An Enjoyable Excursion Into Domestic Cricket Neutrality, Surrey v Essex, T20, Oval, 19 July 2017

The Oval At Nightfall

In early May I received an e-mail from John White, out of the blue:

I have been invited to the Oval on 19th July and have been asked if I would like to bring a friend!  It could only be you Ian.  Are you free?  We will be the guest of WE Communications and we get to go in the members area.

My first thought was that this must be the test match, but when I looked up the date I discovered that it was an evening domestic T20 match between Surrey and Essex.

It occurred to me that I haven’t been to a domestic cricket match as a neutral (i.e. without my county, Middlesex, playing), since I was a kid. Those experiences, as a kid, were all at The Oval, as it happens. This scorecard – click here – might be an example of one of those – I need to check the old diaries but for sure I saw once saw Barry Richards dominate the bowling there, while all others made it look like hard work.

Indeed all my early experience of seeing professional cricket was at the Oval – here is one especially odd set of experiences at the Oval from 40 years ago, including an encounter with Bob Willis on the tube after play, which I have already Ogblogged.

John’s e-mail was not terribly informative and (after accepting the invitation with relish) I didn’t give the event a great deal of thought again until it was imminent.

As it happens, on the day, I was working from home, interrupted only by a marathon session of tennis mid morning at Lord’s.

On reflection, I should have pipped John an e-mail about the extent to which this might be formal entertaining, mode of dress, etc., but instead I picked up Marcus’s e-mail, Googled WE Communications and decided for myself that this must be corporate entertaining of some scale and that I’d better turn up suited and booted. I even put my little case of business cards in my jacket pocket.

As it turned out, the evening was in fact a very informal set up with Marcus (who is a Surrey member), his colleague Josh (who is in fact a fellow MCC yellow-carder), me and John. All the others were in “dress-down, evening out” attire.

It was a very enjoyable evening. Really good company; people who know and enjoy their cricket while at the same time keeping the conversation suitably varied and interesting on many topics.

I really liked that feeling of neutrality at the match. I was watching cricket, simply hoping to see a good match, without any emotional equity in the result. It was strangely refreshing. In particular I think the neutrality worked for me because I was in good company.

After the game, although John was demob happy, he was keen to start his long journey home and I was keen to get home quite early as I had a long working day ahead the next day.

The evening was great fun; I’m sure we’ll do something like that again next season – perhaps at Lord’s, so that Marcus can experience that slightly oblivious feeling of cricket watching neutrality.

Out of the Deep, The Cardinall’s Musick, Wigmore Hall, 18 July 2017

The Boy (Morales) From Seville

Janie and I really like this sort of 16th century music and here was a rare chance to listen to Cristóbal de Morales’s requiem, along with a swathe of English stuff from a similar period.

Morales was from Seville although his sound is heavily influenced by his years in Rome too.

Here is a link to the Wigmore Hall’s information on the gig.

Jolly it wasn’t, but then what do you expect when you choose to hear requiem masses, Jeremiah’s lamentations and that sort of thing?

But very beautiful it was.

I especially enjoyed the Morales, which was the main reason I booked the concert. We hear quite a lot of the 16th century English stuff, whereas the Morales felt like a rare treat.

This type of music (mostly 10 voices in five parts) works so well in the Wigmore Hall and The Cardinall’s Musick are really superb at delivering this stuff. Andrew Carwood always explains the context in detail, but not painful detail.

The audience lapped it all up and managed to coax the team back onto the pitch for an encore – I think it was the first two verses from Tallis’s Psalm 1 setting.

It was a Tuesday evening and Janie had early patients etc. the next day, so we didn’t dine together – I think Janie got home just before the heavens opened. Good job I was in the flat when the rains came – it was torrential and I had left windows open. There’d have been Jeremiah-style lamentations from me if my computer and/or baroq-ulele had got wet.

Dinosaur, Wigmore Hall Lates, 14 July 2017

“Hello, we’re a couple of Dinosaurs”, I said, as we arrived at the Wigmore Hall for the late night concert.  The programme notes distributor smiled; perhaps a knowing smile – she probably thinks of all of us Wigmore Hall-istas as dinosaurs.

