Sorry We Missed You, Ciné Lumière II, 11 November 2019

I’m really glad that Janie and I went to see this excellent film yesterday, but by gosh it is a depressing watch.

We saw it in Ciné Lumière II – very comfy but small screen -nothing like the big art deco screen at the Institut français.

Here is a link to its Wikipedia entry, which itself links out to IMDb, Rotten Tomatoes etc.

The piece is said to be about the gig economy, but in truth it is about that shady part of the economy which is purportedly “gig”, but is in truth sham self-employment contracts that condemn the individuals concerned to a form of bonded labour, as the contracts are ludicrously one-sided and are designed to deny the individuals workers rights.

The story of this family plays out in rather typical Ken Loach film fashion. The viewer has a sense of foreboding from the outset. It is a Ken Loach movie after all.

The father of the family, Ricky, buys a van and hopes for a more independent existence as a self-employed van driver. The mother, Abby, is also technically self-employed – i.e. an agency care worker on a zero hours contract.

Things do not go well for them.

There are many good reviews on-line but the Variety one – click here – is comprehensive and interesting.

Bursting with poignant scenes, the most poignant ones, for me, are:

  • several scenes where Abby, who is full of goodness, wants to look after her charges better but is constantly under time/commercial pressure to move on to the next or work unpaid in her severely limited own time;
  • when Maloney, the ghastly “gangmaster” at the delivery depot, explains why his depot tops the productivity charts and states that the company ought to erect a statue of him to celebrate his management achievements;
  • a late scene in which the daughter, Lisa Jane, breaks down and explains that she just wants the family to go back to the way it was before her dad had the van.

Set in Newcastle, there are some moments of humour in it, but not to the same extent as I Daniel Blake, the previous Ken Loach, which Janie and I also rated very highly indeed.

Movies like this tell us a lot about our society; those pockets of society that people like me, Janie and most Ogblog readers are, mercifully, spared.

Highly recommended – go see it.

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