Rohan Candappa’s brief, for the May 2021 ThreadMash event, was as follows:
All being good, lockdown is scheduled to loosen its collar on Monday 17 May…
…I’m suggesting a theme that encourages us to reclaim some of the things that have been appropriated over the last year and a bit. Things like words. So I’d like you all to recover, repurpose and re-imagine the following words via the stories you write and share:
Rohan says, “never explain” and I have in part explained. Let’s allow my story to tell it’s own tale from here.
HANDS
I have two cack-hands.
Kind people, on observing that I play tennis off both arms, describe me as ambidextrous. But the word “dextrous” should not be used to describe me.
The truth is, I am ambi-cack-handed; neither dextrous with my right nor with my left hand.
For most purposes where only one hand is involved, I use my right hand. Writing and drawing for example. But I do those things cack-handedly. Computers have saved me from a teacher-predicted lifetime of illegible handwriting misery.
I have always brushed my teeth with my left hand. Some experts suggest this means that I am a natural leftie who mistakenly adopted right-handedness for most tasks. But concerted attempts to use my left hand as a child was a bigger disaster than my using the right hand…apart from the left-handed tooth-brushing.
Then along came the need to shave.
FACE
In the late 1970s, an American entrepreneur named Victor Kermit Kiam The Second announced that he was so impressed with the Remington electric shaver his wife bought him as a gift, he henceforward would eschew the use of the wet shavers he had used throughout his life and…
…get this…
…Victor Kiam bought the company that made Remington shavers.
My dad was way ahead of Victor Kiam in switching from blades to Remington electric shavers; by the late 1970s, dad had several of them. Two at the house, plus one at the shop, where dad’s routine required a five-o’clock shave, removing shadow ahead of late afternoon customers (or mostly lack thereof, by the late 1970s). Dad was not ahead of Victor Kiam in the matter of entrepreneurship.
In my early days shaving, I used dad’s spare Remington at home to remove the odd visible patch of dark fluff from my face.
When I set off for Keele University in autumn 1980, dad lent me that spare Remington, plus lotion bottles (pre shave and after shave) plus an old spare illuminated art-deco-style shaving mirror. The makeshift electrical wiring and plugs for that paraphernalia looked like a physics experiment.
But whereas prior to Keele, my facial hair only became visible once every few days, I soon started to notice daily patches of hair and started to shave regularly.
Increased Remington use combined badly with regular intake of beer, cigarettes and the rest. My face and neck became sore losers of facial hair; itchiness and blotchiness abounded.
For my second term at Keele, Dad switched my loan from the old Remington to a more modern foil-headed electric shaver…
…but the skin irritation persisted; possibly it even got worse.
Thus, over Easter 1981, contra-Kiam as it were, dad and I agreed that I would switch from electric to wet shaving. Dad rebundled my loan, replacing the Remington with the Rolls Razor he had used as a young soldier during the war.
This contraption, which they stopped making before I was born, was a metal box containing a strop and a re-useable safety razor. You would sharpen the blade on the strop, then detach the razor for your wet shave. Eventually you would change the blade, which, if memory serves me well, required a screwdriver and a fair bit of dexterity.
The other thing that needed dexterity was the safe use of such a safety razor.
We could not buy the company that had made Rolls Razor – it had gone bust by then – but we should have invested in the makers of styptic pencils and sticking plasters.
I recall seeing several horror films towards the end of my first year at Keele; The Amityville Horror and The Shining spring to mind, so I had plenty of suitable similes to describe the bloody bathroom scenes of my early Rolls-Razor efforts. I did eventually get the hang of it and wet-shaved for the next 25 years. Left-handed.
SPACE
But why did a long-haired ha’porth of a student, with two cack hands and a skin-sensitive face even bother with shaving?
The answer lies not in the facial hair itself, but in the space between the patches of facial hair.
It was OK for the youngsters who were blessed with a full growth of facial hair at the age of 18. Simon Jacobs, for example, had five-o’clock shadow from the start at Keele. But most of us looked ridiculous with sparse facial hair.
I recall Richard Van Baaren naming our Lindsay F-Block corridor’s five-a-side football team ‘Tempted ‘Tache, in honour of fellow undergraduate males’s failed attempts at moustaches. No, I didn’t play for that team; I have two left feet as well as two cack-hands.
Inadequate facial hair was like a flashing neon sign saying JUVENILE…BOY…NOT YET A MAN. That tell-tale wispy, fluffy face space had to go, even if the result was bloody carnage, born of cack-hands.
Oliver Wise called me out of the blue in March and asked me if I would be prepared to do something similar to the Gresham Society talk as part of a series of on-line events that his club, Boodle’s, has been holding during lockdown.
How could I possibly say no to Oliver? He probably doesn’t even remember it, but he gave me a great deal of encouragement when I started playing real tennis at Lord’s. I’m sure he does that with everyone; his view is that the handicapping system allows newbies and duffers to play with advanced players, so all should be encouraged to participate.
Anyway, I said yes to the Boodle’s on-line talk/discussion and we agreed a storyboard or semi-script with pictures and video clips that went roughly like this.
Playing The Odds: The Storyboard
Oliver: Can you briefly explain how real tennis differs from its offshoot, lawn tennis?
I’d like to answer that question in two respects – in terms of the history of the games and the nature of the games themselves.
Lawn tennis emerged in the mid to late 19th century, following the invention of vulcanised rubber. So when Boodle’s was founded, in 1762, the term “tennis” would refer to the game we now call “real tennis”. Indeed, the use of the single word “tennis” to refer normally to lawn tennis rather than real tennis dates from the early 20th century.
Real tennis is a rich and complex game played, mostly in indoor courts with gallery openings, penthouse roofs, targets and hazards, as well as the central feature of a net, shared between both real and lawn tennis. In France, real tennis is called “jeu de paume”, or “palm game”, which provides some insight into the game’s emergence by the 12th century in France…
…at least that’s when the earliest records emerge. The game was played with the hand. This stunning late 13th century picture from the Cambrai Book Of Hours shows a monk instructing his pupils in the game.
I love this picture; one of the oldest if not the oldest image of real tennis action. The master is unquestionably wearing gloves; the pupils also, perhaps.
You might have noticed that the pupils are learning to play with their left hands – both hands will have been used until the notion of a racket emerged, at which point one-handed forehand and backhand play will also have evolved. The switch from hand play to racket play probably started around the advent of the Renaissance and was all-but complete by the end of the Tudor period.
