set.

Not sold out even on a Saturday night, which seemed a shame – the play runs until 7 December – a few weeks yet to run at the time of writing, so click on the image above or click here for ticket information.

The Gift, Guest Piece By Kay Scorah, Written For Theadmash, 6 November 2019

I have described the Fourth Threadmash and included my own offering under the title “The Gift” in a separate Ogblog piece – click here or below:

I offer space on Ogblog for Threadmashers if placing their pieces in the public domain pleases them; I am delighted and honoured to host any or all such pieces. This time, Kay Scorah has submitted her touching account entitled:

The Gift. Bobo

The Holme Lane Theatre Company – HLTC- specialised in Dickensian tales of poverty and suffering. Inspired by…

…well…

…Charles Dickens tales of poverty and suffering.

Their performances always featured a fierce heroine; Olivia Twist or Nicola Nickleby, who overcame tyranny and liberated the oppressed. This heroine was always slight of build, sharp-witted and fleet of foot. Uncannily like a certain small, skinny girl who always came top of the class and had to run fast to escape the thick bully boys in the neighbourhood.

The cast of HLTC, a motley collection of dolls and soft toys, would rehearse in my attic playroom in Hillsborough, Sheffield, and then head out on tour, which involved moving the entire production down to the living room to play to a captive (as opposed to captivated) audience of long-suffering grown ups, or GUs as we shall call them.

Bobo joined the cast in September 1961. A birthday gift from Granny. The first black doll in our company. She turned out to be the Russian doll of gifts. Which is weird because you don’t come across many black Russians….not outside of a cocktail menu, anyway.

Bobo the doll was just the wrapper around the gift of layers of learning.

Bobo gift 1: Golly has to go. With her movable arms, head and legs and her eyes which closed when she lay down, Bobo was a far more versatile performer than Golly, who just flopped about the place with a fixed grin. And, to be honest, in spite of being rocketed to stardom after having been featured on the side of a jam jar, Golly’s place in the company had been uncertain for some time. Some of our audience did not approve, even threatened to boycott performances, and with Bobo’s arrival… things became very awkward. No. Bobo most certainly could not be expected to work alongside Golly. This was perhaps the only time in history that a black female was given precedence over a male of any hue.

Bobo gift 2: Fluidity in representations of gender. With Golly gone, there were no male cast members. So we became an all-female theatre company. Male characters, if we must have them, were played by girl dolls. In 1961. Yes, The Holme Lane Theatre company was way ahead of its time.

Bobo Gift 3. Questioning the concept of gendered naming. Bobo arrived on a Tuesday. In conversation with Mr Baidu down the street, I learned that Bobo was Ghanaian for “Tuesday child”. I didn’t know that it was Ghanaian for “boy Tuesday child”. Nor did Bobo.

Bobo Gift 4. Heated debates on colonialism, cultural appropriation, integration, assimilation, ancestry, origin, custom….
Some of the GUs argued that Bobo should have an English name, like the other dolls – Wendy, Susan, Lorraine, Katy… “She needs to feel that she belongs.” “Just because she’s black doesn’t mean she isn’t English.” Others defended her right to claim her ancestry….
It could be hard to get their attention back to the play; to Olivia Twist MP’s fight for workhouse reform or Dr Nicola Nickleby’s courageous work among child polio victims.

So, here’s to Bobo, probably the first black female to play the lead in a stage adaptation of a Dickens novel, who, 5 years before the race relations act, called out racism and reclaimed African culture from the colonial Brits, and who, decades ahead of the LGBTQ+ movement gave rise to an all-female, gender non-conforming, cross-dressing theatre company.

Not bad for a doll.

Many thanks again to Kay Scorah for allowing this piece to guest on Ogblog.

The Gift, Fourth Threadmash, Gladstone Arms, 6 November 2019

It’s been a while since the last actual Threadmash, although we have had a gathering of the clan at The Glad since the previous Threadmash in May:

Anyway, this time the brief was “The Gift”, with additional instructions to stick to just one page. I took that to mean “one side of a sheet of A4”, but some took it to mean two sides. No matter. I can write something War & Peace epic length next time to get my own back.

I sensed that Rohan Candappa had mischief in mind when he asked us to bring two copies of our text with us.

Once we started Threadmashing, after several of us had dined on goat pie (or whatevs) and made a start on the libations, I also sensed that there might be a mini riot when Rohan announced that we would each be reading someone else’s work rather than our own. But we soon settled down and knuckled down to the additional challenge.

40 years on, Chris Grant still gets head boy privileges.

Chris Grant, a first time Threadmash writer (although not first time attendee) was excused the additional challenge and thus read his own piece as an opener for the evening. It was a charming short piece.

We had each been given a few minutes to read the piece we had inherited.

Quite early in the evening, David Wellbrook read out my piece, which follows below.

David Wellbrook soldiering through my piece

Coincidentally, I was given David’s piece to read; a somewhat Dahlesque horror story, as Rohan had encouraged David to try fiction this time. I did enjoy reading David’s piece I must say. Rohan has strongly encouraged me to try writing fiction for the next one.

