An Attractive Young Note In Janie’s Diary, But Not In Mine, 14 November 1999…Or Do We Mean 12 November 1999

In Janie’s diary for Sunday 14 November, but not mine, the following reminder – presumably based on me saying to Janie, “let’s not forget to listen to…”

The Attractive Young Rabbi. Barry Grossman. 11:30 Radio 4.

Word must have reached me through the NewsRevue community that Barry Grossman’s radio series, The Attractive Young Rabbi, was about to broadcast.

What do you mean, you missed it at the time and now can’t get hold of it?

What do you mean, you heard it at the time but can’t remember it?

It’s there to be heard on the Internet Archive if you now where to look. Click this link, for example, and you’ll find the first series.

Tracy-Anne Oberman was also a NewsRevue (or more specifically, SportsRevue) alum, so this series was definitely a tribute to our NewsRevue “Class of ’92”.

There’s Barry in the Guinness World Record photo, with specs, holding the award.

I enjoyed listening to The Attractive Young Rabbi again. It is quintessentially BBC Radio Four comedy.

Postscript: Barry Grossman Writes…

Thanks Ian, except you and Janey [sic] must have missed it because it was actually on Friday, the 12th of November.

And there were no i-players, BBC Sounds or internet archives in those more innocent times. Perhaps you taped it on your reel-to-reel tape recorder the size of a house and listened to it on the Sunday.

I responded to Barry as follows:

Weird but clearly true that the broadcast was on the Friday not the Sunday, yet the note is unquestionably written in the Sunday section of Janie’s diary. 

My guess is that Janie wrote the note there because the Friday page was completely crammed with patient appointments.  The Saturday block is covered in notes about something completely different and unintelligible.  So the only space for an additional note on that page was the Sunday block. 

Quite right that there was no public domain technology to help us listen at an alternative time, but Janie did have a midi hi-fi thing in the maisonette that would enable you to record onto cassette from the radio.  I was out visiting clients that day, but she would have been able to press the record button on her midi gadget at the appointed hour.  My guess is that the note was a reminder to do that.

No gargantuan reel-to-reel tape recorder available at that time – that device lives in the flat and the flat was being refurbished that autumn.  Probably just as well – Janie was reluctant enough to press a “record” button on a bog-standard midi system.  My reel-to-reel would have seemed like something out of Mission Impossible to Janie…

https://youtu.be/4y9NtHlJvbY

…which would have made listening to the recording on the Saturday or Sunday…impossible.

Jackson Pollock, Tate Gallery, 13 May 1999

As part of a “week off” that Janie and I took in London to see exhibitions and shows, the centrepiece of our Thursday was a trip to the Tate to see the Jackson Pollock exhibition.

The exhibition had been much hyped in the media, with previews and reviews.

Here’s a smattering from the papers.

Bel Littlejohn in The Guardian with tongue firmly in cheek, I shouldn’t wonder:

Pollock Littlejohn GuardianPollock Littlejohn Guardian 19 Mar 1999, Fri The Guardian (London, Greater London, England) Newspapers.com

Laura Cumming in the Observer seemed more genuinely bowled over by the exhibition:

Pollock Cumming ObserverPollock Cumming Observer 14 Mar 1999, Sun The Observer (London, Greater London, England) Newspapers.com

The Weasel in the Indy used a strange mixture of reverence and irreverence to review this exhibition:

Pollock The Weasel IndyPollock The Weasel Indy 13 Mar 1999, Sat The Independent (London, Greater London, England) Newspapers.com

Brian Sewell gave it the usual “Sewage treatment” in the Standard, over two pages:

Pollock Sewell StandardPollock Sewell Standard 11 Mar 1999, Thu Evening Standard (London, Greater London, England) Newspapers.com Pollock Sewell Standard 2 of 2Pollock Sewell Standard 2 of 2 11 Mar 1999, Thu Evening Standard (London, Greater London, England) Newspapers.com

I gave it a one word review in my log:

Bollocks.

Janie remembers the exhibition more fondly than that and I have become reconciled with Pollock since, especially in the context of shirts and ties.

Three Exhibitions In One Day: Kandinsky Watercolours And Other Works On Paper, Birth Of The Cool, New Art – New Era, Royal Academy & Barbican, 12 May 1999

As part of a week off at home, we did a fair bit of cultural stuff. A rare visit to the theatre on the Monday did not work as well as the dinner afterwards…

…but this day going around galleries was memorably good.

We loved the Kandinsky watercolours, but the critics hadn’t been so keen on them, preferring Kandinsky for oils and criticising the way the exhibition had been curated. Richard Dorment in The Telegraph, for example.

Kandinsky Dorment TelegraphKandinsky Dorment Telegraph 21 Apr 1999, Wed The Daily Telegraph (London, Greater London, England) Newspapers.com

Brian Sewell in The Standard was even more waspish.

Kandinsky Sewell StandardKandinsky Sewell Standard 22 Apr 1999, Thu Evening Standard (London, Greater London, England) Newspapers.com Kandinsky Sewell Standard 2 of 2Kandinsky Sewell Standard 2 of 2 22 Apr 1999, Thu Evening Standard (London, Greater London, England) Newspapers.com

Still, Ogblog is not about what those expert geezers think but it is about what we felt. I recall Janie and I really liking that exhibition, so much so that we set off later than intended for the Barbican, where we had chosen to see two exhibitions – in particular David Bailey’s The Birth Of Cool Photographic Exhibition.

We loved these pictures. Who cares what the critics said. Well, actually I think the critics lined up in favour of this one.

Adam Edwards in The Standard celebrated the cool:

Bailey Edwards Standard 1 of 2Bailey Edwards Standard 1 of 2 07 Apr 1999, Wed Evening Standard (London, Greater London, England) Newspapers.com Bailey Edwards Standard 2 of 2Bailey Edwards Standard 2 of 2 07 Apr 1999, Wed Evening Standard (London, Greater London, England) Newspapers.com

Whereas Jonathan Green in The Standard fretted that The Swinging Sixties weren’t so swinging for all. Who knew?

Bailey Green GuardianBailey Green Guardian 17 Apr 1999, Sat The Guardian (London, Greater London, England) Newspapers.com

We also popped in to see New Art, New Era in the other hall at the Barbican

We didn’t spend too long on this sweeping exhibition, little being to our taste, but we did enjoy some of the exhibits.

John McEwen in the Telegraph gave it a comprehensive review:

New Art McEwen TelegraphNew Art McEwen Telegraph 02 May 1999, Sun Sunday Telegraph (London, Greater London, England) Newspapers.com

Brian Sewell in the Standard rubbished the exhibition even more comprehensively:

New Art Sewell Standard 1 of 2New Art Sewell Standard 1 of 2 13 May 1999, Thu Evening Standard (London, Greater London, England) Newspapers.com New Art Sewell Standard 2 of 2New Art Sewell Standard 2 of 2 13 May 1999, Thu Evening Standard (London, Greater London, England) Newspapers.com

Heck, but we’d had a great day. Yah boo.

Shakespeare In Love, A Cinema In Ealing, 27 February 1999

I hadn’t quite acquired my “Bard look” in 1999, but nevertheless we interrupted our brace of weekend visits to the Barbican to see large scale concerts with a visit to the local cinema in Ealing to see Shakespeare In Love.

It was one of those films that you had to see at that time because everyone was talking about it.

These days, he says writing 25 years later, we tend to avoid films that everyone is talking about.

Anyway, we enjoyed this one, even the silly bits. We did not imagine we were having a history lesson.

Here’s what IMDB says about it, including trailers and stuff.

No doubt we had a glass or two over a very pleasant meal at home afterwards.

The Day We Went To the Oriental Restaurant In The Dorchester Hotel And Later Ran Out Of Monet, 1 February 1999

Did you see what I did there?

Janie and I had a day off.

We went to the Dorcheter Hotel for lunch at the Oriental Restaurant. We had been dying to try the place and had been tipped off that the lunchtime offering was a much better deal than the evening meal.

We both remember it being excellent scoff.

Jay Rayner in The guardian wrote up the notion of going to the place for lunch a few years after we worked that out. I don’t recall our lunchtime meal revolving around dim sum – I think that was a later lunchtime innovation there.

Then on to the Royal Academy to see Monet In The 20th Century, which was an excellent exhibition.

Big thumbs up from Laura Cumming in The Observer:

Monet Cumming ObserverMonet Cumming Observer 24 Jan 1999, Sun The Observer (London, Greater London, England) Newspapers.com

Sebastian Faulks in The Standard seemed less sure.

Monet Faulks StandardMonet Faulks Standard 22 Jan 1999, Fri Evening Standard (London, Greater London, England) Newspapers.com

International Festival Of Fine Wine & Food, Olympia, 10 October 1997

The Wine Festival by Albert Anker

OK, it wasn’t all that long ago and Olympia didn’t exactly look like the above picture when we went there for the food & wine fair.

I’m pretty sure Janie and I went more than once to this event, but 1997 might have been the first time.

The Standard gave it a short preview here:

Fine Wine & Food Olympia 10 October 1997Fine Wine & Food Olympia 10 October 1997 08 Oct 1997, Wed Evening Standard (London, Greater London, England) Newspapers.com

So there it is – a classy booze fest.

