Food, Art & Work In New York City, 1 to 8 November 1996

Picture by Rennboot, CC BY 3.0

Michael and I had been commissioned to do a bit of work for Bloomberg. Janie and I decided to enjoy a weekend in New York ahead of my assignment. Janie flew out with me on the Friday, returning to London on the Sunday redeye. I then joined up with Michael and we worked in New York for several days.

Janie and I stayed at the Waldorf Astoria, scoring a manageable price at that time – especially as expenses was picking up five of my seven nights.

Reading Tom, CC BY 2.0

We chose to eat at Smith & Wollensky’s (see headline picture) the first night, having read a rave review about it in one of Janie’s travel mags. What that review didn’t teach us was the extent to which a high-end steakhouse in NYC was a “jacket & tie more or less assumed” place, which I discovered only after we arrived in smart casuals.

One local asked Janie if we were Irish as he was leaving, perhaps based on Janie’s physiognomy but perhaps also our casual look. One friendly but drunk gentleman, while walking past us as he departed, stopped and asked me if I realised how expensive the restaurant was. I told him I did. Thing was, back then, an expensive New York restaurant seemed quite modest in price by London standards.

Museum Of Modern Art (MoMA)

Janie and I did some culture-vulturing on the Saturday, spending quite some time at MoMA, partly looking at the excellent general galleries but also taking in some special exhibitions, e.g. a Jasper Johns retrospective.

We went on to a Nan Goldin exhibition at The Whitney, which had been much heralded on both sides of the pond:

Whitney MOMA October 1996Whitney MOMA October 1996 12 Oct 1996, Sat Daily News (New York, New York) Newspapers.com

Janie and I were especially taken with the Nan Goldin.

Tired, a little lagged even, but not dissuaded, we went on to The Guggenheim, where Ellsworth Kelly was featured.

I have found an interesting review of both the MoMA Jasper Johns and the Ellsworth Kelly on-line, which is pretty cool:

Ellsworth Kelly and Jasper Johns October 1996 New YorkEllsworth Kelly and Jasper Johns October 1996 New York 22 Oct 1996, Tue Daily News (New York, New York) Newspapers.com

By mid-late afternoon, we really were both wilting, so we returned to the hotel for siesta, before venturing out again, this time for dinner at the 2nd Avenue Deli:

Librarygroover, CC BY 2.0

Actually we eschewed the popular “salt beef on rye” style of deli food depicted for a more traditional Jewish deli meal, harder to come by in London, including a truly excellent cholent, which Janie, now a self-appointed aficionado of such dishes, claims to be the best she has ever tasted. I believe it was accompanied by (or perhaps we separately ordered) a kishke or helzel, which, obviously, will have helped the fatty-gooiness of the occasion make an especially strong impression. We also tried p’tcha (calves foot jelly), which is one of those mistakes people tend to only make once.

Still, it was a very special evening and I am pretty sure we slept off our endeavours/over-indulgence at length that night.

The next day we took it easy, simply strolling and finding a suitable-looking mid-town eatery for a traditional New York Sunday brunch, before I helped Janie get a cab to the airport for her “red-eye” journey home that evening.

Joolack, CC BY-SA 3.0

New York cabs were still a hit-and-miss affair, probity-wise, back then. The authorities had fixed the price of a fare from Manhattan to JFK, so I gave Janie the appropriate fare plus a generous tip, explaining to her that she could and should simply exhaust her supply of dollar money on that journey. The cabbie tried to enforce some monstrous sum showing on his meter, which was the very thing the authorities had sought to prevent with the flat fare rule. Janie simply explained what had been explained to her and the initially angry cabbie relented. Janie has not sought a rapid return to New York City since.

Harvard Club Interior Marc Jacobs, CC BY-SA 4.0

I have a feeling I met up with Michael at the Harvard Club that evening. I recall having some superb sashimi with him there – for some reason (perhaps brainiacs tend to like sashimi) the place had employed a top sashimi chef at that time, which didn’t go with the decor but did go down very nicely indeed.

Then for several days it was mostly work.

I recall one midweek evening being entertained for dinner at John Aubert’s elevated apartment on the New Jersey side of the Hudson Bay with a glorious view of Manhattan.

One midweek evening comprised an early evening cocktail party at the Harvard Club, organised by Michael for his wider circle of friends and acquaintances, followed by dinner with a closer-knit small group. Very New York.