Wigmore Hall, like Lord’s, is one of the very few places in the world where I might still be addressed as “young man”.

But this was quite a youthful concert – a young jazz combo, Dinosaur,  playing an interesting mix of styles, a bit jazz-blues-rocky, a bit avant-garde, a bit electric.

The Wigmore Hall information had revealed little about them – click here –  but we like these late night concerts and I sampled a bit of Dinosaur on-line and liked the sound. I think I might have sampled the following piece:

This type of music works better live than recorded, in our view. It certainly did work well at the Wigmore Hall.

Laura Jurd seemed genuinely awe-inspired by playing at the Wig, which was rather sweet. Dinosaur played several tracks from their acclaimed first album plus one or two bits of new material.

They are all genuinely talented musicians.

The bass player played acoustic double bass as well as an electric bass guitar – an unusual-looking five-course jobbie rather than the conventional four course instrument shown in the above vid.

Before the  concert, I served dinner at the flat; the very last of Big Al DeLarge’s meatballs with pasta and salad. We also had time for a drink at The Wig before the concert.

We stayed for an after concert drink and some more jazz in the bar – simply a pianist playing in a hotel lobby or restaurant style (second time in a row), rather than the more unusual/interesting stuff we got in earlier years after Wigmore Hall Lates – oh well.

Three Days At The Lord’s Test, England v South Africa, 6, 7 & 9 July 2017

Alastair Little, With Thanks To The National Portrait Gallery For The Licence

Day One – Thursday 6th July

This will probably be my last day of cricket at Lord’s with Alastair “Big Al DeLarge” Little, as he is due to emigrate to Australia in a few week’s time, as explained in my recent piece, Tragedy of Epicurean Proportions, click here.

It seems that Al’s culinary legacy was explained to the world recently via the BBC – click here to listen or download the Food Programme special about him.

I asked Al if he could do the central element of the picnic, as I knew I would be away in Brum for the few days leading up to this test.

Given that Al is temporarily a chef without a proper kitchen, I realised that this request might discombobulate him.  I emphasised that it needn’t be anything special, just easy-eating grub for the two of us at the cricket. Al doesn’t exactly need to prove to me that he can cook, does he? But a week before the outing I got a text from Al:

…does lamb cutlets sound like something to eat at the cricket?…”

…my reply…

…it does now!

So Al turns up with a wonderful centrepiece picnic meal of delicious lamb cutlets with a top notch potato salad and cold Keralan-style beans. Also some fine Kirkham’s Lancashire cheese and crackers. Plus a lightly-chilled Valpolicella.

My contribution was a very jolly Kiwi Sauvignon Blanc, a selection of fresh fruit and lots of water. The latter came in especially handy as this particular day was hot, hot, hot and our front row seats in the Lower Compton were in the sun all day.

We chatted at times with a couple of charming chaps who were sitting next to us…”irredeemably posh” as Al described them, although they spent most of the day elsewhere – drinking Pimms and eating posh nosh by their description.

Al and I discussed foody subjects rather a lot throughout the day. Why were we there?  Oh yes, cricket. We also talked about cricket.

England had a poor morning, from which they extricated themselves as the day went on.

I had some difficulty concentrating on the match until after tea, as I was also following the denouement of the Warwickshire v Middlesex match. I tried to be disciplined and only look once every half hour. But at one point I was providing a county cricket score service for MCC stewards, who aren’t allowed to look, so my “look rate” increased a little towards the end.

But the long last session had my undivided attention and in fact it was an excellent day of test cricket throughout, with England turning a poor position into a very good one by the end of the day.

Al and I walked together to Warwick Avenue, from whence Al tubed home and I walked.

A super day out.

Day Two – Friday 7th July

Today my guest was Charles “Charley The Gent Malloy” Bartlett. This time it was my job to do the picnic and Charley did the sweet stuff, wine and water. We agreed in advance that one bottle of wine would be enough for the two of us, not least after Charley’s wobbly denouement last time we met at Lord’s.

I went for a “Charley The Gent traditional” picnic, all of which I procured or ordered before I went to Brum; smoked Alaskan salmon bagels, prosciutto and manchego English muffins, selection of fruit (naturally including pears) and nuts.