My then-mate-to-be, Alastair Little, doing the celebrity chef bit. I don’t think we went to that bit – Janie and I didn’t tend to go to the big showpiece parts of such events – we just liked going around, picking up ideas and sampling things..

Who’d have thought back then that I’d end up getting to know Al so well:

Janie barely remembers the event at all, other than the vague recollection of going to such things a couple of times.

It seems they still do something a bit like it at Olympia twenty-five years later, but in the spring…

…and also the late summer for posh grub.

I’m not sure whether it was this occasion or another visit to one of these fairs, but I recall a very beautiful “English rose” of a young woman marketing Kentish wines, persuading me to try her wares. At that time (or at least this particular wine) was very ordinary wine at an above ordinary price. I have a strong memory of trying to find kind, encouraging and positive words about the wine without seeming interested in actually purchasing the stuff. She smiled sweetly throughout the exchange, so I am quite sure I got away with it.

Trying to find the right words in 1997

Food, Art & Work In New York City, 1 to 8 November 1996

Picture by Rennboot, CC BY 3.0

Michael and I had been commissioned to do a bit of work for Bloomberg. Janie and I decided to enjoy a weekend in New York ahead of my assignment. Janie flew out with me on the Friday, returning to London on the Sunday redeye. I then joined up with Michael and we worked in New York for several days.

Janie and I stayed at the Waldorf Astoria, scoring a manageable price at that time – especially as expenses was picking up five of my seven nights.

Reading Tom, CC BY 2.0

We chose to eat at Smith & Wollensky’s (see headline picture) the first night, having read a rave review about it in one of Janie’s travel mags. What that review didn’t teach us was the extent to which a high-end steakhouse in NYC was a “jacket & tie more or less assumed” place, which I discovered only after we arrived in smart casuals.

One local asked Janie if we were Irish as he was leaving, perhaps based on Janie’s physiognomy but perhaps also our casual look. One friendly but drunk gentleman, while walking past us as he departed, stopped and asked me if I realised how expensive the restaurant was. I told him I did. Thing was, back then, an expensive New York restaurant seemed quite modest in price by London standards.

Museum Of Modern Art (MoMA)

Janie and I did some culture-vulturing on the Saturday, spending quite some time at MoMA, partly looking at the excellent general galleries but also taking in some special exhibitions, e.g. a Jasper Johns retrospective.

We went on to a Nan Goldin exhibition at The Whitney, which had been much heralded on both sides of the pond:

Whitney MOMA October 1996Whitney MOMA October 1996 12 Oct 1996, Sat Daily News (New York, New York) Newspapers.com

Janie and I were especially taken with the Nan Goldin.

Tired, a little lagged even, but not dissuaded, we went on to The Guggenheim, where Ellsworth Kelly was featured.

I have found an interesting review of both the MoMA Jasper Johns and the Ellsworth Kelly on-line, which is pretty cool:

Ellsworth Kelly and Jasper Johns October 1996 New YorkEllsworth Kelly and Jasper Johns October 1996 New York 22 Oct 1996, Tue Daily News (New York, New York) Newspapers.com

By mid-late afternoon, we really were both wilting, so we returned to the hotel for siesta, before venturing out again, this time for dinner at the 2nd Avenue Deli:

Librarygroover, CC BY 2.0

Actually we eschewed the popular “salt beef on rye” style of deli food depicted for a more traditional Jewish deli meal, harder to come by in London, including a truly excellent cholent, which Janie, now a self-appointed aficionado of such dishes, claims to be the best she has ever tasted. I believe it was accompanied by (or perhaps we separately ordered) a kishke or helzel, which, obviously, will have helped the fatty-gooiness of the occasion make an especially strong impression. We also tried p’tcha (calves foot jelly), which is one of those mistakes people tend to only make once.

Still, it was a very special evening and I am pretty sure we slept off our endeavours/over-indulgence at length that night.

The next day we took it easy, simply strolling and finding a suitable-looking mid-town eatery for a traditional New York Sunday brunch, before I helped Janie get a cab to the airport for her “red-eye” journey home that evening.

Joolack, CC BY-SA 3.0

New York cabs were still a hit-and-miss affair, probity-wise, back then. The authorities had fixed the price of a fare from Manhattan to JFK, so I gave Janie the appropriate fare plus a generous tip, explaining to her that she could and should simply exhaust her supply of dollar money on that journey. The cabbie tried to enforce some monstrous sum showing on his meter, which was the very thing the authorities had sought to prevent with the flat fare rule. Janie simply explained what had been explained to her and the initially angry cabbie relented. Janie has not sought a rapid return to New York City since.