Just a few comments about the game at this stage; we’ll explore more as we go along in our discussion. The racket and balls for real tennis differ significantly from those used for lawn tennis. The racket is significantly smaller and irregularly shaped; some say the shape is an enlarged palm, others simply that the asymmetric shape assists shots that need to be taken near to the side walls and the nicks. The racket is highly strung; in my case much like its user. The balls look superficially like modern tennis balls, but they are hard items made from a cork core (in medieval times human hair was bound as the core), webbing and a covering of wool felt, hand-made, only approximately regular in shape.
The court is even more asymmetric than the implements. Serving is only done from one end – the bottom end as depicted. The receiving end is known as the hazard end.
The ball is hit back and forth across the net and must be sent back over the net on the volley or after the first bounce. But only a few designated areas of the court are places where a shot might win the point outright, although there is a better opportunity for the server than for the receiver to hit an outright winning shot. Only one gallery opening on each side is a winning target; all of the other gallery openings lead to chases, as does all of the floor at the service end and half the floor at the hazard end. In real tennis, the second bounce does not normally determine that the point has been won, but that a chase has been laid.
[Explain one or two chases using the mouse pointer on the picture]
After one or two chases are laid (depending on the score), the players change ends and the serve therefore switches from one player to the other. The player who has laid each chase then needs to defend their territory – i.e. ensure that their opponent lands a second bounce further away from the rear wall than the chase they laid. The winner of the chase scores the point for that chase.
Apart from the matter of chases, the scoring system for real tennis will be familiar to lawn tennis people. 15-30-40-game. Normally six games to win a set.
Here is a CCTV clip from Lord’s, in which the service has just changed ends after the setting of two chases. Mr Snitcher, now serving, is trying to defend the five yard line for the first chase and the three yard line for the second chase. The score is 30-30 and I am leading by 5 games to four. Oliver Wise will pick up the commentary:
Oliver: (after explaining the two chases that determine the set). Would you please tell us a little about some of the colourful characters from the history of the game.
Ah, that’s one of my favourite topics.
There is documentary evidence of tennis as a royal pursuit from the early 14th century. Tennis’s first “star”, for all the wrong reasons, was Louis X of France, known as Louis The Quarrelsome.
Philip IV, Louis’s dad, bought the Tour de Nesle in 1308 and had a covered tennis court built within. While Philip was clearly keen on the game, there is no evidence that he played. It is said that the fashion for covered courts emanated from young Louis’s love of the game. That love also, perhaps, proved to be Louis’s undoing. Just a couple of years after succeeding to the French throne, Louis X died, age 26, apparently after playing an especially rigorous game of tennis at Vincennes, in 1316. Louis X thus became the earliest named tennis player in history.
That event also initiated a long and rather sordid tradition of monarchs or heirs to the throne dying in unusual circumstances with tennis standing accused of being central to their demise. We could have an entire talk on real tennis horrible histories if you fancy…no, thought not. But one such demise is relevant to Boodle’s and its links with tennis from Boodle’s earliest days. Frederick Prince of Wales died in 1751, purportedly from a lung injury sustained on the real tennis court some three years prior to his death. Horace Walpole said so and this is the received wisdom handed down from those Georgian times. Presumably there was a well-recorded incident in which the Prince was injured by “wearing one in the chest”. We’ve all occasionally sustained such bruises. Modern historians and doctors think it unlikely that a chest injury sustained three years earlier would cause such a death. More likely it was a pulmonary embolism. But the hard ball sports of cricket and tennis, which Frederick had loved and patronised, took a reputational hit in England for the rest of the Georgian era, reviving as the Victorian era evolved.
So, at the time that Boodle’s was formed in 1762, there was really only one public court of note in the whole of London; The James Street Court near the Haymarket; a short, pleasant walk away from Boodle’s. It was sometimes referred to as The King’s Court as Frederick Prince of Wales was said to frequent the place. He had a reputation for enjoying sport and gambling. At that time, public tennis courts were in part for gaming or gambling as well as for playing the sport.
It is unsurprising that many of the gentlemen who founded Boodle’s, with their love of gaming and sports, were tennis enthusiasts.
Charles James Fox was an early noteworthy…some might say notorious, member of Boodle’s. He was leader of the House of Commons and Foreign Secretary multiple times in the Georgian era. Fox was an inveterate gambler, womaniser and lover of things and fashions foreign. The Conservative historian, Lord Lexden, has compared Fox’s manner with that of the current Prime Minister, Boris Johnson. Fox was also, according to the Georgian equivalent of the tabloids, a keen tennis player.
Here is a quote from the Morning Post and Daily Advertiser, Wednesday, July 2, 1777:
“Charles Fox is become conspicuous at the tennis court. When he leaves off play, being generally in a violent perspiration, he wraps himself up in a loose fur coat, and in this garb, is conveyed to his lodgings.”
Arthur Wellesley, 1st Duke of Wellington was a more conservative character than Fox, both politically and behaviourally. Wellington was another notable member of Boodle’s and another Boodle’s member whose tennis exploits found their way into the papers. Wellington built a tennis court at Stratfield Saye. He even played a few sets there with Prince Albert when the Royal couple visited in 1845. The Illustrated London News reported that:
“we noticed this recreative adjunct to the mansion of Stratfield Saye when chronicling the Royal visit last week, when his Royal Highness Prince Albert enjoyed this olden game”.
But The History of Stratfield Saye does not record the Duke of Wellington as the star tennis player of that court. That history reports that Wellington’s…
“butler, Phillips, became one of the finest players in England of his day, successively beating all the best French players with whom he contended”.
Some years earlier, in 1820, when Robert Lukin turned the James Street Court into a tennis club, Lukin wrote to Wellington inviting him to become a member of the new Club, enclosing a list of the members who had already subscribed; Wellington graciously accepted the invitation. It would be fascinating to compare that 1820 founding members list from The James Street Court Club with the 1820 members list of Boodle’s, to see how much the membership overlapped. I’d guess quite a bit.
Oliver: One of the things I have always loved about the game is the use of a handicapping or odds system. Does the use of handicapping have ancient roots?
Unquestionably so, Oliver. We have written records of the use of handicapping as far back as the Renaissance.