In food terms, Chas is the very antithesis of Al – Chas takes some mysterious sort of pride in the fact that he cannot even boil an egg. Mercifully “Mrs Malloy” does good picnic for our Chelmsford adventures. 

But I digress.

Chas had arrived at Lord’s even earlier than me to avoid the gate crush and get through security in good time.

Experts pontificating

We were hoping to see the boy Root get a double-hundred and break records and stuff, but it wasn’t to be. Still, England built on its good position throughout the day.

Again the Lower Compton front row, again very pleasant, chatty neighbours. Posh, but not as irredeemably posh as the previous day’s neighbours.

Chas and I chatted about all manner of things, not least plans for the women’s world cup final and Edgbaston.

The day flew by. It was another very hot day in the sun, but not quite as hot as Thursday had been. The smaller quantity of drink helped.

Chas and I walked together to Warwick Avenue, but today I also took the tube, as I was going straight to Noddyland. Chas and I parted company at Oxford Circus, but not before Chas had made a joke about Janie probably waiting to hose me down before I’d be allowed into the house.

When I got to Noddyland, next door neighbour Marcie was in her front garden watering; I wondered (briefly) whether she has been stationed there to hose me down on arrival.

Day Four – Sunday 9th July

Daisy and I had a quiet day on the Saturday (playing tennis, massage, following the Lord’s cricket and the Wimbledon tennis). Daisy did much of the picnic preparation the night before. We had some very tasty roast pork that evening and Daisy cooked, along with the Saturday joint, a stash of very yummy mini sausages for our picnic.

The remainder of the picnic comprised of simple but tasty stuff; dips (mostly fishy ones – too many – we brought a few home), sourdough crispbread bites, carrots, tomatoes, grapes and some yummy thin biscuits. We took a fruity little Chardonnay-Viognier with us, plus a tiny bottle of Rioja for “just in case”/sun-downer purposes.

An easy, mostly pre-prepared picnic. So we were able to set off nice and early Sunday to secure decent seats in the new Warner Stand. The top level was full by the time we got there at 9:30 – it was full by 9:15, but in fact the seats we got on the lower level in row 9 were probably even better for us – sun until about 11:30, shady thereafter.

While waiting, watched the Saffers with big balls warming up

Very pleasant people all around us, including a family behind us I am sure were behind us the previous time we sat around that section of the Warner.

At lunchtime I took a stroll and met up briefly with Edwardian Cricket from the King Cricket website. Edwardian has volunteered to write a match report for KC, thank goodness.

At teatime Daisy and I took a stroll to meet Alan and Alex briefly. They were sitting in the same stand as us, but on the pavilion side rather than the Grandstand side.

England collapsed early in the day but I always felt that they had enough runs and that the Saffers would follow suit on that pitch, although not quite as dramatically as it turned out.

Saffers on the verge of collapse.

On leaving the ground, Daisy and I ran into Mr Johnny Friendly. I had already run into him on the Friday by the Tavern Stand loos – I always seem to run into him there – but this time gave us a chance to walk a while, chat and wait with Mr Johnny Friendly until his carriage (aka the No 414) arrived. Daisy and I then strolled a while before hailing a Hackney carriage.

When we got home, I found a message from Fran to say that she’d seen me and Daisy on the TV – she’d even confirmed same by winding back her Sky thingie – but she hadn’t thought to record or screen-grab us, so we’ll just have to take her word for it.

In the absence of Fran’s lack of screen grab from Sky, this double-selfie by Daisy must suffice.

We’d had a super day.  We hadn’t expected to see the match conclude on the Sunday, but we did – see scorecard. This enabled us to have a quite day at home Monday playing and then following the Wimbledon tennis, which was very good that day. I’d had a super few test match days, even the Day 5 with no cricket.

A Visit To Edgbaston, Mostly For Warwickshire v Middlesex, 3 to 5 July 2017

The away fixture list has not been quite as kind to me this year as it was last year – fixtures not perfectly timed for my other commitments.