He doesn’t look dictatorial, does he? It’s a deceptively gentle form of throat shaking, Rohan’s dictatorial style – sttrong guidance followed by, “but it’s up to you, of course…only if you want to…”

Anyway, here’s my piece which was so capably read by David:

The word “gift” has two distinct meanings as a noun. A gift means something given freely, a present. But it also means a natural ability or talent, such as, “a gift for writing”. When Rohan suggested “The Gift” as his subject for Threadmash Four, I was drawn to the second of these definitions.

These past few years, I have been spending increasing amounts of my time on activities for which I am not naturally gifted, but they are nevertheless activities that I love doing and pursuing. Specifically, I mean sports, such as cricket, plus music.
My mother came from a supremely musical family. One branch of her family yielded several notable professional musicians, especially violinists. Even my barber grandfather could, by all accounts, instantly play on the piano any tune you might choose to hum at him.

When I started secondary school, my mother gave me every encouragement to take up and play the violin. But quite quickly, the sound of me practicing, which resembled cats being tortured in a pitch-distorting dungeon, led mum to encourage me to give up violin and try something else. Anything else.

Actually I was growing quite fond of sport. Cricket, tennis and fives mostly. I wasn’t very good at sports either, but I wasn’t going to let an absence of giftedness stop me from trying. Nor was I going to let my own shortcomings stop me from becoming a fascinated follower of my favourite sports. And indeed also a devotee of many varied genres of music.

In truth, although I didn’t inherit the family gift for performing music, I certainly did inherit “a love of music”. And it has occurred to me characteristics such as “a love of music” truly are gifts to be cherished and celebrated.

Where I got my gift for loving sports such as cricket is more of a mystery. Neither of my parents had any interest in sport whatsoever. Not professional sport and certainly not my participation in sport; I don’t think either of my parents ever saw me play sport, other than me mucking about at some nonsense game at home.

Yet, my father’s very last birthday treat included a sporting revelation. The only way to treat my dad towards the end of his life…actually for most of his life…was to take him out for a good meal. As it happened, in 2006, dad’s 87th birthday, fell on a day that Middlesex were playing at Lord’s. I booked at table with a view in the Warner Restaurant, which followed an informal pavilion tour before lunch. They loved it. As dad said, “there aren’t many places I can go now and see people of my own age…apart from old age homes”. The England & Wales Cricket Board marketing folk may use that quote for nothing.

At one point that day, dad mentioned that he and his kid brother Michael had been given a set of cricket equipment by their parents as a gift, when the family moved to Clapham Common in the early 1930s and the boys started a new school there. Neither dad nor Michael had shown any interest in cricket before the gift, apparently, nor did that gift inspire either of them to take the slightest interest in cricket. My grandparents; Eastern European migrants with accents from central casting, were perhaps striving to turn their sons into quintessential English schoolboys through the peculiar sport that is cricket.

I wonder whether my grandparents’ intention with that cricket equipment gift somehow skipped a generation but still subconsciously fueled my love of cricket? A gift indeed.

Chris Grant remarked that he found it really weird hearing words that were so clearly mine coming out of David Wellbrook’s mouth. We have all known each other for over 45 years, so I suppose that is understandable.

All of the pieces were excellent, as usual. I also thought everyone made a good job of reading out someone else’s work, especially as most of us had not started the evening expecting to read something other than one’s own piece.

I caught myself categorising this Ogblog page as both “writing” and “friends and family events” this time. This reflects the fact that Threadmash has become, in my mind and I think those of others, a community of friends who, as it happens, like to gather to read and write together. It’s more than just “a writing thing” now. For all of it, I am grateful to Rohan for innovating and stewarding the ideas.

This time John Eltham came along to be part of the evening, as did Ben Clayson, although the latter arrived after the readings. It became, as always, a convivial gatheirng of interesting and interested people.

I took a few more pictures – all 10 pictures can be found on Flickr by clicking the picture icon below:

The Amsweetyville Horror, Halloween Night In Noddyland, 31 October 2019

It’s been a while since I joined in the Halloween fun in Noddyland. Last year Janie and I, instead, had fun in Osaka on Halloween…

…while the previous year, I went to a Rohan Candappa riot in Marylebone while Daisy the Witch took care of the local kiddies in Noddyland without my help:

In any case, this year, 2019, our Government had promised us something truly horrific for 31 October and then let us down. So I decided that Janie would need some help this year and booked out Halloween night for an evening in Noddyland.

Once again, Flossie Pom-Pom, our pink flamingo, started her witchy preparations early…
…but she hadn’t counted on me nicking her hat this year. She was not well pleased.

Actually the traffic was so bad that early evening that, despite my early getaway from the flat, I arrived in Noddyland after the door-knocking had started, although it was not yet anything like in full sway.

Mostly small groups of little ones with their folks at first

Our local Japanese community turns out in force for Halloween. Indeed I saw a huge posse of Japanese kids with their parents heading up Princes Gardens as I drove past the road on arrival. I guessed that they’d get to our place within 45 minutes to an hour.