There is no coincidence in the fact that the terms odds and handicap both originate from gambling. From the very dawn of civilisation there is evidence that people have liked to gamble on games of skill as well as on games of chance. We have certain, documented evidence from the middle ages onwards of noblemen and gentlemen gambling on tennis.
The fellow depicted, Philip the Bold of Burgundy, is one of my favourite colourful characters from the history of tennis. Here is a story about him, from an 1801 English book about sports and pastimes:
“During the reign of Charles V . palm play , which may properly enough be denominated hand – tennis , was exceedingly fashionable in France, being played by the nobility for large sums of money ; and when they had lost all that they had about them , they would sometimes pledge a part of their wearing apparel rather than give up the pursuit of the game . The duke of Burgundy , according to an old historian , having lost sixty franks at palm play with the duke of Bourbon , Messire William de Lyon , and Messire Guy de la Trimouille , and not having money enough to pay them , gave his girdle as a pledge for the remainder ; and shortly afterwards he left the same girdle with the comte D ‘ Eu for eighty franks , which he also lost at tennis.”
As an aside, Philip the Bold was not only well-known to be an enthusiast of jeu de paume (tennis), he was also a great enthusiast for the Pinot Noir grape; prohibiting the cultivation of the Gamay grape in Burgundy (1395), thus initiating that region’s fine wine tradition. Philip the Bold also initiated a musical chapel which founded the great 15th Century Burgundian school of music. Tennis, wine & music – Philip was my kinda guy…and might I hazard to suggest, also a Boodle’s kinda guy?
Coincidentally, the earliest written reference to handicapping I can find is from a 1506 account of a “visit” to Henry VII at Windsor by Philip The Handsome, a subsequent Duke of Burgundy and also King of Castile. I say “visit” in inverted commas because it seems that the Castilian Royal couple were shipwrecked off the coast of England and Henry VII decided that they should remain in England until they signed a trade deal between Castile and England. There might be a Brexit technique lesson in this sorry tale, but let’s focus on the tennis aspect. I shall read the contemporary account, which is charming:
“The Sattordaye the 7 of ffebruary…Bothe Kyngs wente to the Tennys plays and in the upper gallery theare was Layd ij Cushenes of Clothe of gold for the ij Kyngs…wheare played my Lord marques [of Dorset] the Lord Howard and two other knights togethers, and after the Kyngs of Casteele had scene them play a whylle , he made partys wth the Lord marques and then played the Kyngs of Casteele with the Lord Marques of Dorset the Kyngs Lookynge one them, but the Kyngs of Castelle played wth the Rackets and gave the Lord Marques xv. and after that he had pled his pleasure and arrayed himself agene it was almost nights, and so bothe Kyngs Retorned agayne to their Lodgingss.”
There’s a lot of interesting stuff in that eye-witness account. That early 16th century period was a period of transition between hand-play and racket-play at tennis. Most scholars agree that the racket came into use around 1500. So the handicap described in the account has the King of Castille playing with a racket and the Marquess of Dorset playing with his hand, while receiving fifteen (i.e. starting each game 15-0 up). Personally, I’d prefer the racket, but perhaps the Marquess was a very handy player.
The evidence suggests that handicapping served a twin purpose: – (a) – to simplifying the wagers – i.e. evening up the contest, such that the choice of winner at the start of the match should be perceived as an even bet – (b) facilitating good sport – the honour and joy of doing battle in a close competitive contest.
But by the mid to late 18th century, there had emerged a third purpose or style of handicapping which I’d like to explore with you; a form of handicapping linked with showmanship demonstrated by tennis professionals.
In The Annals of Tennis by Julian Marshall, the antics of the French star player of the mid 18th century, Monsieur Masson, are described in some detail. Here is a particularly vivid extract:
“Against the best of the amateurs [Masson] also played matches of the most difficult combinations. One of these was, that he should deliver the service seated in a barrel, in which he remained after serving, and from which he leapt continually in order to return each stroke of the amateur. On the hazard-side, again, he awaited the service seated by the grille in his barrel, which he had to leave precipitately to play his first stroke, and in which he was compelled by the terms of the match to take refuge, before the amateur returned the ball again.”
My wife, Janie, refuses to believe this story in the absence of CCTV footage. We also know that Monsieur Masson visited England in 1767, just a few years after Boodle’s was founded. He took on and soundly thrashed the English champion of the time, Mr Tompkyns at Whitehall Hall on April 10th.
In fact tennis was enjoying somewhat of a heyday in 18th century France until the revolution came along. There were hundreds of courts in Paris and hundreds more around France. A famous moment in the French Revolution, Le Serment du Jeu de Paume (or “The Tennis Court Oath”), a gathering in a tennis court near the Palace of Versailles is depicted in this 1791 Jacques-Louis David painting. The revolution led to a dramatic decline in French tennis in the ensuing decades, only partially abated by the Bourbon Restoration that followed Napoleon’s defeats.
Which brings us neatly back to the period, about 200 years ago, when Robert Lukin turned the James Street Court into a tennis club and also produced the first English language book on tennis, c1822, A Treatise On Tennis By A Member Of The Club. In this book, the author, believed to be Lukin himself, sets out over several pages all of the different handicaps in use at the time and provides some commentary on their use and their relative betting values.
The basic unit of handicapping was the bisque, whose history is documented as early as the Renaissance and which was used in several games and sports. A player who receives a bisque per set can claim one stroke (point) ahead of that point being played, at any stage during a set. Any number of bisques can be given, but the use of other point handicaps, such as giving fifteen every game or half-fifteen (i.e. fifteen every other game) means that the number of bisques per set would normally have been limited to one or two.
There are two distinct types of odds or handicaps for tennis; one being the points-based odds I have just described, the other being known as “cramped odds”, which restrict the better player in some way. Lukin’s book goes into those at some length. They mostly involve preventing the better player from making use of particular features of the court. Most of these handicaps are now obsolete or only used occasionally in fun and friendly games. “Barring The Openings”, for example, renders all of the openings, including the winning targets such as the grille, the dedans and the winning gallery, out of bounds for the better player. One interesting handicap was named “Round Service”, which required the better players serve to touch both the side and the rear penthouse to be a legitimate serve, which normally renders the serve easy to return.
To demonstrate the difference between a round service and a decent serve, I have found some very rare hand-held video of me serving to a certain Mr Wise. In the first clip, I accidentally deploy a round service, which Oliver despatches into the dedans gallery to win the point without a moment’s hesitation.
