Dances Of Death by August Strindberg in a new version by Howard Brenton, Gate Theatre, 21 June 2013

This version still available in print through this link (and other places)

Yes, yes, yes! This was really good.

I have seen The Dance of Death before – indeed both parts – but this tight version by Howard Brenton, enabling both parts to pan out in one play, worked really well for me and for Janie too.

Superbly well acted – Michael Pennington and Linda Marlowe were sensational in the leading roles (my previous experience of Edgar and Alice was Alan Bates and Francis de la Tour, so I know my top notch Edgar and Alices). 

We Interrupt Keele Festival Week To Dice With Death On A Strindberg Theatre Trip To London, 28 June 1985

The youngsters (Edward Franklin and Eleanor Wyld) in the tightened up Part Two were also excellent, as were all the supporting cast.

An extraordinary production too, in that tiny theatre, managing to get so much out of that small space.

Click here for a link to the Gate resource for this play/production.

Click here to a search term for the (mostly very good) reviews.

A cracker.

The Celtic Viol, Jordi Savall, Andrew Lawrence-King & Frank McGuire, Wigmore Hall, 9 June 2013

Two nights in a row at The Wigmore Hall…two nights in a row from the Early Music and Baroque Series…two corkers.

The previous night we’d seen the Akademie für Alte Musik Berlin – click here or below:

‘Opus 5!’ – A Corelli Celebration, Akademie für Alte Musik Berlin, Wigmore Hall, 8 June 2013

A very different style tonight. A rare chance to see Jordi Savall up close playing small scale music, along with Andrew Lawrence-King (he of the Loqueville that captivated me so many years ago).

Not all early music, of course, but some well early and some traditional of no fixed provenance; neither composer nor time period. Some lovely. All interesting.

Here is a link to the Wigmore Hall programme page for the evening.

Below is a YouTube with some music very much along the lines of the music we heard that night…

…and here is the very trio we saw, a few months later, performing live at the Fira Mediterrània de Manresa:

A truly memorable weekend of early music.

‘Opus 5!’ – A Corelli Celebration, Akademie für Alte Musik Berlin, Wigmore Hall, 8 June 2013

This was an excellent concert. Janie and I are both partial to the Akademie für Alte Musik Berlin and are also partial to a bit of Corelli. So we weren’t going to miss out on this one.

The concert was actually Corelli plus – it also highlighted some composers directly influenced by the great man.

The Wigmore Hall Programme page – click here – explains.

Below is a YouTube of the Alte Musik Berlin mob playing one of the Platti concerti we heard…

…followed by a real treat – the Corelli Op 5 No 10 (recorder concerto) shown live from the concert the night before ours, at the Kablow Dorfkirche – absolutely dreamy:

Kablow Dorfkirche KW
Kablow Dorfkirche

Chimerica by Lucy Kirkwood, Almeida Theatre, 1 June 2013

Janie and I both really really liked this play/production.

In many ways not the sort of play we normally like. It was quite long and very broad in its sweep – spanning continents and decades.

But it was such a good play and so well done.

Fine cast; not least Claudia Blakley (who we think of as an Orange Tree regular), Stephen Campbell Moore (who I got to know quite well shortly afterwards at BodyWorksWest) and Benedict Wong (who we’ll forever think of as Ai Weiwei – or at least Janie will).

We liked Lucy Kirkwood’s previous play, NSFW...we loved Chimerica.

Click here for a link to the Almeida resource on this Chimerica production.

It subsequently transferred (pretty much intact, I believe) to the Harold Pinter that autumn.

Below is the trailer vid:

It got rave reviews, deservedly – click here for a search term that finds them.

London theatre at its very best.

Race by David Mamet, Hampstead Theatre, 31 May 2013

Not David Mamet’s best play, but even modest Mamet on the subject of Race provides plenty tension and interesting drama. We needed to suspend belief a little too much on this one – as is the way with lesser Mamet.

Click here for Hampstead Theatre’s resource on this play/production.

Below is a backstage vid for this production:

The critics were less forgiving than we were for this short play – click here for a link to a search term that finds the reviews.

Still, excellent cast, well directed by Terry Johnson. It was an enjoyable evening at the theatre.