Indeed I almost let this match go, as I had booked out time for the Lord’s Test later in the week, but nearer the time I saw sense and booked the whole week off work and a couple of nights at The Eaton Hotel for this fixture – as last year.

So, on Monday morning off I set from Noddyland towards Edgbaston. I did the journey door to door in just under two hours without breaking any speed limits or records – just a low traffic journey which ought to be straightforward most times.

The hospitality and company at Edgbaston was cracking good, as usual. On this occasion, though, there were very few of us from Middlesex, probably because of the match’s proximity to/overlap with the Lord’s test.

On the second day, I was, in fact, the only Middlesex guest in the Chairman’s lounge. I explained that, as an only child, I was quite used to being the centre of attention, which I am sure put the burghers of Birmingham/Warwickshire at their ease.

But it was on the first day that, unusually, some of the Warwickshire folk, led by Colin Short, came for a walking circuit with me and showed me some fascinating sights around the ground.

One of those sights was Barmy Kev and some of the Middlesex travelling band, over at the Birmingham end. This encounter was more revealing for my Warwickshire hosts than it was for me. Barmy Kev asked me to write a Day 5 match report for the MTWD web site, which might have confused my Warwickshire hosts even more than the sight of Barmy Kev.

Another interesting sight was a collection of bears, due to be exhibited the next day, presumably to promote the T20 tournament…

Step never on the cracks, No only on the squares, Or else we’d be abducted by the bears.

…or perhaps their role is to abduct a few county match attendees, e.g. those foolish enough to set foot on the cracks.

In cricket terms, the match felt utterly poised throughout my stay – two-and-a-half days. Whenever one side seemed to be nudging ahead, the other side would rally with a partnership or wickets.

To add to that sense of poise, Middlesex ended Day 2 on 302/6 exactly the same number of runs Warwickshire  had scored on Day 1 (302/7). The scores were tied at the end of the first innings, quite early on Day 3. It nearly ended as a double tie – i.e. tied at the end of both the first and second innings, which I think would have been a first class cricket first, at least with completed innings.

Here is how the match panned out in the end – Thursday – click here.

On the Monday night I went to Stourbridge for a music lesson – long story – now Ogblogged separately – click here.

On the Tuesday night I practised my baritone ukulele and read in the hotel.

On the Wednesday I left Edgbaston at about 14:45, after a chance encounter with Chris Woakes who was having a sneak peak at the match from the tunnel. I needed to be at Lord’s for tennis at 19:00. The heavy traffic made me wonder whether I’d make it on time, but in the end I had a reasonable amount of time to get to Lord’s…

…but boy was I buttock-weary, after two-and-a-half days of cricket and three-and-a-half hours in the saddle.

At Lord’s, Dumbo was thoroughly searched (the night before a big match day) but then allowed to park in the Allen Stand gap, where he had a perfect view of the pitch. When I emerged from two hours of tennis, Dumbo threatened to stay there for the duration of the test match, but he relented when I mumbled to him about car scrappage schemes.

Dumbo behaving well at Boston Manor, in the good old days when the car park was open

A Renaissance In Baritone Ukulele Lessons, Stourbridge, 3 July 2017

“Renaissance music? – I thought the reason for your visit to the West Midlands that week was the cricket?” (I hear you cry) – click here .

But I also wanted to make some progress with my baritone ukulele lessons, or more specifically with my baroq-ulele lessons. Yes, I have two instruments; the one shown above and a baroq-ulele (click to see picture), which I use mostly at the flat and which I used in my Gresham Society soiree “performance” in 2015.

Indeed, it was at least partly with the next Gresham Society soiree in mind that I started having a few tutorials with Ian Pittaway, who is a bit of an expert (to say the least) on early, baroque and traditional music, not least Renaissance music – click here for his site.

I found Ian on the Facebook Early Music Group, which I frequent because Janie and I love listening to early music. But when Ian posted, on 1 April, a “recently discovered ballad that inspired Shakespeare” which sounded suspiciously like Delilah, we engaged in some correspondence (in the way only comedy/parody lyricists can) and one thing led to another.

I am mostly having the lessons via Skype, as Ian lives in Stourbridge. The first was on 3 May. I had a second lesson via Skype on 23 May and a third on 13 June.