In the second clip, I produce a serve of decent length and cunning, which lead to a better outcome for my pair. Discerning viewers will notice that I was able to send my second shot to hit the tambour, which is a jutting out bit of wall on the hazard side of the court. The handicap “ban the tambour” remains in use even in the modern game for the more extreme handicaps.
In fact this might be a good moment to show some wonderful footage you pointed out to me, from the 2016 Boomerang Doubles Tournament, when the final was contested between a very uneven couple of pairs, but went right down to the wire. Would you kindly do the honours and talk us through the video sequence, Oliver?
Oliver introduced/explained and then let the clip speak for itself with the Aussie commentary. Clip runs for 2’25” from the start point of 43’35”
Oliver then explained the following highlights reel, of Rob Fahey playing Camden Riviere, which has 6’00” of sound footage but we showed just the first two minutes or so, to give people a flavour of real tennis rests at their very best]
Questions From The Audience
Questions included the following topics:
further examples of extreme handicapping, such as the exploits of Jacques-Edmond Barre, who walked from Paris to Versailles before thrashing a challenger on an extreme points handicap;
The source references for those pieces are as follows:
Tennis: A Cultural History, Heiner Gillmeister, A&C Black, 1998 or Tennis A Cultural History (Second edition), Heiner Gillmeister, Equinox Publishing Ltd, 2017
Real Tennis Today and Yesterday, John Shneerson, Ronaldson Publications, 2015
Willis Faber Book Of Tennis & Rackets, Lord Aberdare, Hutchinson, 1980
For many years I have written occasional guest pieces for the amusing cricket website, King Cricket. Most pieces are written by webmeister Alex Bowden; a fine writer and good bloke.
My contributions tend to be in the following, especially whimsical, King Cricket categories:
Cricket paraphernalia in unusual places;
Animals being conspicuously indifferent to cricket;
Cricket match reports, which must meet one of two strict criteria:
if it’s a professional match, on no account can the writer mention the cricket itself,
if it’s an amateur match, the author is expected to go into excruciating detail about the cricket.
I realise that I have just generated a small list; a list of King Cricket categories.
But that is not the list I want to talk about today. No.
I keep a list of my submissions; I call it my King Cricket Article Log.
That’s the list I want to talk about. There are 83 articles on the list at present; 75 published and eight pieces awaiting publication.
I could simply cut, paste and read all the article titles…but I don’t think that would be much fun for you, or me.
Instead, I have written a highlights list, with explanations, which might be an entertaining story in its own right:
Alex Bowden often publishes my pieces “fashionably late”; not knowing when they’ll be released is part of the fun for me. That’s why I keep a canonical list of my King Cricket submissions.
Review Of The Evening
As the brief for this ThreadZoomMash was to write a story based on a list, I think I owe it to the evening’s central conceit to review the evening in the form of a list:
Rohan introduced the evening with some thoughts on what lists are in the grander scheme of things and how they might become central to our stories;
Julie read a truly brilliant short story about a very short-lived romance in the form of a series of daily do-lists;
Geraldine had us in stitches with story named Stitches, about a trip long ago with her baby and an infeasibly long packing list for an activities weekend;
Jill’s list story was very imaginative; based on the idea that all the things she (or her character in the story) had done to escape an unsatisfactory employment were in the form of theme park activities, which she explored as a list of such things;
Jan talked about her love of lists, discussing several different types of list before settling on her “Grumpy List”, a surprisingly short list of highly amusing bugbears. So, we then moved on to…;
…Kay, who opened with a Dorothy Parker quote, which led in to her list of the men/boys for whom she has strong and poignant memories of why she was attracted to them. It was a wonderful mixture of charming, funny and dark;
Terry’s piece was called The Gratitude List. It mostly comprised a list of the people he’s been closest to and to whom Terry is perennially grateful. It was a very touching piece.
We had a great chat about each other’s pieces after the readings, which made for a very enjoyable gathering, as always.
I chose to write and recite an impressionistic memory story, in the form of a love letter, about a night at Keele; 6 March 1981 to be precise.
The ThreadMash brief was simply to write a love letter. The resulting writings from the group were varied to say the least. Here is mine.
Dear Nina
It’s been a while since we met. Forty years, to be precise.
It’s time I wrote to you. Letter writing was my thing back then…but I didn’t write to you…then.
A lot has happened since that night, in March 1981, when Anna encouraged you to spend the night with me.
That was weird.
I wonder what Anna was playing at? Just being playful, probably. The way she’d always be sluttishly playful in the refectory whenever she ate…or more accurately…whenever Anna fellated…and then ate…a banana.
Anna might have set us up for effect, of course. Anyone who roller-skates around the campus all the time, the way Anna used to…is prone to doing weird things for effect.
I don’t think she ever fancied me, Anna. I know she liked me, but I don’t think she fancied me. Actually that evening, while the three of us were sitting in the Union, talking about Bobbie Sands and Troops Out…I thought Anna fancied you, Nina. Perhaps she did. I was a terrible judge of signals back then. Probably still am.
Anyway, we can’t revert to Anna and ask her what was going on. Anna died in in 2012. I don’t suppose you knew that. I didn’t learn that news until a few years after the event. I didn’t keep in touch with Anna. But some of my friends did…or at least reconnected with her before the end. Lung cancer, it was.
In truth, I was a little confused that night. Confused about love.
I had been carrying a torch for Mandy from Manchester for months. One passionate December night. Agreement to progress. Several love letters…from me to Mandy. Nothing in return. I didn’t understand.
I understand more now. I know more now. Letters are not always the medium they are cracked up to be. There’s ample opportunity for delay, for mislay, for tapping, for tampering…
…anyway, some three months after that night in Manchester, still I was, emotionally speaking, bearing that torch, for Mandy.
But the flame was flickering, fizzling by then, so the torch I was still bearing, utterly in vain, for Mandy, was not sufficiently hot for me to resist you. The flame was just warm enough to keep me confused.
As with Anna, I can’t revert to Mandy for her side of the story. She died in 2020, having been ill for some time. Cancer, I believe. I had reconnected with and am still in touch with Mandy’s brother.
Who were you, Nina? Who are you?
At one point, in the early hours, you toddled out of my pokey, student room, down the corridor, to the loo.
