Mnemonic by Simon McBurney, Théâtre De Complicité, Riverside Studios, 18 December 1999

Janie and I have tended to have a soft spot for anything Complicité, not least because our first proper date was Théâtre De Complicité’s Street Of Crocodiles:

But Mnemonic didn’t need our soft spot – it was excellent in its own right.

Superb

…I said in my log and meant it.

Strangely, writing 25 years later, this piece has recently been revived (or rather, reimagined) by Complicité in London at the National.

This original production was at the more utilitarian Riverside Studios, a venue we have always liked.

Excellent cast, including Simon McBurney himself, the wonderful Katrin Cartlidge (who died tragically young) and Richard Katz, who had previously worked wonders with my material in NewsRevue – for example the Woody Allen role in Mama Mia Farrow:

…but I digress.

Here is the Theatricalia entry for this play/production.

Anyway, Mnemonic really was superb and we were lucky to have seen the original production of it.

Nick Curtis wrote it up at length in The Standard:

Mnemonic Curtis StandardMnemonic Curtis Standard 03 Dec 1999, Fri Evening Standard (London, Greater London, England) Newspapers.com

The local rag loved it:

Mnemonic Tear HammersmithMnemonic Tear Hammersmith 24 Dec 1999, Fri Hammersmith and Shepherds Bush Gazette (Hammersmith, London, England) Newspapers.com

I think a lot of the usual suspects ignored it until it transferred to the National a couple of year’s later…and then was reimagined more than 20 years after that.

But we saw the original production…at The Riverside…have I mentioned that before?

Battle Royal by Nick Stafford, Lyttelton Theatre, 11 December 1999

Our verdict on this one:

Had its moments.

That is not a rave review.

This production was awash with star names; Zoe Wanamaker, Simon Russell Beale, Gemma Jones, Suzanne Burden, Brendan Coyle, Matthew Macfadyen…

…directed by Howard Davies.

Here is the Theatricalia link for this play/production.

The production and talent on show was all very high quality – I don’t think the play did it for us.

It didn’t seem to please all the critics either. Nick Curtis in the Standard gave it the dreaded blob:

Battle Curtis StandardBattle Curtis Standard 10 Dec 1999, Fri Evening Standard (London, Greater London, England) Newspapers.com

Paul Taylor, in the Independent, also panned it.

Battle Taylor IndependentBattle Taylor Independent 10 Dec 1999, Fri The Independent (London, Greater London, England) Newspapers.com

On the other hand, Charles Spencer in the Telegraph rather liked it:

Battle Spencer TelegraphBattle Spencer Telegraph 10 Dec 1999, Fri The Daily Telegraph (London, Greater London, England) Newspapers.com

But our charitable friend, Michael Billington, awarded it a rare mediocre two stars:

Battle Billington GuardianBattle Billington Guardian 11 Dec 1999, Sat The Guardian (London, Greater London, England) Newspapers.com

Hedda Gabler by Henrik Ibsen, A Version by Frank McGuiness, Theatre Royal Plymouth At The Richmond Theatre, 3 December 1999

Another Friday, another theatre visit. This time we had even booked for the Saturday, but switched to the Friday to accommodate Caroline Freeman’s engagement party on the Saturday.

Janie and I rated this Hedda Gabler as “good”.

Janie and I had seen a mediocre (or, in Janie’s words, “OMG it was dreadful”) Hedda in Holland Park a few year’s earlier…

Even after this 1999 Hedda, I still didn’t feel that Janie had seen a good enough version, so we did it all again at The Almeida a few year’s later.

Anyway, this one was a West End preview with Francesca Annis as Hedda and other West End names such as Peter Bowles and Nyree Dawn Porter in tow. Frank McGuiness directed it.

This one started in Plymouth a week or so before we saw it in Richmond. Here is Leon Winston’s review from the Herald Express:

Hedda Winston HeraldHedda Winston Herald 23 Nov 1999, Tue Herald Express (Torquay, Devon, England) Newspapers.com

This production didn’t seem to make much sense to Charles Spencer in The Telegraph:

Hedda Spencer TelegraphHedda Spencer Telegraph 02 Dec 1999, Thu The Daily Telegraph (London, Greater London, England) Newspapers.com

Becky Gaunt in The Feltham Chronicle liked it but felt short-changed by Frank McGuiness’s scaled-back version.

Hedda Gaunt FelthamHedda Gaunt Feltham 02 Dec 1999, Thu The Feltham Chronicle (Hounslow, London, England) Newspapers.com

Anna Weiss by Mike Cullen, Whitehall Theatre, 26 November 1999

A rare visit to theatre in town on a Friday evening for us – I think the plan was for Janie’s sister Hilary and her husband Chris to visit that Saturday/Sunday but in the end that visit got postponed.

My log is silent on this play/production, so it obviously didn’t have a profound impact on us. Excellent cast though: Shirley Henderson, Catherine McCormack & Larry Lamb, directed by Michael Attenborough.

Here is the Theatricalia entry for this play/production.

Nick Curtis in The Standard admired the attempt to tackle the very difficult issue of extreme child abuse, but felt that this play/production didn’t work:

Weiss Curtis StandardWeiss Curtis Standard 23 Nov 1999, Tue Evening Standard (London, Greater London, England) Newspapers.com

Charles Spencer in The Telegraph expressed similar sentiments to those of Nick Curtis:

Weiss Spencer TelegraphWeiss Spencer Telegraph 27 Nov 1999, Sat The Daily Telegraph (London, Greater London, England) Newspapers.com

Other regulars don’t seem to have reviewed this piece – perhaps they were stunned into similar silence to my own.

Three Days Of Rain by Richard Greenberg, Donmar Warehouse, 13 November 1999

After a hat trick of theatre visiting evenings during a short break period at the end of October

…nada for a couple of weeks. We went to Kim & Mickey for dinner on Saturday 30 October, but then seemed to lie low socially and culturally for a fortnight. Janie’s diary suggests that she was working full pelt. Mine suggests that I was on a major report writing deadline or two, as I saw few clients and blocked out several half days and whole days for writing.

Then we went to the Donmar Warehouse to see this beauty of a play/production, which we both rated as:

Very good.

Great cast: Colin Firth, Elizabeth McGovern & David Morrissey. Directed by Robin Lefevre.

It had enjoyed a short run at the Donmar earlier in the year; we caught its autumn return. Janie booked it, so her diary reports that we sat in seats A24 & A25 and that she parted company with £48 in total. Thems was the days!

Nicholas de Jongh in The Standard shared our liking for this play/production:

Rain de Jongh StandardRain de Jongh Standard 03 Mar 1999, Wed Evening Standard (London, Greater London, England) Newspapers.com

David Benedict in the Independent was less sure:

Rain Benedict IndependentRain Benedict Independent 03 Mar 1999, Wed The Independent (London, Greater London, England) Newspapers.com

Charles Spencer in The Telegraph really liked it:

Rain Spencer TelegraphRain Spencer Telegraph 04 Mar 1999, Thu The Daily Telegraph (London, Greater London, England) Newspapers.com

Lynn Gardiner loved it in the Guardian:

Rain Gardiner GuardianRain Gardiner Guardian 06 Mar 1999, Sat The Guardian (London, Greater London, England) Newspapers.com

Corpus Christi by Terrence McNally, Pleasance Theatre, 29 October 1999

An unprecedented hat trick of evenings at the theatre concluded with this piece. Little did we know when we booked it that this to be a highly controversial play.

Here’s a newspaper clipping from the following day:

Corpus Christi FatwaCorpus Christi Fatwa 30 Oct 1999, Sat The Daily Telegraph (London, Greater London, England) Newspapers.com

Perhaps we should have known, as apparently it had been hugely controversial when first produced in the USA a couple of years earlier.

In truth, we didn’t think all that much of the play and production.

Nicholas de Jongh in The Standard liked it:

corpus de Jongh Standardcorpus de Jongh Standard 29 Oct 1999, Fri Evening Standard (London, Greater London, England) Newspapers.com

No-one else seems to have reviewed it. The other papers seemed obsessed with news of the play’s controversy rather than the play itself, which is a a shame.

I recall that we rather liked the Pleasance Theatre but not its location.