More or less on schedule, the larger groups arrive
There’s always one embarassing dad who goes over the top…
…at least I deploy my “dad dancing” in the privacy of our own home…& blog
Daisy conks out at the end of a busy evening…
…or has she been spellbound by one of Wizard Ged’s fiendish potions???

The horror is to be continued, hopefully, next year.

If you want to see all the pictures, the Flickr link below delivers those:

The Dedanists’ Society Annual Handicap Doubles, AGM & Dinner, The Queen’s Club, 30 October 2019

I was recently invited to join The Dedanists’ Society. It is, to real tennis, pretty much what the Gresham Society is to Gresham College. A sort-of “friends of real tennis” club. Except that The Gresham Society keeps quieter about itself; it doesn’t even have a website. Whereas The Dedanists’ Society does have a website – you can click here for it.

I played my first representitive match for The Dedanists’ Society just a few weeks ago and Ogblogged about it here.

I wondered whether I had been selected to play simply because the team needed a match reporter, rather than anything to do with my real tennis skills, as the request to report the match came hot on the heels of my selection that day.

Despite a rather embarassing spelling mistake in that inaugural piece, long since corrected, I have again been asked to report on the Dedanist’s Day, which included a Handicap Doubles Tournament, AGM and Dinner at Queen’s.

This I shall of course do and I’ll add a link – here – as soon as that piece has been published…ah, update, it’s now gone up – here is a scrape of that page with my report just underneath the Holyport one.

But I thought I should first write up my personal, some might say idiosynchratic, account of the day, here, on Ogblog.

Thanks to Carl Snitcher for the next four photographs (but not the video) following.

My doubles partner for the day, Tony Friend, arriving
Me, seated in match reporter repose, pen and paper in hand

The tournament included 32 players and played through four mini-leagues of four teams, so each team plays three short matches in the round robin phase. 25 minutes of play with a deciding point if the match was tied. Matches were played on a sliding handicap, which tends to make most matches very tight. The winner of each league qualified for the semi-finals.

The tournament therefore comprised 27 matches. Just as well Queen’s has two courts and books out both for more than six hours for the tournament.

Robin Faux & Michael Shellim, our first pair of opponents

Naturally, my match report will include the pun “Friend or Faux” when describing my first match. One wag also suggested that most of us play real tennis but Robin plays Faux tennis.

But I feel that, for the sake of the Ogblog readership, not all of whom are real tennis enthusiasts, I should cut to the chase and report simply on the single highlight of the day.

And what a chase that highlight was too.

Specifically, a chase of half a yard, which was set by Michael Shellim and can only beaten by landing better than half a yard or by hitting the ball into the dedans for an outright winner. The distances “half-a-yard” and “better-than-half-a-yard” relate to the proximity of the second bounce of the ball to the rear wall.

Most people would attempt to place the ball in the dedans gallery (quite a large target) rather than attempt to beat a chase of half-a-yard on the floor.

But I am not most people.

Also, to be honest, Robin Faux is an experienced enough server to apply heavy spin to his serve in circumstances such as this, in such a way that the dedans shot was well beyond my capabilities.

I simply did the best I could to bunt the spinning ball into the main wall corner, where Michael Shellim was waiting, most probably to allow the ball to bounce in some losing place (i.e. worse or significantly worse than half-a-yard).

My shot somehow contrived to lob with ideal weight and land its second bounce almost exactly in the nick:

Better-than-half-a-yard, wins the chase!

…came the cry from the marker, along with a small cheer from the handful of people in the dedans gallery and even from ultra-good sport Michael Shellim, who was undone by the shot.

Sadly there is no photographic or video record of this particular winning chase, but Janie has a short clip of video from a bout some moons ago, which is a similar bunty shot from a spinning serve. In that case the victim was Iain Harvey (also a Dedanist and one of this day’s semi-finalists) who, much like Michael Shellim, expressed good sporting appreciation of a successful shot – in this case setting half-a-yard.

https://youtu.be/zXU8inu1XXc

Suffice it to say that the point won with my “shot of the day” chase was not sufficient for me and Tony to overcome Michael and Robin. We lost that bout, won our next bout and then, cruelly, in our third match, we lost on the very final point having levelled the score on the penultimate point.

Great experience for me, though, getting to play with and against several people most of whom are way above my pay grade. Fun too.

Me and Tony, barely able to contain our disappointment at the end

The remainder of the day is, again, reported at more length in the official report. A mostly pictorial summary follows. The photographs below are used with the kind permission of Frederika Adam  www.frederikaadam.com

There was an AGM:

Then a dinner:

The waiter is named Attila and is actually Hungarian

Then an awards ceremony, during which I picked up the “shot of the day” Champaigne moment award:

Receiving my “shot of the day” award from Josh Farrell. Janie suggests I look a little tired and emotional in this picture.

It was a great fun day; a super way for me to meet and play with many friends of real tennis from around the country.

If you want to see all of the photos from the day, click the picture link below:

Another Dining Scene - Freddy DD19_0159