You had just a small bag with you. You left the zipper open, with your Irish passport on the top.
I must admit, while you were out of the room, I had a quick nosey at the passport.
The photo didn’t look like you at all…wait a moment, yes it did. It’s just that you had a shock of platinum blond hair in person, whereas the passport photo was a dark-haired version of you.
But the name…I couldn’t begin to discern it.
The forename was one of those bizarre Irish names; I can’t even hazard a guess at what it was. Perhaps it was L-A-O-I-S-E [Laoise], pronounced Lee-sha; or C-A-O-I-L-F-H-I-O-N-N [Caoilfhionn], pronounced Kay-lin. Anyway my young, ignorant eyes merely discerned an unpronounceable, supremely Irish name, the forename being nothing like Nina, the surname seeming like nothing earthly.
When you left, a few hours later, you sweetly but firmly made clear that you were just passing through and that we wouldn’t be keeping in touch or seeing each other again. Just a parting kiss.
No letters. No words. Until now.
Who were you, Nina? Were you simply, as advertised, a visiting political ally of Anna’s; through the student SWP & Troops Out alliance? Or were you Sinn Fein, Nina? Were you IRA, Nina?
And who are you now, Nina?
How are you now, Nina? Are you still alive? I do hope so.
Anna’s gone. Mandy’s gone. But you?
I hope you are alive and well and thriving.
Wherever you are.
Whoever you are.
Whatever you are called.
Moving swiftly on to the night of 4 March 2021, Rohan Candappa curated and introduced the event. We had all sent our letters to another ThreadMasher, drawn at random. One or two people (David and Adrian) had chosen to write fictional love letters to the actual person whose name they had drawn, while the rest of us did not do that.
As it happens, I was first up, which possibly makes me “top billing” or possibly “the warm-up act”…or possibly just “first up”.
Geraldine went next, with a moving paean to spring.
Jill’s love letter was to her husband, telling the tale of their near separation by circumstances.
David’s was to Terry, who he fictionalised as his own former lover Teresa whom he was now stalking, having rediscovered them in the form of Terry.
Jan wrote a letter of devotion to the theatre, which certainly resonated with me, both when I received it through the post and when I heard Jan perform the piece.
Rohan feigned profound hurt at the idea that his wife of 25+ years chose to write her letter of devotion to the theatre rather than to him. During the ensuing interval, Rohan could been be seen trying to sneak out of the Candappa house with a suitcase and a hat to lay elsewhere. Fortunately, he and Jan were reconciled in time for the start of the second half.
Terry’s letter (which Rohan read well in Terry’s work-induced absence) was a testimonial to abstinence and its close relative, addiction.
Flo’s letter appeared to be a confessional love letter about a rollicking love affair, until “the big reveal” that the object of her passion is the London Fields Lido.
Julie’s love letter was very creepy, starting off sounding like a declaration of love but soon turning out to be the ramblings of a stalker to their stalkee.
Ian T’s letter was a eulogy to his former tribe, London cyclists, which evoked Ian’s memories of his regular two-wheeled commute.
Kay’s covered several things she loves, including Victoria Park, Marvin Gaye’s I Heard It Through The Grapevine and her family, concluding deftly that she would struggle to compromise any of those loves for romantic love.
Rohan declared his love for “the wide world”, which I’m sure sparked the desire to travel again in many of us.
Adrian concluded the evening with a bravura piece, which I can only describe as an hilarious homoerotic slapstick [did you see what I did there?] fantasy in which he and David were central characters. Most if not all of us were in stitches. Adrian’s performance was a great climax [did you see what else I did there?] to the evening. A real tonic as we start to emerge from this strange and difficult winter.
As always, it’s not just the stories, it is also the company of this wonderful group of people that makes the evening so special. Viva ThreadMash.
With thanks to Rachelle Gryn Brettlerfor snapping us in Rossmore Road, preparing to do our FoodCycle run on a wet winter’s day
We don’t get out much in Lockdown 3.0, other than to buy food and do our charity work.
That is giving me a chance to crack on with my retro-blogging; I’m working through 1995 & 1996 to cover the Ged & Daisy (Ian & Janie) “25 years ago” story. I’m needing to give more thought, though, to the formerly less well-documented, “40 years on” story of my early days at Keele University.
Strangely, 1981 and 2021 seem to have collided, forty years on.
…mentioning the superb tapes Graham Greenglass used to make for me, including quirky numbers such as Rossmore Road by Barry Andrews. I still hum it or sing it more often than not when Daisy and I do FoodCycle from there:
Dreamy use of sax and double bass on that track.
Last week, I wrote up the very weekend during which several visitors descended on Keele and Graham presented me with a few cassettes, including that very track. The piece below is a thumping good read, even if you weren’t there, including an excellent undergraduate recipe for spaghetti bollock-knees:
On Wednesday, before Daisy and I did our FoodCycle run, I did an NHS Responder gig to collect a prescription. Strangely the prescription was to be collected at the Tesco Hoover Factory in Greenford. Strange, because also on that little collection of quirky recordings given to me in February 1981 was the song Hoover Factory by Elvis Costello:
So, by some strange quirk of fate, forty years after being given recordings of those two rather obscure (but wonderful) recordings about lesser-known places in West London, I found myself doing charity gigs from those two very places.
I have already written up the ear worm I got from Hoover Factory a few months after first hearing the song:
But the early 1980s connection this week does not stop there.
While I have been cracking on with the NHS Responder/GoodSAM app as well as FoodCycle, Daisy has been training to become a Samaritan and this week moved on from being a course trainee to becoming a mentee (i.e. doing real sessions with real calls under the supervision of a mentor).
Towards the end of her course, Daisy had been waiting with a little trepidation to find out who her mentor might be. Mentors work closely with their mentees for a few weeks. She knew that it might be one of her course trainers or possibly someone she hadn’t encountered before.
A couple of weeks ago Janie announced that her mentoring instructions had come through and her mentor was a new name to her: Alison Shindler.
GED: Oh, yes, I know Alison Shindler.
DAISY: What do you mean?
GED: She was a leading light in BBYO towards the end of my time there.
DAISY: Might not be the same person…
GED: …Ealing BBYO – bet it is!
Of course it is.
What a pleasant surprise.
Less of a surprise though, after their first session together, is that Alison & Daisy seem to be getting along really well. I’m confident that the mentoring partnership should be a very good one.