On my last night, the Thursday, Bloomberg arranged a dinner for us and several of the seniors involved in our project at a seriously up-market, kosher restaurant in mid-town. Several of the attendees had such dietary needs. It was, to date (25 years on), the one and only meal I have ever had that might be described as both haute cuisine and glatt kosher.

Not a pickle in sight

Michael stayed on Friday for an audience with Michael Bloomberg himself, while I took the wimps (daytime) flight back to London, arriving late evening to find that Janie had, in my absence, changed all of the carpets in Sandall Close. Let’s tread carefully around that one.

Footman Open Day & Much Ado About Nothing, 11 &/Or 12 September 1993

Strangely, I remember going with Janie to an open day for one of her chiropody suppliers, Footman, in Mitcham.

It was a bit weird.

I think one of the reasons I tagged along was because we wanted to see the movie Much Ado About Nothing and the sensible show time that Sunday was to go straight on from Janie’s trade show.

“But I thought Janie doesn’t like Shakespeare?” I hear you cry. Well, that wasn’t quite so set/established by then and in any case so many people were telling us that we needed to see this movie because the Beatrice and Benedick bit of the plot reminded people of our relationship.

Yawn.

Kenneth Brannagh & Emma Thompson? Do me a favour. Who were we and/or our friends trying to kid?

Not a bad movie though, in that British costume drama/turn a classic into a rom-com sort of way.

Baby Doll by Andrew Poppy & Tennessee Williams, Cottesloe Theatre, 8 May 1993

This piece was billed as:

a new chamber opera based on the original screenplay…

…perhaps we should have paid heed to that billing.

It was not to our taste.

It was part of the Springboards season, of which we saw three productions at the Cottesloe in two weeks. This was the second of the three we saw.

Below is a review from The Guardian – opera review rather than theatre review please note:

Baby Doll May 1993Baby Doll May 1993 Tue, May 11, 1993 – 28 · The Guardian (London, Greater London, England) · Newspapers.com

The Observer review can be seen as part of the article (including the picture) below:

Observer May 1993 CottesloeObserver May 1993 Cottesloe Sun, May 9, 1993 – 55 · The Observer (London, Greater London, England) · Newspapers.com

We stayed at mine that weekend. Whether I cooked or we got a takeway on the way home is lost in the mists of time.

I do recall Janie trying to sound like the atonal operatic voices in this misguided Baby Doll production for some while after the show.

Oh dear.

Leon The Pig Farmer, Followed By Dinner In Bristol With Hilary & Family, 26 to 28 March 1993

Janie’s diary is full of information for the Friday evening:

6.00 Leon Pig Farmer – Gary at Ian confirm?

7.15 starts (7.30) Kensington Odeon

Yes, I am pretty sure Janie and I saw Leon the Pig Farmer at Kensington Odeon.

I do not recall Gary (Davison, presumably) joining us at the movies that night.

Here is the IMDb resource for the movie.

Below is its trailer:

It was a quirky, rather corny film with some excellent actors in it.

I am pretty sure we ate and stayed at mine, not least because Janie treated one of her Saudi princess clients in town on Saturday moirning before we went off to Bristol. I don’t suppose they discussed Leon The Pig Farmer.

My diary is not at all forthcoming about the details of this weekend. All I wrote for the Friday evening and then Saturday were a couple of very short words:

PIG.

Hils.

Then some arrows and stuff across the Sunday, implying that we stayed in Bristol, Janie also had a symbolic line through Sunday.

With no other information about where we stayed, I’m guessing this is the one and only time that we stayed at Janie’s sister Hil and Chris Boswell’s house, in the conservatory, on their Z bed. (Sounds like a Cluedo accusation).

Memory suggests that we ate a very good meal with some good wine. Were “entertained” by the boys squabbling with each other and then tried our best to sleep on the Z bed.

Orlando, Not Viv…I Think, 19 March 1993

Both our diaries say we went to Janie;s friend and former colleague Viv’s place for dinner, but Janie’s diary also has some temporally confounding stuff in it:

7.30 Viv dinner. 6.00 Ian for dinner.

Orlando at 7.00 (film start 7.10)

[then Viv’s Temple Fortune address, redacted for this purpose]

From memory, this scheduled evening at Viv’s was postponed, perhaps more than once, owing to Gray (Viv’s partner) being indisposed. Busy chap was Gray – I think we were supposed to have dinner with him quite a few times but only actually did so a couple of times.

Anyway, I do recall going to see Orlando with Janie very soon after it opened in the UK. Janie was very keen to see it.

