Benny Goodman’s 1938 Carnegie Hall Concert, Pete Long and His Goodmen, Cadogan Hall, 12 October 2008

Janie really likes the Glenn Miller sound and was less familiar with the Benny Goodman sound. We’d also been checking out the Cadogan Hall at that time, so this seemed like an interesting concert to try, albeit a Sunday evening with busy day’s the next day both.

We’d had quite a busy day on the Sunday too, as Tony and Phillie visited for lunch that day, presumably after a refreshment-free visit to “Grandma” in the morning, while Janie and I played tennis.

This type of replication concert isn’t really our thing. Cadogan Hall is the right size of hall for it, though. Be both like clarinet and Pete Long is for sure a good enough musician, as are the rest of his “Goodmen”.

We enjoyed the gig.

I couldn’t find much on this concert on-line, except that Cadogan Hall clearly has repeated the dose occasionally and the following resource was still (perhaps only temporarily) up at the time of writing (March 2017), from 2014, so I have scraped it:

The Benny Goodman Orchestra’s famous 1938 Carnegie Hall concert at Cadogan Hall

 

 

 

The Walworth Farce by Enda Walsh, Cottesloe Theatre, 11 October 2008

Janie and I both profoundly hated this play/production.

We normally like Irish plays, even if they are a bit silly. But this one seemed to us to be silly to the point of not having any point at all.

If you read the rubric, still available on the Official London Theatre site along with production details – click here – you can see why we booked it. Sounds interesting. Potentially really good.

Oh well.

So, as the whingers say, what do we know?

Three Galleries In One Day, Royal Academy, National Portrait Gallery and Wallace Collection, 6 October 2008

Hertford House – Wallace without Gromit

Blimey O’Reilly; three galleries in one day and it looks as though we played tennis in the morning before setting off, if my diary scribble is to be believed.

First up: Miró, Calder, Giacometti, Braque at The Royal Academy. This exhibition might have been curated just for us; we both really like all four of these fellas.

An excellent write up appeared on Culture24 – click here.

Sophie Hicks Architects had something to do with it, so click here for their page about it.

We were onto this exhibition early; it ran from 4 October until the January; we were through the door 6 October.

Next up: Annie Leibovitz at the National Portrait Gallery. Click here for a link to the Gallery’s own excellent pages on this exhibition. Also up my/our street – I think she is a wonderful portrait photographer.

Click here for a review of the Annie Leibovitz from the Telegraph.

I think the Osbert Lancaster was a sweetener for me, as I love his cartoons. Not sure Janie was so interested. Perhaps she didn’t realise how keen I was on the other stuff we’d scheduled for that day. Anyway, we had time and off we went. Another exhibition that had just opened a few days before. Click here for the Wallace Collection pages on the exhibition.

In short, this day was an embarrassment of riches in the exhibition stakes – we both thoroughly enjoyed ourselves.

In The Red And Brown Water by Tarell Alvin McCraney, Young Vic, 4 October 2008

Of course we hadn’t heard of Tarell Alvin McCraney when we booked this. We simply booked it because it sounded like an interesting play, which it was.

But at the time of writing this up (March 2017), Tarell Alvin McCraney is a topical name, because he wrote Moonlight, which won the best picture Oscar a few weeks ago. Go figure. Here is a link to a recent Young Vic blog piece recognising this achievement.

Official London Theatre has an excellent resource on the outline of this play/production from back then, saving me time & trouble – click here.

The Young Vic published an extensive resources document for students/teachers etc. this play/production – you can click it down – here – from this link.

Reviews were mixed:

I must say I concur with this view. I remember the production where the Young Vic was turned into a watery stage, but I couldn’t hand on heart have told you anything about it from memory, until after I flicked through the script just now.

Perhaps Janie’s memory will do better – I’ll test that a bit later but only report back if she surprises me with profound recall.

The Young Vic published a short vid showing how they made the watery stage happen – see below.

Middlesex CCC End of Season Forum, Lord’s, 2 October 2008

I don’t remember a great deal about this forum, to be honest, but Barmy Kev’s MTWD report of same – click here – fills in most of the gaps for me.

Kev is silent on the party afterwards, but I’m pretty sure that, in those days, the forum was in the Thomas Lord Suite whereas the party was in the Allen Stand’s Middlesex Room.

Given Kev’s rapid report and silence about partying afterwards, I’ll guess this wasn’t one of the occasions when the libations continued afterwards in the Tavern or the Robert Browning.

A Few Evenings during September 2008, not least 30 September 2008

That time of year, I suppose. A few evenings worth listing.