The irony of using such a modern medium to learn how to play in such an ancient style is not wasted on us, but the Skype lessons really work.

Of course, the techniques that Ian is showing me don’t only work for early music. Several of the hands-on techniques that musicians started to use  from the Renaissance onwards (before that, such stringed instruments were routinely plucked with plectra only) are perfectly useful and relevant for modern music too. The simple thumb strumming and finger arpeggiation I was using “self-taught” would only ever have got me so far.

It is all a real test of my resolve and patience; I am naturally a magpie with music, wanting to play lots of different songs, tunes and styles without really mastering anything.

Ian seems to be a natural “go with the flow” tutor who is willing and able to impart his skills and knowledge on me in whichever ways I choose and enjoy, giving me gentle but very helpful steers on how to improve and things to try.

Anyway, it seemed to make sense that we have a face-to-face lesson when I was to be “just down the road” at Edgbaston, so I drove out to Stourbridge for a lesson with Ian after stumps on the Monday.

I am struggling with the “thumb inside” multiple plucking  which was the main technique in the Renaissance period. I am also struggling with genuine baroque rasgueado style, although there are some simplified “thumb outside” techniques which seem to come naturally to me. The history of all this stuff, if you are interested, is summarised on this link, which includes a wonderful four-and-a-half minute vid.

The key for me is to use less effort and get more effect; usually by anchoring with my pinkie finger or my thumb and making less extreme movements with the moving parts. Easier said than done, especially if you are me.

Anyway, we went through some of the songs I have been working on. I have gone back to some easier ones (three or four chords, mostly open ones) that enable me to concentrate on the fingering. For example, I have been using Horse With No Name (or rather, my “Song With No Tune” version) to learn thumb inside technique. Randy Newman songs, such as Simon Smith and Political Science, work well with the thumb outside and quasi-rasgueado. Country and dance songs seem to work well with that style too.

It helps that Ian seems to like a lot of the songs I choose. I have also recently returned to We Sell Everything by Leon Rosselson, for example, which works great with these techniques. Ian really likes that song and liked the way I mixed the techniques before he had the chance to suggest similar. On several others, though, Ian suggested some technique mixing which hadn’t occurred to me.

Parenthetically, here is a lovely vid of Leon Rosselson singing We Sell Everything, although he is using far more sophisticated chords and modern style arpeggiation. My version sounds very different but I think still works…

…anyway, you should be a writer of best-selling economics books before you are deemed qualified to sing that song.

Ian suggested that I try Rosselson’s (much harder) Let Your Hair Hang Down for next time and seemed very pleased to see that I already had the chords/words for it and that Janie really likes that song. So I’ll have another Skype lesson before my next face-to-face lesson, probably with Janie joining me, when we are both up for the Edgbaston test match.

Here is Roy Bailey singing Let Your Hair Hang Down. Unlike Leon Rosselson, Roy Bailey has a much better voice than mine, but like all of this stuff, I’ll try a few ideas out and give it my best shot.

Two Visits To The V&A For The Exhibition Road Big Reveal, Plus Grayson Perry & The Pavilion At The Serpentine Gallery, Plus Pink Floyd and The V&A Reveal Festival, 26 and 30 June 2017

Exhibition Road – Aston Webb Screen and new steps from within

Monday 26 June 2017

Janie was very excited when we got tickets for Amanda Levete’s talk at the V&A, just ahead of “the big reveal” of the results of the new Exhibition Road Building Project. The talk was nicely timed for Janie’s birthday, 26 June.

We had hoped to get to see the Serpentine stuff that day as well, but we didn’t get our act together in time for that; indeed we only just allowed enough time to walk through the park from the flat to the V&A for the talk.

The talk was very interesting. Amanda Levete explained the background to and details of this extraordinarily ambitious and unusual project, to build a substantial exhibition space and piazza in what had been dead space at the Exhibition Road end of the V&A site.

Of course, the new exhibition space is underground, so cynics might argue that this V&A project was a gargantuan Kensington basement development. But we aren’t cynics in this regard – we were chomping at the bit to see the new space.