Here is a link to the IMDb entry for Orlando.

Below is the movie trailer.

I remember we both found the film baffling.

Looking at the trailer a quarter of a century later, there is a lot of LGBT+? stuff in there and a lot of Fleabag-like knowing looks to the camera.

Perhaps it would make more sense to us seeing that movie now? Or perhaps not.

An Evening At Circus Space With Kim & Micky, 21 November 1992

Photo by Achim Raschka, CC BY-SA 3.0

Not really our sort of thing, but Kim persuaded me and Janie to join her and Micky at Circus Space on the Caledonian Road.

Now (he says, writing in December 2019) known as the National Centre for Circus Arts and based in Hackney, this training organisation for circus skills has long raised funds by putting on shows for the public.

Kim was a fan and we went along to give it a look-see.

I’m not a fan of circuses, my main beef being to do with making caged animals perform. Kim has an even more profound animal rights thing than I do, so her choice of Circus Space reflected the fact that they do not (or at least did not) do any animal related stuff.

I remember coming away from the evening feeling that the performers were very accomplished and that they deserve a decent audience…

…but it only reinforced my view that circus-type performance isn;t really for me.

Janie barely remembers the evening at all – unusually for her when it comes to performance-related memories. I think the circus was a big turn-off for her.

Where are the clowns?…
…There ought to be clowns.

Oh well.

We’ll have had a nice meal and will have enjoyed the evening together despite the circus, I am sure.

Don Giovanni, English National Opera, London Coliseum, 10 June 1989

I don’t have great memories of seeing this opera, but I think my memories of it are more closely linked to my general mood that weekend than to any intrinsic issue with the opera/production…

…other than to say that this experience probably helped to kick off the view, which has become a prevailing one, that opera ain’t me.

Bobbie was there for this one, as was Ashley Fletcher – yes, my memory definitely serves me correctly for this one, as the diary makes clear that Ashley was down for the weekend and stayed in the tower – i.e. the annex to my flat in Clanricarde Gardens – so named, by Ashley, as he felt that the place would be suitable for the detention of a mad and/or elderly relative. That annex now serves as my office – renamed the ivory tower – a more liberal purpose and name.

But I digress.

Not much about it on the net, given its antiquity, but here’s some stuff from the translator, Amanda Holden.

While here is a rather cute link to a fan’s piece:

Below is Tom Sutcliffe’s Guardian review:

Sutcliffe on GiovanniSutcliffe on Giovanni Fri, Mar 24, 1989 – 31 · The Guardian (London, Greater London, England) · Newspapers.com

I’ll write more about other aspects of the weekend after I have had a chance to liaise with Ashley on’t matter. Bobbie and I had a rather entertaining conversation about in 28 February 2019…

…a few days before I wrote up this piece, about Don Giovanni.

Postscript after seeing Ashley in April 2019: Ashley has no recollection of that weekend. So we must rely on Bobbie’s memory that I was tripping out on tiredness and rather freaked at the thought of going out to get some additional soap, as there was none for Ashley in the shower of the tower. If I really did say words to the effect:

I did not envisage this weekend as a soap buying weekend…

…that would have to be up there amongst my most autistic utterances ever. I have a dreadful feeling that Bobbie’e memory is going to be bang on regarding that point.

Aida, Earls Court Arena, 29 June 1988

Within a few weeks of Bobbie’s and my first visit to the opera together, to see The Magic Flute…

…we went to see the opera spectacular that everyone was talking about that summer; Harvey Goldsmith’s Aida at the Earls Court Arena.

It was only running for a few nights with massive crowds. It was big news:

We went the night after Chuck & Di attended the Royal Gala evening – by all accounts an iconic event.

In truth, by the time we got there – indeed by the time Chuck and Di got there – the production had been hailed as somewhat disaster-prone:

This clip dated the day we went – 29 June 1988

…Verdi’s Aida at Earls Court, with a cast of some 600 performers was bedevilled by mishap: Miss Grace Bumbry in the title role could only manage one act of her first performance due to a throat infection and a sun god fell through a trap door on stage…

from The Spectator 2 July 1988 – subscribers can click through to the archive and read the whole article.

I don’t recall it seeming like a disaster. I do recall it feeling more like being at a rock concert than at a theatrical production. I think we had good seats but were still at some distance from the action. It was big, bold and in truth not really me.

I don’t think this one was really Bobbie either – she might remember how she felt about it.