11 September 2008: Ivan Shakespeare Memorial Dinner – explained in the third entry of the link piece. Here is John Random’s tombstone e-mail from that night:

Just like to extend a heartfelt thanks to all those who came to the 32nd Ivan Shakespeare Memorial Dinner – actually I don’t know if it is the 32nd but we’ve been doing an average of four a year since the year 2000, so it sounds plausible. Those of you who weren’t there, whether in Africa, America, Ireland or some oil-producing nation such as Harpenden you were all sadly missed, You missed a great quiz from Gerry, and the surprise (and welcome) re-appearance of John Cowen. Special guest Neil Watson brought a touch of class to the proceedings.

16 September 2008: Gresham College – one of Michael Mainelli’s very last lectures that “fed” The Price of Fish. This was at Barnard’s Inn Hall. Z/Yen will have sponsored drinks and some of us will have had some grub (almost certainly at Ye Olde Cheshire Cheese) afterwards.

23 September 2008: Bill Emmott’s Sir Thomas Gresham Docklands Lecture which was excellent. Followed by a drinks and then a round table discussion/meal at the Four Seasons Docklands.

26 September 2008: Kim, Micky and Charlie dinner, 7:00ish. Sounds like it must have been at Sandall Close; a trawl through Janie’s diary archive will confirm or deny at some stage.

30 September 2008: Stuart Rose lecture at the Royal Opera House. Can’t find an on-line reference but I do recall being there. Something about probity and stuff.

 

Creditors by August Strindberg in a new version by David Greig, Donmar Warehouse, 27 September 2008

Janie and I are both very partial to a bit of Strindberg.

Creditors is a top drawer Strindberg play and this was a top draw production of same at the Donmar.

I had seen a smaller scale production of this before – at The Gate back in the 1980s – I’ll review that too in the fullness of time. But this version of Creditors, in David Greig’s edgy hands, was even more gripping than I remembered the play.

Here is a link to the Donmar’s excellent downloadable Study Guide for this production.

Superb cast too – all three of them excellent.

Even the West End Whingers were on the case for this one and seemed broadly satisfied – click here.

An especially good night at the theatre.

Sir Thomas Gresham Docklands Lecture & Dinner, Bill Emmott, 23 September 2008

Michael Mainelli was organising this prestigious event each year at that time. 2008 was the year of Bill Emmott, who at that time had only recently stepped down as editor-in-chief of The Economist. It was always a pleasure and a privilege to spend time with Bill and that evening was certainly no exception.

As I had met Bill before, Michael asked me to “look after” Bill ahead of the lecture. Interestingly, Bill asked me if anything big had happened that day, as the world economy was in the midst of a financial crisis at that time and he wanted to be sure that hew asn’t wrong-fotted by events ahead of his talk.

Here is a link to the Gresham College resources for that talk.

I was also an honoured guest at the dinner with Bill afterwards, which I’m pretty sure was at the Four Seasons Canary Wharf (at the time of writing, April 2020, the Canary Wharf Riverside Plaza). As was often the way with these evenings, some of the most interesting questions and insights came from that group discussion over dinner.

This was a very special evening.

The Girlfriend Experience, Royal Court Theatre Upstairs, 20 September 2008

We really liked this play. It was funny and interesting.

It’s one of those verbatim theatre jobbies. Alecky Blythe went round talking to prostitutes at “the parlour” and pulled together a play about them based on their own accounts.

Intriguingly, the cast listened to recordings as they delivered their lines, to add a particular type of authenticity to the verbatim method.

It worked for us, anyhow.

Perhaps the Royal Court are starting to put up archives going back this far, but for now this one is merely a stub – click here.

OfficialLondonTheatre.co.uk has more – click here.

Fretwork, Birds on Fire: Jewish music for viols, Wigmore Hall, 14 September 2008

Janie and I like a bit of viol music.

The Birds On Fire page of Fretwork’s own site – click here – sets out the whole concert and indeed details of the CD album they brought out in 2008, a few months before this performance.

Here are some reviews of the album from the Fretwork site.

The story of Jewish composers and musicians in the Tudor period is a fascinating one. In theory they were banned from England at that time. In practice, blind eyes were turned when the Tudor court wanted some of the best musicians in Europe to pop in.

In truth, the music was not, to our ears, the most pleasing Tudor period viol music we’d heard. Fretwork are and as always were top notch on this evening, but the modern Orlando Gough work inspired by the story and indeed some of the material, especially the songs, were not so much to our taste.

Still, it was beautiful and interesting and we were very glad we’d booked this concert.

Janie and I had booked the next day (Monday) off. My diary suggests that we simply used that day to sort out stuff and do our own thing. But whatever the plan, we do enjoy a Sunday evening concert that much more when we know we don’t have to work the next day.

Writing this Ogblog piece made me realise that I don’t have any Fretwork in my collection at all. I put that right, but not with Birds On Fire…

…I’ve ordered this one instead