Drinks were pleasant enough and we chatted to Amanda Levete herself briefly. She cemented our view that we wanted to return Friday to see the new space properly ahead of the big reveal and events that evening.

Friday 30 June 2017

Daisy got her act together on the Friday, so we did have time to visit the Serpentine Gallery and Pavilion ahead of the V&A.

Francis Kéré’s Pavilion

We started with the pavilion, not least because we were both peckish and could picnic therein…

…except we couldn’t, as an unattended bag encouraged the staff to clear the pavilion just as we started to munch.

We had more luck with the Grayson Perry exhibition: The Most Popular Art Exhibition Ever. Janie had seen it before; indeed she took these photos a few days earlier:

I suppose there was some irony in me seeing the work of one of Chelmsford’s greatest so soon after my visit to Chelmsford. But I must say I prefer the idea of Grayson Perry’s work far more than I like the work itself. Janie is keener on the work.

Then on to the V&A to see the new space “ahead of the plebs”, as Daisy put it, with no apparent irony, despite her regular vitriol about social inequality, in the borough and beyond.

Just before the arrival of Joe Public, a man puts the finishing touches on the Oculus with sticky-back plastic.

Old and new features combine.

Inside the new exhibition space

We then waited for “the big reveal” in the new Exhibition Road cafe. I thought there might be a fanfare at 17:00, or at least the multiple gates on the Aston Webb screen would be flung open, but no such thing happened. They merely started to admit people through the main Aston Webb gate whereas previously they were asking to see membership cards.

As we had some time to kill until the opening Friday evening events of the Reveal Festival were to begin, we went to see the Pink Floyd exhibition. Pink Floyd have never really been my thing, but of course I am familiar with much of the music and the iconography, so it was interesting to see it. Pretty crowded on a Friday evening, it was, especially as I suspect we weren’t the only people who had planned to take in that exhibition ahead of the live music events.

After the Pink Floyd, we wandered down to the John Madejski Garden to watch KOKOROKO setting up and sound checking for the headline gig later.

KOKOROKO sound-checking

We had planned our evening activities carefully ahead of time – I had even printed out and marked up the event schedule – click here for the unmarked, on-line version.

So we soon headed off upstairs to find the Hejira gig. This was in Room 82, a relatively small room, so we did the right thing getting to the room in good time, finding one of the last bits of wall space for a proper view.

The music is, in theory, inspired by Ethiopian music, but we couldn’t really detect much of that. Still, the lead singer is very elegant and has an extraordinary voice.

The following embedded vid is far funkier than the music they played in Room 82:

After that, we went to see the Music Television exhibit in the Tapestries room, then failed to get in to the virtual reality behind the scenes tour. I suppose, as we have had a special, private behind the scenes tour of the V&A in our time, our need for the virtual tour was not so great.

Then back to the John Madejski Garden to see get a drink and see KOKOROKO. The garden was really starting to fill up festival style, so we got ourselves a good position and enjoyed dancing to the DJ’s music while waiting for the gig.

KOKOROKO were very good – an afrobeat sound that reminded me a bit of Fela Kuti but with a more fusion/eclectic mix of sounds. I have embedded a vid at the bottom of this piece.

Everyone was movin’ to the groovin’

There was a great spirit among the crowd; we ended up dancing and high-fiving with various strangers. Whereas Janie and I had possibly been the youngest people at Amanda Levete’s talk on Monday, we were among the oldest people enjoying the festival headline act – who cares? We had a great time.

An Exploratory Mission Into Deepest, Darkest Essex, Prested Hall and Chelmsford, 27 & 28 June 2017

It seemed like a brilliant idea when I/we arranged the trip.

Middlesex were playing Essex in the first ever round of day/night county championship cricket matches.  I’d drive out to Prested Hall on the Tuesday morning, drop my bags, have a real tennis lesson, join Charley “The Gent” at Chelmsford for cricket on the Tuesday afternoon, return to Prested after stumps at night, check out/play real tennis the next morning, drive back to Chelmsford for at least a couple of sessions play Wednesday, then head back to London in reasonable time towards the end of that day.

Indeed, it was a pretty brilliant idea, confounded in part only by the weather “turning Charley on us” (as it were) and Middlesex’s dismal performance. Of course the latter was no disappointment to Charley “The Gent” Malloy, who is enjoying watching his team ride high in the county championship this season.

The weather forecast for Tuesday was changing on an almost hourly basis. Charley at one point Monday messaged me to see if I still wanted to give it a go, but when I explained that I was coming out to deepest Essex anyway, we agreed to meet at the ground Tuesday come what may.

In the morning, at Prested, I had the honour (and pleasant surprise) of getting my real tennis lesson from Rob Fahey, the former and longest-reigning world champion. I doubt if I was utilising even a tiny fraction of his skills and knowledge, but I learnt a great deal and he was a thoroughly delightful coach for that hour. He filled my head with all sorts of stuff that will probably come in handy down stream but which I have so far been utterly unable to put into practice. A few simple tips on placement of shots and serves are already coming in handy.

Then to my apartment room in the health centre area. Comfortable-looking and very large – there would even be room for Janie, Benjy the Baritone Uke and all of our attendant paraphernalia in one of those, I noted for future reference.

Then a very dingy drive to Chelmsford, but it wasn’t raining and the forecast suggested that we might get a few hours of play before the rain set in for the evening. But five minutes before play was due to start, an unscheduled, sharp shower put paid to the prospects of play for a while.

Chas and I braved the pavilion while all that was going on, which gave us a chance to catch up on news and gossip over coffee (not bad stuff and just one nicker per shot) plus some headway into Mrs Malloy’s splendid bap sandwiches.

The weather looked reasonably promising again for a while; they even announced a 16:25 start and the Middlesex players came out to warm up. But almost inevitably it started to rain again at 16:20. Looking at the forecast and the rain radar, Chas and I agreed that the prospects of play now were close to zero and that we had cunningly focused most of our attention on the more perishable elements of the picnic, allowing the less perishable elements to return the next day.

I returned in the driving rain to Prested Hall, where I was able to catch up on my reading and blogging (as well as sleep) in that comfortable appartment/room during the evening and into the next morning. I had a very tasty light bistro meal in the evening there, again noting that this would more than do the job for me and Daisy on a future visit.

In the morning, after checking out of my room, I played real tennis against a very charming gentleman who managed to capitalise well on all the new ideas drifting around my head (but not onto my racket) from yesterday’s lesson. Why I should suddenly start over-hitting and mistiming my shots in these circumstances is beyond me.

I tried a bit of bestial roaring when stretching for difficult gets and my opponent responded in kind, less often as I was making him stretch less. We were on the Prested Glass court – across the other side of the galleries is the Prested Far court, where a far finer exponent of bestial roaring than either of us was playing that hour.

The upshot was, I just couldn’t get any sort of rhythm going and my opponent played really well for his handicap. Still, I couldn’t have lost to a nicer chap, who celebrated his win by buying me a coffee in the bistro afterwards. This was good timing, as once he had gone and I had done some warm-down stretches and showered, I was ready to say goodbye to the friendly, helpful Prested team and head back to Chelmsford.

Chelmsford was once again well gloomy; I even drove through some drizzle as I approached town. But the cricket ground itself was dry and the forecast was far more promising than Tuesday’s.

Indeed, although we got the occasional tiny bit of drizzle (perhaps merely mizzle) during the day, it mostly stayed dry; just seriously dark and gloomy throughout the day. Just as well this was a floodlit match, as I doubt if there would have been much if any play with a conventional red ball and no floodlights.

Even though we had spent some time together the previous day, Charley The Gent and I had no difficulty filling several more hours with chat. Tales of derring do from playing and watching matches in years gone by. A bit more news and gossip. Bants, although it is hard to bant too much when the match is so one -sided – click here for scorecard. The locals who were sitting around us seemed to enjoy some of our chirp, so it can’t have been too bad.

We were in Charley’s favourite position at the front of the Tom Pearce stand. At times we both felt a bit chilly and took turns taking a brisk stroll to get coffees from the pavilion.

There was a reasonably sized crowd but I’m sure it would have been so much better had the weather played ball; especially as Essex were doing so well.

