O/MODƏRNT: Monteverdi to Tango & Monteverdi in Historical Counterpoint, Wigmore Hall, 3 July 2015

Two related concerts in one evening, both of which looked right up our street:

On the first stub, as indeed it read in the Wigmore Hall brochure, it says:

The Wigmore Hall Restaurant will serve dinner after the concert. Please contact the Box Office on 020 7935 2141 to make your table reservations.

This absolutely clinched it for us. The food at The Wig is pretty good these days and we know that they can deal with the sort of meal they can serve between concerts.

But what a palaver we had booking the meal.

“We’re not sure that we’ll be open still at that hour on that evening…”

“…but it says in the brochure that you will be open…”

“…ah, well if it says it in the brochure then we will be open…

“…great, we’d like to book please…”

“…I can’t take bookings yet, because I can’t be sure we’re going to be open…”

It all came right on the night (indeed before the night) of course.

The whole thing was part of a festival project named O/MODƏRNT, which is explained on its website – click here.

The first concert, mostly blending Monteverdi and Piazolla, was an exceptional classical ensemble concert with several ensembles and soloists involved.

Then the relatively simple meal that Wigmore Hall can serve in these circumstances, all done with speed, efficiency and smiles in the end. We know many of the staff there; indeed any who stick around for a while.

The second concert was jazz with the Svante Henryson Quartet. We weren’t quite sure what Monteverdi had to do with it; perhaps some links in the musical themes being extrapolated. Still, it was very good jazz, although Janie, as usual in such circumstances, felt that it fell short of Tord Gustavsen, which is a tough, indeed perhaps unreasonable benchmark to set. But Janie has set that benchmark for all visiting jazz ensembles since Tord graced the Wigmore Hall with his presence some years ago – an event which I shall Ogblog in the fullness of time.

In short, our O/MODƏRNT evening was a great success and well worth the effort.

 

Fantasticus, Sonnerie and other Portraits, Wigmore Hall, 19 June 2015

This was one of those late night concerts at The Wig.

We rather enjoy these, although sometimes find it an effort to go out after eating dinner, even if just to go a couple of miles down the road for a beautiful concert.

This one for sure was worth it. I’m pretty sure I knocked up a Tavola special pasta and salad for dinner before we went.

The full title of the concert was, “Sonnerie and other Portraits: Musical paintings from the French Baroque”. Lesser-known French Baroque composers, although we had heard some Marais and Rameau before, to be sure.

Here’s a link to the Wigmore Hall’s archived stub on this concert, which tells you all about Fantasticus and this concert – click here.

We’d never seen Fantasticus before; they are very good indeed. As was this beautiful concert.

In fact, if you wanted just one contrived adjective to describe our evening, you need look no further than “fantasticus”.

After Z/Yen Board Meeting Lunchtime Concert, City of London Sinfonia, St Andrew Holborn, 25 March 2015

We probably should have a corporate rule that every board meeting should conclude with a lunchtime concert.

But in reality this sort of thing is a rare treat for us…but treat this was indeed.

Michael had spotted this one, no doubt through some aldermanic connection, so not only did we get to listen to the delicious music but we got to eat some of the delicious food for honoured guests afterwards and network a while.

I like Handel’s concerto grossi and we got two of them in this concert. The sandwich filling was some Arvo Pärt of the listenable variety.

It was all very pleasant indeed.

La Nuova Musica, St John’s Smith Square, 20 March 2015

This was a lovely concert at St John’s Smith Square, on a Friday evening. Just what the doctor ordered.

SJSS is a good setting for all manner of music, but especially sacred music like Pergolesi’s Stabat Mater could have been written for the place.

Janie is especially partial to a bit of Stabat Mater of the Pergolesi variety, which is probably why we booked this one. That and the fact that it was on a Friday evening, a favourite slot of ours for some truly relaxing music.

This concert was a great way to start the weekend after a busy week.

Nash Ensemble: Ravel, Falla and Martín, Wigmore Hall, 14 March 2015

This was a very relaxing Sunday evening concert.

We hadn’t been to one of these before, but it seems there is a mini tradition of the Nash Ensemble doing concerts jointly with the flamenco guitarist Juan Martín.

I vaguely recall that we had been due to see Juan Martín on a previous occasion, but the  concert had to be cancelled for some reason.

Anyway, this concert was an unusual mix of Ravel, Falla and Martín’s own guitar works.

Perhaps foolishly, I had assumed when I booked it that we’d see Juan Martín perform with the orchestra in the Ravel and Falla, but that’s not the deal with these gigs. The Nash Ensemble and the other soloist, Bernarda Fink performed the first half of the concert (the Ravel and the Falla), then Juan Martín played the second half solo.

Click here for the Wigmore Hall listing for the concert, which tells you everything else you need to know.

Lovely concert it was, lovely.

20th Century Masterpieces For Guitar, Laura Snowden, St John’s Smith Square, 26 February 2015

Just a few days after seeing Miloš at The Wig, Janie and I saw another guitar concert, this time Laura Snowden at SJSS.

A bit unfair on Laura, the comparison. She is very good indeed, but clearly not Miloš level; at least not yet.

Her musical choices were a little tougher too.  I really like the Villa-Lobos guitar stuff, but it isn’t everyone’s taste. None of the stuff she performed would be.

But she plays with great clarity and warmth.

We enjoyed our evening and I vowed to return. So far, just the once and alone to a lunchtime concert – click here. But Janie liked her too.

Janie tends to makes a fuss about traipsing to SJSS, then tends to be pleasantly surprised at how near it is and how easily she can park. This evening was no exception.

Miloš Karadaglić, Wigmore Hall, 22 February 2015

We’d heard great things about guitarist, Miloš Karadaglić, so were really looking forward to this Wigmore Hall concert for some time.

We were not disappointed. He is a wonderful guitarist and the music was simply beautiful.

The concert was broadcast live on BBC Radio 3, so we were treated to Petroc Telawny’s introduction pre broadcast, although we couldn’t hear his explanations between pieces at the time.

Still, were able to listen again (and again) afterwards, but sadly the BBC thing is to take the sound links down after a month, so you can’t hear it unless they put the recording up again – click here for BBC details of the concert.

Here is a link to the Wigmore Hall stub, which includes a full play list including the encore – there’s geeky for you.

Anyway it was all simply delicious music. Miloš came across very nicely as well as being a supreme talent.

I went on-line more or less straight way (after we got home, none of that smart phone during the concert nonsense) to buy/download a couple of Miloš CDs/downloads – Amazon links below (other vendors are available):

Much cheaper now than they were when I bought them.

Darn…but I don’t care. Wonderful albums both – we listen to them a lot.

We booked to see Miloš again last year, but he had to cancel the concert due to injury – apparently he has been grounded for some while. Hopefully just a temporary glitch in his performing career.

A really memorable and wonderful evening of music.

Akademie für Alte Musik Berlin, Jean-Guihen Queyras, Xenia Löffler, Wigmore Hall, 6 February 2015

Akademie für Alte Musik Berlin…but in Berlin!

We have been keen on the Akademie für Alte Musik Berlin for many years now after first seeing them at the Wigmore Hall yonks ago – March 2001 – and then several times since. We even went to see them when we were in Berlin – see above and click here for the Ogblog piece.

As for Jean-Guihen Queyras, I shall forever associate him with our trip to Burgundy in 2008, in particular the day we visited the Bresse services to taste their coveted Poulet-de-Bresse (possibly the best service station dish in the world) and then on to Bourg-en-Bresse where by chance I bought, amongst other music, Queyras’s recording of the Bach Cello Suites – click here for Ogblog of that trip… 

…or here to a link for that wonderful Bach Cello Suites recording, which I still listen to quite often, indeed I am listening to it as I type…

…but I digress…

Click here for a link to the stub for the delightful Wigmore Hall concert we went to see on 6 February 2015.

These work wonderfully for us on a Friday evening, as long as we are sufficiently disciplined to stop working early enough and get to The Wig without a rush; on this occasion we were.

The concert was mostly Vivaldi, with one religious Caldara work thrown in for good measure. Not only were the Akademie für Alte Musik Berlin and Jean-Guihen Queyras superb (we were expecting plenty), but also Xenia Löffler – principal oboe for the Akademie – was also excellent.

Janie and I both loved this concert too.

Igor Levit, Wigmore Hall, 27 December 2014

Igor Levit in 2019 – Bundestagsfraktion Bündnis 90/Die Grünen, CC BY 2.0

I got more out of this one than Janie did.

I’d heard so much about Igor Levit as this emerging talent which The Wig was promoting, so when this concert came up in the Twixtmas period, I thought it would be a good one for us.

Here is a link to the programme of the concert we heard.

I thought he was very good, but Janie thought he was showy and our friend Eric Rhode voted with his feet at half time, telling me afterwards that he found Levit’s playing very heavy handed.

He’s certainly getting rave reviews now; perhaps he was still a bit raw in 2014.

Here is a little snatch of Levit playing one of the Bach Partitas a few months earlier than our concert – it’ll give you an idea of his style and you can judge for yourselves:

CSFI 21st Anniversary Reception, Nouriel Roubini Speech and City of London Sinfonia Recital, Old Library Guildhall, 11 November 2014

A very unusual and pleasant evening in the City, at the Old Library, Guildhall.

The Old Library and Print Room, Guildhall, London (1)

It was the Centre For The Study Of Financial Innovation (CSFI)‘s 21st birthday party.

We were treated to a drinks reception, a talk by New York economist Nouriel Roubini who had many interesting insights into the post 2008 crisis world.

Then a delightful recital performed by the City Of London Sinfonia with Dame Felicity Lott. Writing this up more than three years later (February 2018), I nevertheless can report on all the pieces we heard…

…because my memory is so superb…

…especially when supported by some scribbled notes on my programme:

  • Elgar – Serenade For Strings;
  • R Strauss – Morgen!;
  • Vaughan Williams – The Lark Ascending;
  • Schubert – The Shepherd On The Rock.

No video from the actual evening, of course, but below is a short video of the City of London Sinfonia performing something else (a charming Mozart presto) somewhere else…

…and here is a live performance of Felicity Lott (with a different lot in a different grand setting) performing Strauss’s Morgen! which will give you a reasonable idea of the sounds we actually heard:

Thanks CSFI – a truly memorable evening.