Below is Tom Sutcliffe’s Guardian review:

Tom Sutcliffe on AidaTom Sutcliffe on Aida Tue, Jun 28, 1988 – 17 · The Guardian (London, Greater London, England) · Newspapers.com

Here is an entertaining clipping from the Observer Arts Diary a few days later:

Arts Diary AidaArts Diary Aida Sun, Jul 3, 1988 – 39 · The Observer (London, Greater London, England) · Newspapers.com

The Magic Flute, English National Opera, London Coliseum, 7 June 1988

Now I’m not one to point the finger or anything like that, but my guess is that it was primarily Bobbie’s idea to give opera a go, not least because so many of her law reporting pals were into opera.

I’m pretty sure my previous experience of opera would have been Carmen in the early 1970s; a semi-professional production by the Putney Operatic Society who chose to typecast me and several of my primary school mates as urchins.

But I digress.

Roll the clock forward some 15 years and, like buses, it’s not one but two that come along at more or less the same time – i.e. two opera visits during June 1988. That’s quite a lot of opera just a few week’s before my Accountancy finals. The Magic Flute was the first of them.

Jeremy Sams directed it – I have seen a great deal of his work in the theatre of course. Nicholas Hytner produced it – I’ve seen a lot of his theatre stuff too. The production was sort-of revived many years later and the trailer for the revival is embedded below, so that should give you a feel for it.

The Magic Flute from English National Opera on Vimeo.

We went midweek – on a Tuesday – which will have been quite a late night. I was on study leave by then I think, so I suppose I felt that I was master of my own time management.

In truth I don’t remember all that much about this production, other than lots going on and rather liking the music because it’s Mozart and I rather like Mozart.

Bobbie might have more profound memories of it than me. I’ll ask her.

Below is Tom Sutcliffe’s Guardian review:

Tom Sutcliffe on Magic FluteTom Sutcliffe on Magic Flute Fri, Apr 1, 1988 – 30 · The Guardian (London, Greater London, England) · Newspapers.com

Below is BOGOF (buy one get one free) review by Nicholas Kenyon – two productions of Flute (including our one) reviewed together:

Nicholas Kenyon reviews two flutesNicholas Kenyon reviews two flutes Sun, Apr 3, 1988 – 39 · The Observer (London, Greater London, England) · Newspapers.com

A Couple Of Busy Days Seeing Several Old Friends & Hannah And Her Sisters, 16 & 17 July 1986

Wednesday 16 July – Fairly hectic day at work – met Annalisa for lunch. Met Bobbie after work – had meal at Mayflower & went on to Woody Allen Film after – v nice.

Mayflower was one of the better Chinese restautrants in Chinatown – now (writing in 2020) resurrected as New Mayflower.

The Woody Allen film in question would have been Hannah And Her Sisters, which went on general release in the UK a couple of days later. No doubt we went to a preview at the Curzon West End (just opposite the Mayflower).

I still think Hannah And Her Sisters is a great movie. But gone are the days that I’d complain about a hectic day at work in which I had lunch with a friend and left work early enough to have a meal and then see a movie. Such a snowflakey-sense-of-entitlement-youngster, I was.

Pretty busy at work today. Went to LC [Laurence Corner] etc.

Met Graham Watson for a drink – Mike came too (is leaving office).

(Met Jon Graham on way home).

Earlyish night.

I hasten to add that Laurence Corner was, for me, work – not a fun outing at lunchtime. Mike (he who was leaving the office) must be Mike King, who, by that time, I think was doing much of the work on the Laurence Corner account and who was, presumably, handing over some of the reins to me.

Janie and I met through our mutual friends from Laurence Corner, but that’s a whole different, later story.

Graham Watson was an old friend from school. I vaguely recall running into him in London and thus meeting up. Coincidentally Jon graham was also a friend from school and (if I recall correctly) I didn’t realise he was still hanging in Streatham until this chance encounter. Jon and I met up again more than once, IIRC. I’m not sure whether Graham and I did. Perhaps Graham gave me the bumps…again!

Several years earlier, Graham Watson & Paul Deacon giving me the bumps, Tim Church feigns a lack of interest, picture “borrowed” from Paul’s facebook posting with grateful thanks.

It might have been one of those guys on this occasion who told me about school pal Wayne Manhood’s tragic demise, an event I mis-remembered as having happened some years earlier…

…in truth I don’t remember. More likely, it was Andy Levinson who broke the news to me when I saw him a couple of weeks earlier.