Meanwhile Alison has furnished me with a photo from so far back in the day, the biggest surprise is that we were in colour back then:
With thanks to Alison Shindler for this photo
That’s a c17-year-old me turning around, next to me Simon Jacobs who was central to my “going to Keele” story and part of the “cooking weekend”. In the red scarf I thought was Jilly Black (who has remained friends with me, Daisy and Alison throughout those decades – in fact it is a little surprising we haven’t overlapped before now )…but it turns out to be Emma Cohen disguised as Jilly. Opposite Simon is Lauren Sterling plus, slightly upstaged by Simon’s head, Caroline Curtis (then Freeman) who visited me and Simon at Keele the February 1981 weekend following the “cooking” one.
But now, after all that excitement, Daisy and I are in temporary exile at the flat. The replacement of the Noddyland boiler has over-run by a day, making Daisy right and me wrong, as usual.
Stock boiler image: neither the actual old nor the actual new boiler
I’ve been grasping for a quirky early 1980s musical connection for a boiler replacement. So my earworm for the tail end of this tale is by that early 1980s mainstay, The Human League – Being Boiled:
In February 2021 I took a stroll and listened to The Ridiculous Ashes podcast while so doing. I wrote up the “event” in the style of a King Cricket match report.
David Wellbrook curated this edition of ThreadZoomMash. The brief was to write a piece of fiction, 800-1,000 words, entitled "The Unexpected Visitor". I submitted and performed the following piece.
“What the blithering fuck are you doing here?” said Martin, in a daze-like state, having been disturbed from his intense concentration, staring at nothing much, on his remarkably cluttered coffee table.
“I thought I’d surprise you”, said Mary. “You knew I’d be back”.
“Did I fuck”, exclaimed Martin. “This is totally unexpected. The last thing you said to me, as you left, was that you were never, ever, ever, ever…EVER going to come back.”
“But that was months ago”, Mary whispered, coquettishly, “and it was hardly the first time I walked out on you swearing that I was walking out for the last time.”
“Months! At least 18 months. I thought I was shot of you. I thought I was over you. I mean, I am over you. It’s too late. I’ve moved on. I’ve got a new life. I’ve got a new relationship….”
Mary smiled and chided Martin gently. “No you haven’t Martin. I know you haven’t. You’ve been waiting for my return. And now I am back.”
Mary surveyed all around her in the living room of the pokey Deptford flat that had, for several years, been her home. Martin had lived there for many more years than Mary. Before Mary came on the scene, Martin had been with a woman named Peggy for years. Peggy had broken his heart. That’s all Martin would say about Peggy.
It was impossible to believe that Martin had, in any way, moved on. Apart from an increased amount of dust and general untidiness, the place looked entirely unchanged.
Mary smiled. “Let me tidy up and clean up a bit…”
“…oh no you don’t”, yelled Martin, “you can’t just stroll in as if you’d never been away and take over my life again. Leave me alone!”
Tenderly, Mary coaxed him, as she started to tidy up, “you can’t carry on living like this Martin. Look at the place.”
Mary tidied for a while, then took out a dress from the chest of drawers, admiring and imagining herself wearing it. “It’s that second hand Versace dress you bought me. I’d forgotten…it’s so beautiful.”
“Cost me a bloody fortune, that did”, grumbled Martin, “hundreds…”
“…but they cost thousands new, Martin. You were so thrilled when you found it and ordered it on-line. And I was so excited when it arrived. Do you remember?”
“Of course. You looked lovely in it.” Martin’s anger was subsiding.
“Shall I try it on?” asked Mary.
“I suppose so. If you like”, said Martin, quelled. Once Mary had put on the dress, Martin added, “give us a twirl”,
“Let me see if I can find some suitable shoes,” said Mary, rummaging at the bottom of the wardrobe, turning out pairs of shoes, “I don’t think I ever had a pair that quite went with this dress…I don’t suppose you could find a pair of second hand Jimmy Choos on-line to go with my second hand Versace, Martin?”
“Fucking hell, don’t start all that again”, said Martin, the anger welling up inside him once again, “that’s what we rowed over the last time. I was always shelling out money I don’t have, on clothes that you don’t need. I can’t afford you, Mary. I can’t fucking afford you”.
“Oh don’t be like that, Martin”, said Mary in her girlie voice, likely to make Martin even more angry. “I’ll pay towards them if you like”.
“Stop talking rot, Mary. You’ve got no fucking money. We’ve neither of us got any money. You’ve got all these clothes and now you’re talking about buying a pair of Jimmy Frigging Choos. You make me so angry. You always do this. I want to fucking murder you and then kill myself.”
Martin was really wild with anger now. He started hurling clothes around, stomping around the flat and continuously threatening and hurling abuse at Mary. Mary, for her part, was soon reduced merely to sobbing and pleading with Martin to calm down.
Many minutes into the row, came a knock at the door. “Open up! It’s the police! What’s going on in there? Open up!”
“Now look what you’ve done”, said Martin, “the neighbours have set the police on me. This is all I bloody need.”
Martin opened the door. “Good evening officer…officers”.
Two policemen. One looked about fifteen. The other a bit older.
“May we come in please? The neighbours have reported a domestic incident in this flat and we’d like your co-operation.”
“Yeh, whatever”, said Martin.
“Shall I search for the victim, Boss?”, said the younger cop.
“No, wait a bit, Dan…now, what’s been going on, Mr…”
“Martin…”, blurted Martin, before he started weeping uncontrollably.
The flat was strewn with women’s clothes. Martin was on his hands and knees, wearing a Versace dress, leaving blue mascara tear pools on the formerly oatmeal-coloured carpet.
“You’d better sort yourself out, Martin”, said the older policeman, “because if we get called out here again, we’ll have to charge you and you’ll likely end up with a CBO. This is an informal warning, not a formal caution, but you take it seriously, mate”.
“What about the victim, Boss, the woman?” persevered the inexperienced young copper.
“Martin’s on his own here, Dan. Look at him. What a state. Let’s go.”
“I need help”, said Martin.