Harvard Club Interior Marc Jacobs, CC BY-SA 4.0

I have a feeling I met up with Michael at the Harvard Club that evening. I recall having some superb sashimi with him there – for some reason (perhaps brainiacs tend to like sashimi) the place had employed a top sashimi chef at that time, which didn’t go with the decor but did go down very nicely indeed.

Then for several days it was mostly work.

I recall one midweek evening being entertained for dinner at John Aubert’s elevated apartment on the New Jersey side of the Hudson Bay with a glorious view of Manhattan.

One midweek evening comprised an early evening cocktail party at the Harvard Club, organised by Michael for his wider circle of friends and acquaintances, followed by dinner with a closer-knit small group. Very New York.

On my last night, the Thursday, Bloomberg arranged a dinner for us and several of the seniors involved in our project at a seriously up-market, kosher restaurant in mid-town. Several of the attendees had such dietary needs. It was, to date (25 years on), the one and only meal I have ever had that might be described as both haute cuisine and glatt kosher.

Not a pickle in sight

Michael stayed on Friday for an audience with Michael Bloomberg himself, while I took the wimps (daytime) flight back to London, arriving late evening to find that Janie had, in my absence, changed all of the carpets in Sandall Close. Let’s tread carefully around that one.

Footman Open Day & Much Ado About Nothing, 11 &/Or 12 September 1993

Strangely, I remember going with Janie to an open day for one of her chiropody suppliers, Footman, in Mitcham.

It was a bit weird.

I think one of the reasons I tagged along was because we wanted to see the movie Much Ado About Nothing and the sensible show time that Sunday was to go straight on from Janie’s trade show.

“But I thought Janie doesn’t like Shakespeare?” I hear you cry. Well, that wasn’t quite so set/established by then and in any case so many people were telling us that we needed to see this movie because the Beatrice and Benedick bit of the plot reminded people of our relationship.

Yawn.

Kenneth Brannagh & Emma Thompson? Do me a favour. Who were we and/or our friends trying to kid?

Not a bad movie though, in that British costume drama/turn a classic into a rom-com sort of way.

Baby Doll by Andrew Poppy & Tennessee Williams, Cottesloe Theatre, 8 May 1993

This piece was billed as:

a new chamber opera based on the original screenplay…

…perhaps we should have paid heed to that billing.

It was not to our taste.

It was part of the Springboards season, of which we saw three productions at the Cottesloe in two weeks. This was the second of the three we saw.

Below is a review from The Guardian – opera review rather than theatre review please note:

Baby Doll May 1993Baby Doll May 1993 Tue, May 11, 1993 – 28 · The Guardian (London, Greater London, England) · Newspapers.com

The Observer review can be seen as part of the article (including the picture) below:

Observer May 1993 CottesloeObserver May 1993 Cottesloe Sun, May 9, 1993 – 55 · The Observer (London, Greater London, England) · Newspapers.com

We stayed at mine that weekend. Whether I cooked or we got a takeway on the way home is lost in the mists of time.

I do recall Janie trying to sound like the atonal operatic voices in this misguided Baby Doll production for some while after the show.

Oh dear.

Leon The Pig Farmer, Followed By Dinner In Bristol With Hilary & Family, 26 to 28 March 1993

Janie’s diary is full of information for the Friday evening:

6.00 Leon Pig Farmer – Gary at Ian confirm?

7.15 starts (7.30) Kensington Odeon

Yes, I am pretty sure Janie and I saw Leon the Pig Farmer at Kensington Odeon.

I do not recall Gary (Davison, presumably) joining us at the movies that night.

Here is the IMDb resource for the movie.

Below is its trailer:

It was a quirky, rather corny film with some excellent actors in it.

I am pretty sure we ate and stayed at mine, not least because Janie treated one of her Saudi princess clients in town on Saturday moirning before we went off to Bristol. I don’t suppose they discussed Leon The Pig Farmer.

My diary is not at all forthcoming about the details of this weekend. All I wrote for the Friday evening and then Saturday were a couple of very short words:

PIG.

Hils.

Then some arrows and stuff across the Sunday, implying that we stayed in Bristol, Janie also had a symbolic line through Sunday.

With no other information about where we stayed, I’m guessing this is the one and only time that we stayed at Janie’s sister Hil and Chris Boswell’s house, in the conservatory, on their Z bed. (Sounds like a Cluedo accusation).

Memory suggests that we ate a very good meal with some good wine. Were “entertained” by the boys squabbling with each other and then tried our best to sleep on the Z bed.