Seven Year Twitch by David Lewis, Orange Tree Theatre, 25 May 2013

Perhaps the irritating pun in the title should have warned us off this one – but we like the Orange Tree and the cast included some excellent Orange Tree regulars so we went for it.

We found this a tame, irritating comedy on the whole. We stuck it out – it wasn’t that bad – but it wasn’t that good either and we felt it could have been so much better.

It is often a mistake for an playwright to direct their own play – especially with comedy – this one was an object lesson for that theory.

Click here for a link to the Orange Tree resource on this play/production.

Here is a link to a search term for reviews – which were middling on the whole.

A Gresham Society Visit To The Shard, 24 May 2013

I have written up this event for the Gresham Society website – click here or picture link below:

If anything were ever to happen to the Gresham site, click this scrape link instead.

Here are the other pictures from Janie’s phone:

Disgraced by Ayad Akhtar, Bush Theatre, 18 May 2013

We thought this was a very interesting and engrossing night at the theatre.

Ayad Akhtar won the Pulitzer Prize for drama with this visceral play about a Muslim corporate lawyer, Amir, in New York, whose life unravels during a dinner party.

Amir is a Westernised Muslim, who admits to feeling anti-Israel, on largely “tribal” grounds. But is Amir’s position anti-Semitic and is this issue the cause of his corporate undoing and more?

Here is a link to the Bush resource on this play.

Writing this up in March 2018, I am reminded of the play we saw last week, Checkpoint Chana – click here or below:

Checkpoint Chana by Jeff Page, Finborough Theatre, 11 March 2018

Although Disgraced (like Checkpoint Chana) rather unrealistically rushes the central character’s disintegration, it emerges from a far more subtle and interesting debate. It is also a far better piece of drama.

Excellent cast and production for Disgraced at the Bush too.

Below is the trailer vid…

…follwed by an interview with the author:

This search term – click here – finds the reviews (mostly very good) from the Bush production.

A Human Being Died That Night by Nicholas Wright, Hampstead Theatre Downstairs, 10 May 2013

Occasionally an evening of theatre is so different and electrifying it sticks permanently in your memory as one of our very best theatre experiences. Janie and I both feel that way about A Human Being Died That Night.

The play is based on a book by Pumla Gobodo-Madikiezla, describing her work as a member of South Africa’s Truth and Reconciliation Commission interviewing Eugene de Kock, who had been jailed for his murderous role in the apartheid regime.

Here is a link to the Hampstead resource on this play/production.

We attended the first ever performance of this play, at the Hampstead Theatre Downstairs.

The downstairs lobby area is actually part of the performance space. We were told to sit around and wait, then the character of Pumla Gobodo-Madikiezla, played by Noma Dumezweni does a sort of presentation for us, explaining the background to her involvement and the effect that her interactions with de Kock had on her…

…then she invites us to join her to witness her experiences and leads us into the main downstairs studio space, which is an interview space in the prison where de Kock (played by Matthew Marsh) is incarcerated.

Below is a vid of an interview with the two main actors when the production was revived at the Hampstead the following year:

Below is a short, sharp vid of an interview with Noma when the play transferred to New York:

The version we saw was not reviewed, but basically the same production did the rounds and was reviewed elsewhere – click here for a search term link to those reviews.

Mahan Esfahani, Byrd, Bach & Ligeti, Wigmore Hall, 3 May 2013

We were impressed when we first saw the harpsichord virtuoso, Mahan Esfahani, with the English Concert in 2009, when he was infeasibly young – click here or below:

The English Concert, Wigmore Hall, 15 March 2009

In the four years inbetween, Esfahani had become a real name in the early music world and here was an opportunity for us to see a recital of interesting stuff at very close quarters.

Click here for the Wigmore Hall listing for this concert.

All Byrd in the first half – absolutely enchanting. The second half captivated us a little less – mostly familiar material from Bach’s Musical Offering  (played beautifully) – we didn’t really see how the Ligeti fitted in with the Byrd and Bach. We love Hungarian folk music; the style just didn’t seem to fit with the rest of the programme, which was so relaxing. But that’s just us.

The concert was lauded the whole programme. It was recorded for Wigmore Hall live and therefore is available if people want to hear the whole thing – click here or the image below for a link direct to Presto Classical, where you can hear samples or purchase.

We loved this concert – a really enchanting Friday evening at The Wig.