Review Of the Evening
There were eleven of us reading on the night. David Wellbrook, ever the soccer football fan, liked the idea of associating us all with members of the recently successful England World Cup winning side (1966). This triggered a memory wave from me earlier in the day, as I know what I was up to on that auspicious day:
My memory piece also elicited a memory from Kay, which I felt upstaged my story in drama and brevity:
Your delicious Ogblog has reminded me that Uncle Bob came to watch the match at our house. Drink was taken. Bob was holding my baby brother on his lap for that last 30 minutes. The goal was scored. Bob leapt to his feet and threw baby brother in the air. Luckily, dad caught him.
For his part, David allocated roles to each of us, in diagram form, which indicated the running order.
I was delighted to be cast as the controversial, hat-trick scoring No 10. Wikipedia introduced me to the juicier elements of that goal-scoring, but it wasn’t my new-found knowledge that amazed most of the group but fact that I didn’t know every detail of those controversial goals in the first place.
Jill, who might be forgiven for not knowing anything about the topic at all given her relative youth and the fact that she was raised in China, turns out to be one of the world’s leading experts on Bobby Moore. OK, I exaggerate for effect, but she had learnt about him as part of her UK citizenship programme, which is clearly oriented towards the really important stuff. Rohan should really write a book about that sort of thing.
Jill’s story appeared also to have a mouse, but it turned out to be a visitor from four-dimensional space who figured that a small talking mouse-like manifestation might be less scary to humans than the alternatives.
There were several stories that revolved around death, including a murder and one story which included a birth. Covid was only mentioned a couple of times in the evening.
We went into extra time to arrange the next event, which includes a slightly convoluted “shuffling of the pack” which seemed to be confounding everyone until Jill turned out to be an expert on Google Docs as well a leading authority on Bobby Moore and four-dimensional space.
Dumbo The Suzuki Jimny is an occasional writer, here on Ogblog and also at King Cricket. Dumbo’s writings are more widely read than those of most automobiles. Dumbo only ever refers to me as Ged and to Janie as Daisy. Why Dumbo has chosen to write a “review of the year” public message is a mystery, but 2020 was a strange year in so many ways.
2020 started badly for me. I acquired a squeak that would not go away. It was incredibly loud and hugely embarrassing – heads would turn in the street at the sound of me coming and going.
A huge team at my car hospital struggled to get to the bottom of it. Ged and Daisy started dropping hints about my possible retirement. It got as bad as that.
Eventually, just before lockdown, thank goodness Derek, Colin, & Marlon performed a pioneering operation on my viscera, which solved my problem.
Just as well I got better in mid March, because within a few weeks I was being called upon to do voluntary work.
In theory I was on call for NHS Volunteer Responders from early in the pandemic, but no gigs were coming through at first. So Ged and Daisy signed us up to do FoodCycle gigs once or twice a week, which we have continued to do throughout the pandemic.
My copious rear (as Ged describes it) comes in pretty handy, especially for the FoodCycle gigs.
It wasn’t long before the NHS Volunteer Responder gigs started to come through as well. That and FoodCycle kept us really busy through spring, summer and into the autumn.
Just occasionally, it got a bit much; like the time the NHS Volunteer Responder app went into overdrive…
Ged was busy with work the last few weeks of the year, so we did a bit less volunteering in the run up to Christmas, but during that time the pandemic got a lot worse again and the need out there started to rocket up, so we started NHS Volunteer Responding again on Christmas Day and have done lots of gigs since.
My proudest moment of the year was just a few days ago, when Ged and I went to the Co-op on Hanger Hill to get some shopping for a person who is having to isolate. (There seem to be a lot of those at the moment.)
Three young fellas from the Tesla Show Room & Shop around the corner came out of the Co-op just before Ged came out with the shopping. The young fellas stopped to admire me and one of them said, “I think these cars are pretty cool”. Ged overheard him and said, “seriously cool, not just pretty cool”.
So I don’t think Ged & Daisy will be dropping hints about my retirement again any time soon. I think we’re going to be pretty busy with NHS Volunteer Responding & FoodCycle for the next few months at least.
…it didn’t occur to me that there might be someone out there looking for the name Goddin for genealogical purposes. Not least because the search for any next of kin for Gerry had been in vain.
But a couple of weeks ago, out of the blue, I received a note from Julia Tisdall, writing to me from Australia, whose great-grandfather was the brother of Gerry’s grandmother.
That makes Julia and Gerry second cousins once removed. (Some of my favourite people are my second cousins once removed).
Forgive the pun, Julia, but a second cousin once removed in the antipodes is a distant cousin in more ways than one.
Anyway, point is, Julia was thrilled and saddened to have found this connection but in such an unfortunate context. Here is an extract from her lovely note:
My great grandfather (Gertrude’s Brother) sailed to New Zealand back in 1913 and settled in Dunedin. 5 years later his sister Gertrude died of the Spanish Flu at only 32 years of age.
I suspect this was when my forebears lost touch with Gertrude’s husband and young son (Gerry’s father) Robert Percy Wilfred Goddin.
I am so grateful to see Gerry in Rainy Day Fellas. What a gem that is.
It took my breath away, 1 , because it is so beautiful and 2 because the close up of Gerry’s hand strumming looked identical to my grandfather’s hand strumming.
For anyone reading this who hasn’t seen the video of Rainy Day Fellas, one of Gerry’s songs which was recorded a few years ago with Donna Macfadyen singing beautifully and Gerry himself accompanying on guitar:
Julia said that she would like to speak, so, one thing led to another and I managed to persuade Julia, who was until yesterday a “Zoom virgin”, to join a few of us on a Zoom call.
I was really glad that John Random, Caroline Am Bergris and Graham Robertson were able to join the call. I didn’t feel I knew Gerry all that well; I don’t suppose any of us really knew Gerry well, but between us we knew Gerry from various aspects of his life these past 30 years or so.
Not just the NewsRevue part (although all of us are NewsRevue alums) but also Caroline’s long association with Gerry in the matter of poems and songs. I think/hope we were able to give Julia a fairly rounded picture.
And talking of pictures, John has rescued a few lovely pictures from Gerry’s flat, which I was able to share on the screen. Here are a couple of examples plus a third picture which is a link to a Flickr album with all 11 of the pictures:
So we were able to share a fair bit of information. Julia informed us that the family were to be found at 1 Ravenhill Road, Upton Park in the 1911 census. Not only did Gerry’s dad lose his mother to Spanish flu as a small boy, but Gerry’s own mum, Mona, died when Gerry was only six. By then they lived in Fairbank Street, Shoreditch, which I think has now been absorbed by the Provost Estate in now trendy Hoxton/Shoreditch.
The highlight of the 80 minute session, for me, was the moment when Julia picked up a guitar and played us a few bars of Rainy Day Fellas, with aplomb.
But actually the whole session was a highlight. I think everyone enjoyed the time together and we hope to have another session in the not too distant future. I know that Caroline, Helen and David are looking at some of Gerry’s other songs and trying to work out what to do with them. Once there is a bit of progress with that, it would be super to regroup with Julia and possibly some other members of her antipodean family.
In these difficult times, a bit of good news like this is something to hold on to. And while our lives comprise far too much Zoom and Teams, with far too little human contact (apart from funerals and queuing outside shops)…
…happenings of this kind make me realise that communications technologies – the Ogblogging, the ability to connect with people through social media, Zoom etc. – does enable many things that wouldn’t have happened otherwise at all.
Which makes me just a little optimistic that the post-pandemic new normal might just be the best of the too-virtual world we inhabit just now and the real world social contacts we crave.
On that positive note, season’s greetings to all readers.
This ThreadZoomMash is dedicated to the late Professor Mike Smith
Part One Introduction: Medieval Crushes
I chose the topic “crushes” by happenstance. Just before lockdown 2.0, while I was pondering my choice of topic, a couple of old friends and acquaintances, out of the blue, unprompted, confided in me about crushes they’d harboured when we were all a lot younger.
The topic of crushes resonated with me as a rich source of story telling.
Here is a song I am working on at the moment: Puis Que Je Suy Amoureux. A late 14th century song attributed to Richard Loqueville of Cambrai. Allow me to sing you the first verse and then translate it.
Since I am in love With you, gracious, gentle one, I never feel pain I am so blissfully joyful.
Thus I wish to continue dreaming Of serving you according to my design Since I am in love…
[Love gives to lovers Hope, sweet and pleasant. Now my heart is waiting For your gracious glance,] Since I am in love…
Translation by Asteria – below I have embedded their delightful, professional rendering of this beautiful song:
Part Two Introduction: Primary Crushes
It was not my intention to write a crush story myself. That is not normally the way with the role of ThreadMash curator. But events since I set the topic of crushes have led me to a memory flash of my very first crush.
Here’s the story of how the memory flash and that primary crush came about.
Very sadly, my friend and work colleague of more than 25 years, Professor Mike Smith, died suddenly and totally unexpectedly on 12 November. It was Mike who, six years ago, encouraged me to start playing the four-string guitar. Janie and I had formed a bond with Mike and his young family over the years.
On the last day of Lockdown 2.0, we went to Mike’s funeral. We learnt for the first time many things about Mike’s earlier life.
I knew that Mike originally came from Montgomery Alabama and I knew that Mike had very strong views against prejudice. But I didn’t know that, in the late 1960s, pint-sized Mike had tackled the racist bullies at Alabama State University, befriending black people and bravely taking on the segregationists.
I also didn’t know that, as a youngster, Mike had liked the song Red River Valley, which the celebrant at the funeral then duly played to the congregation of mourners.
At the sound of that song, I was transported back to the late 1960s myself, to when I was seven; thoughts of my fourth year primary school teacher, Miss Brown.
I loved her and she was clearly very fond of me. I did extremely well that year in school. Miss Brown introduced me to Tudor history, a subject that has fascinated me since. She encouraged my writing.
By the time you get to your fourth year of primary school, you have got used to the idea that you will move on to a different class with a different teacher the next academic year. But Miss Brown dropped a bombshell towards the end of the summer term that year; she was going to be leaving the school altogether.
I was devastated. I wasn’t merely going to be in another class. I wasn’t going to see her again. I felt abandoned.
That year, I had been given as a present a small collection of remaindered records, known as Beano Records. Most of the records are dramatised stories for children with famous English theatrical performers peppered with classical music to provide additional dramatic frisson to the stories. But one of the records, incongruously, is a collection of Cowboy Songs.
One of those cowboy songs is Red River Valley, which had caught my ear around the time I learnt that Miss Brown was to abandon me. I played that song over and over, wallowing in the sentiment of it. I became determined to learn Red River Valley and sing it to Miss Brown on the last day of school.
Eventually I told mum about my plan. Mum gently dissuaded me from that particular idea. I think she encouraged me instead to take a small gift together with a note of thanks and farewell to Miss Brown. I expect mum maintained strict editorial control over the content of the note.
With the benefit of hindsight, that might have been the one occasion in my life when mum’s intervention in my romantic ideals was unquestionably for the best.
There are many versions of Red River Valley, but one of the most charming verses (absent from the rather corny Beano recording, which you can hear through the sound file below)…
Red River Valley, performed by an uncredited “real Texas cowboy”
…is an unrequited love lyric, the third verse of the version I’m about to play. Very similar to the Puis Que Je Suy Amoureux unrequited love lyric, written some 500 years earlier.
It’s 50 years since I learnt, but didn’t sing, Red River Valley for Miss Brown.
It is now time.
It’s easy to play on the four string guitar, which Mike Smith encouraged me to play.
So, this rendition is for Miss Brown and for Mike Smith:
Red River Valley
Oh they say from this valley you’re leaving We will miss your bright eyes and sweet smile And they say that you’re taking the sunshine That has brightened our pathway a while
Won’t you think of the valley you’re leaving Oh how lonesome, how sad it will be And remember the Red River Valley And the grief that you’re causing to me
For a long time my darling I’ve waited For the sweet words you never would say Now at last all my fond hopes have vanished For they say that you’re going away
Come and sit by my side if you love me Do not hasten to bid me adieu Just remember the Red River Valley And the cowboy that loved you so true
Postscript: The Evening
Ten of us gathered. Eight contributors, me in my capacity as curator/master of ceremonies, plus Rohan Candappa.
The Part One running order was:
Jan
Adrian
Jill
Geraldine
The Part Two running order was:
Coats Bush (Terry)
Auntie Viral (Kay)
Fabian Tights (David)
Arfur Pig (Ian T)
(The nicknames is a long story. Ask Rohan).
We had a good 30 to 40 minutes after the readings to discuss the contributions and all sorts of other stuff.
From my point of view it was a great evening and I thoroughly enjoyed the role of curator. Not that i would want to curate the evening every time, but my hand is certainly up to curate again.