Dot (Mrs Malloy) did us proud with the bap/sarnies yet again; corned beef, ham and cheese for me – I think Chas had some egg; we each got personalised sandwich boxes with kind notes from Dot; Chas’s note was signed off “wifey” which seemed rather quaint to me.

I wanted to get home in reasonable time, so when Essex declared soon after 20:30, that seemed the perfect moment for me to bow out after my very first taste of pink ball cricket. We’d had a really enjoyable couple of days.

Gloria by Branden Jacobs-Jenkins, Hampstead Theatre, 24 June 2017

We’re on a bit of a roll at the moment; this was another very interesting piece.

It is a bit difficult to describe this play without spoilers – indeed the Hampstead Theatre staff we spoke to were bemoaning the fact that some of the formal reviews contain spoilers. Janie and I always avoid reading the reviews before we see a play/production, so it wasn’t spoiled for us and I’ll try not to spoil it for you.

The first act is a fairly conventional office politics satire set in a magazine publishing house; well acted and with some delightful vignettes. One ranting speech, towards the end of that act, by the chief fact-checker (played by Bo Poraj) will live long in our memories. Still, such office satires have been done many times and we have seen plenty to know that we are not wild about the genre…

…but…

…there is a pivotal moment at the end of the first act which reassured us that the second half of the play would be quite different.

Indeed, the second half was far more interesting and progresses, through two more, shorter, acts, in intriguing ways from the slow build of the first act.

Here is a link to the Hampstead Theatre’s resource on this play/production. 

Gloria has deservedly had good reviews from all the majors. It was a great success in its native USA and should do well in the UK too – at the time of writing the Hampstead run has already been extended and a West End run surely beckons.

Go see it.

Janie and I rewarded ourselves with some Chinese food from Four Seasons afterwards.

Avital Meets Avital, Wigmore Hall Lates, 23 June 2017

Avital Meets Avital

We really like these Wigmore Lates concerts and we really like interesting jazz/fusion music at the Wig.

So when I saw this concert promoted in the Wigmore Hall brochure – click here for all the information retained on the site – I figured that it would almost certainly be right up our street.

…Moroccan and North African sounds, folk and classical traditions, Israeli harmonies and Mediterranean rhythms to create a musical melting pot…

How right I was.

I hadn’t worked out, from that promotional material, that “Avital Meets Avital” is a relatively new combo, nor did it cross my mind that the two Avitals might not be connected to each other by blood. They just happen to be two musical guys who share the same surname who discovered that they make great music together and formed a fine musical friendship and combo.

The tour seems to be a promotional one, in part to promote their album, which was released a couple of weeks ago – click here (or the picture above) for more details on that.

The concert was wonderful.

The hall was pretty crowded, considering that the combo is fairly new and the Friday late slot does not always do well unless the act is well-known/a local favourite.

The group’s love of music and music-making together came across very nicely. In particular, Omer Avital (right of picture) came across as a real fun-loving showman – but in a good way. Janie is often put off by flamboyant musicians, but this was just the right balance of joyous music making, sharing that joy with the audience, yet relentlessly high-quality, professional musicianship.

Indeed all four of them are superb musicians.

Avi Avital must be one of the leading virtuosi of the mandolin – some of the intricate work he was doing, especially on the smaller of the two mandolins he played, was spellbinding.

The pianist, Yonathan Avishai, was mostly playing (in effect) continuo, but when he got the opportunity to extemporise with a solo, his ability as a musician became very clear.

The drummer, Itamar Doari, looked as mad as a box of frogs (or at least on a different cerebral  planet) when he played – it was a wonder he didn’t spontaneously combust Spinal Tap style during his solos. Strangely though, in the bar afterwards, he looked surprisingly sane and normal.

There was a good vibe in the bar after the show, with a jazz pianist playing. It was good to see all four performers (as well as a reasonable chunk of the audience) joining in the post concert fun – that doesn’t always happen after these Wigmore Lates concerts.

I downloaded the Avital Meets Avital album as soon as we got home and we have listened to it several times over the past few days. I would recommend the album highly, but would also suggest that you get to see this combo live if you can – the recordings cannot quite do justice to the uplifting sense you get from seeing this combo perform live.