When we saw Jacquie and Hils Briegal for Christmas, we discovered that we were all going to see this play on the same night as couple of days later, along with Brother-in-law/Uncle Bernard Jacobs.
Typically, Jacquie said that Janie and I should join the family at her place for some supper after the show which we did.
Frankly, the play was rather dull. It’s funny how Howard Brenton tends to either get it very right or very wrong for me. this one missed the mark.
Fascinating subject, the partition of India, but what an old-fashioned “tell don’t show” history play it was.
I think we were the least impressed among the family too.
What the family readily agreed, though, was that Jacquie’s supper spread and the family natter was the highlight of the evening. Bernard was in especially good form that night. Sadly, he passed away just before new year 2018 – more or less exactly four years after this splendid gathering, which I’m sure he enjoyed, as did we.
This was a fun play with enough drama in it to keep us thoughtfully entertained.
Tracy-Ann Oberman (formerly of our NewsRevue parish – or at least the SportsRevue version is always superb value, as is Michael Attenborough, having a go in an even smaller house than the Almeida for once.
A strangely sinister play this one, about a young couple of expats in Dubai who get themselves into difficulties and fall foul of some older, exploitative expats.
The story seemed somewhat extreme, although apparently it is possible to get into extreme difficulties in Dubai and similar places and some young people do thus get exploited.
A weird and dark play about an extreme capitalist. We like Dennis Kelly’s plays – they are always entertaining with dark twists and lots to think about. This one was no exception.
Writing up this play now (march 2018), in our Brexit/Trump infused society, the play seems very relevant and prescient.
The fine actor Tom Brooke seems to thrive on Dennis Kelly plays. Actually the whole cast was good. I think this was our first sighting of Ned Bennett’s work as a director (assisting Vicky Featherstone on this one) – our next sighting being the tremendous Pomona at the Orange Tree – even weirder:
An engaging play at the Bush with an excellent cast, not least Kenneth Cranham and Amanda Root. This must have been Rory Kinnear’s first go as a playwright. Howard Davies directed.
We found it witty as well as moving – basically about a birthday party for a young man with severe learning difficulties.
Not normally our type of show, but we loved the idea of this one – performed cabaret style and about Josephine Baker, who had such an interesting life.
Cush Jumbo, who wrote and performed this show, is clearly a very talented young person.
We enjoyed our unusual evening at the Bush. In truth, though, we thought the show a victory of style over substance – we wanted to learn a lot more about Josephine Baker and or experience more drama. We were there very early in the run – in effect at a preview – so the show might have matured/improved after we saw it.
The show got a transfer to New York too, so our relative indifference towards the show wasn’t shared by the critics nor the producers.
Janie and I also recall running into our theatre friends John and Linda at this show – this is a couple we often see at the theatre – but because of the nature of this show we got a chance to have a proper chat with them in this cabaret-style setting of the Bush.
Janie and I are partial to a bit of Conor McPherson. We absolutely loved The Weir, but then you can’t expect a playwright to achieve such giddy heights every time.
So I suppose this particular evening was all set up for disappointment.
A wonderful cast, especially Ciarán Hinds and Caoilfhionn Dunne, plus a good script, provided plenty of entertainment for the evening – so in that sense we were not disappointed. It just wasn’t quite the jaw-dropping, mouth-watering night of theatre we had hoped for when we booked it. Greedy pair, we are, me and Janie.
…including this production of The Night Alive, which I have uploaded and which you can specifically click here. Excellent resources – well done Donmar.
Below is a Donmar trailer, mostly talking about the music – interesting to hear and see Conor McPherson talking about his own work:
