Category: Theatre

Gethsemane by David Hare, Cottesloe Theatre, 8 November 2008

This one felt like a hot ticket when we booked it months before and also seemed well suited to my mind set just 48 hours after my Gresham Lecture on Commercial Ethics.

But this play was about the arguably thornier topic of political ethics and political pragmatism.

What a posse of cast and creatives for this one – click here for the Official London Theatre information stub.

I recall being most impressed by the performances and the production. Also, the play did its job of getting me and Janie talking about its big issues for the rest of the weekend. Yet this didn’t feel like premier league David Hare to me; I felt there was something lacking in the play.

It was that sort of play/production – influential people were supposed to talk about it but not all that many people got to see it. Janie and I saw a preview, so had every right to wax lyrical from an informed perspective and from the outset.

What good news for everyone that Janie and I tend to keep our counsel to ourselves on such matters.

Well worth seeing.

State of Emergency by Falk Richter, Gate Theatre, 7 November 2008

A short dystopian piece about lives in a gated community in some future or remote authoritarian place.  Here is a link to The Gate’s stub on this piece.

We have done this sort of play on a Friday evening at The Gate before (and since), because it is sometimes so convenient to see them and stay at the flat on a Friday, but heavy/dystopian drama is not my first choice of activity for a Friday night.

Anyway, beyond our temporal reasons for being unsure about it, the critics also seemed unsure:

The acting was top notch and as always we marvel at the way they manage to turn that small space above a pub into a proper space for drama. But Janie and I concurred with the reviewers about the play.

Not sure whether I cooked or whether we grabbed some Turkish food from the (now late, lamented) Manzara. As I’d delivered my Gresham lecture the night before and (it seems) gone off early on the Friday morning to see clients, I’ll guess the latter and jolly tasty it will have been too.

Faces In The Crowd by Leo Butler, Royal Court Upstairs, 25 October 2008

This was a very memorable, very intimate play.

The set was effectively a small studio apartment which we, the tiny audience, was observing from above. You really almost felt you were in the apartment with the couple. And the couple were discussing very intimate stuff.

Official London Theatre maintains a basic resource on this production – click here.

Janie and I took Charlie (Lavender) with us to this one, which I think she enjoyed very much. We’re struggling to remember what we did for grub on this occasion; we think we possibly ate at the Royal Court itself.

Definitely more plus than minus for us.

Waste by Harley Granville Barker, Almeida Theatre, 18 October 2008

This one turned out to be a bit of an Alleyn’s alum-fest, with Sam West directing and Nancy Carroll performing. But that won’t be the reason we booked it.

Janie and I have been Almeida members for donkeys yonks – indeed I have been going there fairly regularly since the late 1980s.

This looked like a cracking production on paper, so we’d have had no hesitation in booking it.

The Almeida is great on archiving its productions, so details of the production, some good pictures and extracts from the reviews are all there to be seen – saving me the trouble – click here.

We agree with all of that lot. It was a cracking production of a rather wordy play – Harley Granville Barker was a decent playwright but Ibsen or Strindberg he ain’t.

We were very glad to have picked this production. Seeing a lesser production of this play would have been a bit of a waste.

The Walworth Farce by Enda Walsh, Cottesloe Theatre, 11 October 2008

Janie and I both profoundly hated this play/production.

We normally like Irish plays, even if they are a bit silly. But this one seemed to us to be silly to the point of not having any point at all.

If you read the rubric, still available on the Official London Theatre site along with production details – click here – you can see why we booked it. Sounds interesting. Potentially really good.

Oh well.

So, as the whingers say, what do we know?

In The Red And Brown Water by Tarell Alvin McCraney, Young Vic, 4 October 2008

Of course we hadn’t heard of Tarell Alvin McCraney when we booked this. We simply booked it because it sounded like an interesting play, which it was.

But at the time of writing this up (March 2017), Tarell Alvin McCraney is a topical name, because he wrote Moonlight, which won the best picture Oscar a few weeks ago. Go figure. Here is a link to a recent Young Vic blog piece recognising this achievement.

Official London Theatre has an excellent resource on the outline of this play/production from back then, saving me time & trouble – click here.

The Young Vic published an extensive resources document for students/teachers etc. this play/production – you can click it down – here – from this link.

Reviews were mixed:

I must say I concur with this view. I remember the production where the Young Vic was turned into a watery stage, but I couldn’t hand on heart have told you anything about it from memory, until after I flicked through the script just now.

Perhaps Janie’s memory will do better – I’ll test that a bit later but only report back if she surprises me with profound recall.

The Young Vic published a short vid showing how they made the watery stage happen – see below.

Creditors by August Strindberg in a new version by David Greig, Donmar Warehouse, 27 September 2008

Janie and I are both very partial to a bit of Strindberg.

Creditors is a top drawer Strindberg play and this was a top draw production of same at the Donmar.

I had seen a smaller scale production of this before – at The Gate back in the 1980s – I’ll review that too in the fullness of time. But this version of Creditors, in David Greig’s edgy hands, was even more gripping than I remembered the play.

Here is a link to the Donmar’s excellent downloadable Study Guide for this production.

Superb cast too – all three of them excellent.

Even the West End Whingers were on the case for this one and seemed broadly satisfied – click here.

An especially good night at the theatre.

The Girlfriend Experience, Royal Court Theatre Upstairs, 20 September 2008

We really liked this play. It was funny and interesting.

It’s one of those verbatim theatre jobbies. Alecky Blythe went round talking to prostitutes at “the parlour” and pulled together a play about them based on their own accounts.

Intriguingly, the cast listened to recordings as they delivered their lines, to add a particular type of authenticity to the verbatim method.

It worked for us, anyhow.

Perhaps the Royal Court are starting to put up archives going back this far, but for now this one is merely a stub – click here.

OfficialLondonTheatre.co.uk has more – click here.

Kicking A Dead Horse by Sam Shepard, Almeida Theatre, 7 September 2008

A rare visit to the theatre on a Sunday – rare time for a theatre show too; 18:00.

The Almeida had a short run of this short piece by Sam Shepard – click here for the Almeida resource on this production; yes, Almeida on-line stuff goes back this far!

This was a joint production with The Abbey Theatre in Dublin; hence the excellent Stephen Rea.

Our view; certainly not Shepard at his best but Stephen Rea would probably hold our attention while painting a ceiling.

The Female Of The Species by Joanna Murray-Smith, Vaudeville Theatre, 12 July 2008

We don’t much go for West End productions, but this one does read like a Cottesloe, Royal Court or Hampstead type production, despite landing in the West End straight from its original Australian production.

The play is a comedy, loosely based on a real incident in which Germaine Greer was breifly kidnapped by a deranged “fan”.

Thank you, Official London Theatre, for all the details about the production – click here.

Janie and I saw this on the Saturday of the Lord’s test, with Lord’s tickets in our hand for the Sunday and with me having been at Lord’s on the Friday, enjoying a long weekend…

…Eileen Atkins, Anna Maxwell Martin, directed by Roger Michell…what could possibly go wrong?

Not a lot, really. It was funny, yet also quite forgettable. Only by skimming the above OLT synopsis and the reviews that follow does it start to come back to me. A bit like the test match really, seems like I was having that sort of weekend:

Still, it was worth seeing and for sure a notch or three above the usual West End comedies.