We had been traipsing around that day, having been to the City for a do (neither of us can remember) and then a stop off to see some oriental art at the British Museum before The Pleasance. Would we have the energy for all that 25 years later? Would we have the energy for a hat-trick of evenings at the theatre?

Antigone by Sophocles, The Old Vic, 28 October 1999

For some reason, stuff at The Old Vic rarely works for us and this production of Antigone was no exception. It had been bigged-up in the media on the back of a big name cast, headed up by Tara Fitzgerald alongside Jonathan Hyde, Anna Calder-Marshall, Zubin Varla and several others, under the skilled direction of (and adaption by) Declan Donnellan.

Here is the Theatricalia entry for that production.

Janie and I didn’t think that Tara Fitzgerald suited that part, or indeed possibly the stage, but what do we know?

Nicholas de Jongh in the Standard gave it a blob:

Antigone Standard Old Vic Antigone Standard Old Vic 12 Oct 1999, Tue Evening Standard (London, Greater London, England) Newspapers.com

On the other hand, Paul Taylor in The Independent liked it a lot:

Antigone Taylor IndependentAntigone Taylor Independent 12 Oct 1999, Tue The Independent (London, Greater London, England) Newspapers.com

Our friend, Michael Billington, in the Guardian, absolutely loved it:

Antigone Billington Guardian 1 of 2Antigone Billington Guardian 1 of 2 14 Oct 1999, Thu The Guardian (London, Greater London, England) Newspapers.com Antigone Billington Guardian 2 of 2Antigone Billington Guardian 2 of 2 14 Oct 1999, Thu The Guardian (London, Greater London, England) Newspapers.com

More often than not, if the critics are divided, we side with Billington (Guardian) over Spencer (Telegraph), but Charles Spencer panned this production (perhaps more vociferously than our view). I’ll let him have the last word:

Antigone Spencer TelegraphAntigone Spencer Telegraph 13 Oct 1999, Wed The Daily Telegraph (London, Greater London, England) Newspapers.com

Sweet Dreams by Diane Esguerra, Sphinx Theatre Company, Chelsea Place Theatre, 27 October 1999

In truth we remember little about this one. I was taking some time off – mostly to “supervise” the fraught business of Gavin renovating my flat. Janie was trying to work half days and take a bit of time off too. We saw several plays and exhibitions that week.

We had discovered the Chelsea Place Theatre a few months earlier when we saw Home Body/Kabul…

Here is a short review of Sweet Dreams from The Independent:

Sweet Dreams, Halliburton, IndependentSweet Dreams, Halliburton, Independent 20 Oct 1999, Wed The Independent (London, Greater London, England) Newspapers.com

The Story of Jude by Geoffrey Beevers, Orange Tree Theatre, The Room, 22 October 1999

This was the last ever production in the Room above The Orange Tree pub itself. The bespoke Orange Tree Theatre had been up and running for a while by then and the decision was made to stop doing some shows above the pub still. A shame in a way, as we loved that small venue. But understandable.

Here is a preview of the show from the Richmond & Twickenham Informer:

Jude Richmond InformerJude Richmond Informer 01 Oct 1999, Fri The Richmond and Twickenham Informer (Richmond upon Thames, London, England) Newspapers.com

Judging by the markings in both of our diaries, we had planned to go away for a couple of weeks that October and then changed our minds. Probably because we didn’t think we could leave Gavin unmanaged doing the works at Clanricarde Gardens. This was one of several things we booked up to replace the holiday. We both did some work but worked light during those weeks.

It wasn’t a great play or production, but the story was interesting and Mairead Carty was always very watchable.

We went to a restaurant named Burnt Chair in Duke Street afterwards. It was loved more for its wine list than its food, according to my 2003 Hardens and also this tombstone piece in The Standard when the place died in 2014.

Hyacinth Blue by Kara Miller, Lyric Hammersmith Studio, 16 October 1999

I don’t remember a great deal about this one. I don’t think we were particularly impressed, although we wanted to be, because the idea of former prisoners making drama feels like a wonderful idea to us.

Our friend, Michael Billington, took the trouble to go and review it for The Guardian. We’ll take his word for it.

Hyacinth, Guardian, BillingtonHyacinth, Guardian, Billington 21 Oct 1999, Thu The Guardian (London, Greater London, England) Newspapers.com