Janie and I have a very clear memory of the opening of Marriage Play, in which Bill Paterson’s character, Jack, repeatedly taunts his wife, played by Sheila Gish, with the phrase “I’m leaving you”. It’s a bit “Who’s Afraid…” meets “Dances of Death”, I suppose. But we both recall really enjoying Marriage Play, while we thought a lot less of the second half’s short play, Finding The Sun.
What did the critics think?
Our friend, Michael Billington, was not wild about the evening as a whole, much preferring Marriage Play:
Janie and I are partial to a bit of David Mamet. We were also very excited to be seeing Zoe Wanamaker & Anna Chancellor (plus a young, then unknown, Lyndsey Marshal), directed by Phyllida Lloyd, early in the run at the Donmar Warehouse.
My memory and my single word log review…
pretentious
…suggests that we were a bit disappointed by the play.
Janie and I defer to the wisdom of the professional critics. The performances were good, we grant. But don’t attempt this play as am-dram unless you have three superb actresses to carry the evening.
On the Friday evening, we saw Feelgood. We would have eaten at Harry Morgans before the show. I remember this play having a superb cast: Jeremy Swift, Henry Goodman, Amita Dhiri, Nigel Planer, Pearce Quigley, Sian Thomas, Nigel Cooke and Jonathan Cullen (according to my log), and being lots of fun. Max Stafford-Clark directed it. It transferred to the Garrick with a slightly different cast – Peter Capaldi taking Jeremy Swift’s place. Here’s the Theatricalia entry for that one.
Nicholas de Jongh really liked it in The Standard, especially heaping praise on Henry Goodman’s performance:
Billington concludes that article with a statement that seems oh so apposite as I write 25 years later:
…theatre is a place of information as well as entertainment and the more it cuts itself off from society – and relies on a mixture of anodyne musicals and Hollywood-star casting, the more it is doomed to glamorous irrelevance.
Well if you thought that Reza’s work was Chekhovian, Michael, just wait until you see The Cherry Orchard.
Another Saturday night at the theatre which didn’t raise a comment in my log at the time. Perhaps we were overdoing at bit at that time.
Amazing cast: Maxine Peake, Roger Allam, Michael Bryant, Vanessa Redgrave, Eve Best, Corin Redgrave (yes, that was two Redgraves for the price of one), and many other fine acting folk, directed by Trevor Nunn.
I recall this play/production doing less for me than I had hoped. I was expecting something quite visceral from the author of Rat In The Skull, which I had read with wide-mouthed interest back in the day.
We were keen Hampstead goers, even back then when the venue was still a portacabin down the road from the current high-class venue.
We dined at Harry Morgan’s ahead of the show, getting a fix of Jewish deli grub in St John’s Wood on our way to Swiss Cottage, as was our occasional wont back then.
The cast comprised John Gordon Sinclair, Miranda Pleasence, Andrew Woodall, Rob Spendlove, William Chubb and Kenneth Colley. The actor Denis Lawson directed the production.
I didn’t think about this play when I saw Giant by Mark Rosenblatt, but reflecting on it now, I can see how Rosenblatt managed to make similar subject matter come alive…
…whereas Burning Issues by Ron Hutchinson, a playwright who had proved that he could write good plays on tough topics, somehow couldn’t make this subject matter fizz.
What was not to like? Maureen Lipman as Peggy Ramsey, with sound support from Tom Espiner, Selina Griffiths, Richard Platt and Crispin Redman, all ably directed by Robin Lefevre.
Paul Taylor in The Independent was entertained but thought that Maureen Lipman as Peggy was a case of miscastology…so at least Maureen got an ology I suppose and for sure she spent a lot of time during the play on the phone.
A rare visit to theatre in town on a Friday evening for us – I think the plan was for Janie’s sister Hilary and her husband Chris to visit that Saturday/Sunday but in the end that visit got postponed.
My log is silent on this play/production, so it obviously didn’t have a profound impact on us. Excellent cast though: Shirley Henderson, Catherine McCormack & Larry Lamb, directed by Michael Attenborough.
Nick Curtis in The Standard admired the attempt to tackle the very difficult issue of extreme child abuse, but felt that this play/production didn’t work:
…nada for a couple of weeks. We went to Kim & Mickey for dinner on Saturday 30 October, but then seemed to lie low socially and culturally for a fortnight. Janie’s diary suggests that she was working full pelt. Mine suggests that I was on a major report writing deadline or two, as I saw few clients and blocked out several half days and whole days for writing.
Then we went to the Donmar Warehouse to see this beauty of a play/production, which we both rated as:
Very good.
Great cast: Colin Firth, Elizabeth McGovern & David Morrissey. Directed by Robin Lefevre.
It had enjoyed a short run at the Donmar earlier in the year; we caught its autumn return. Janie booked it, so her diary reports that we sat in seats A24 & A25 and that she parted company with £48 in total. Thems was the days!
Nicholas de Jongh in The Standard shared our liking for this play/production:
For some reason, stuff at The Old Vic rarely works for us and this production of Antigone was no exception. It had been bigged-up in the media on the back of a big name cast, headed up by Tara Fitzgerald alongside Jonathan Hyde, Anna Calder-Marshall, Zubin Varla and several others, under the skilled direction of (and adaption by) Declan Donnellan.
More often than not, if the critics are divided, we side with Billington (Guardian) over Spencer (Telegraph), but Charles Spencer panned this production (perhaps more vociferously than our view). I’ll let him have the last word: