Birdland by Simon Stephens, Royal Court Theatre, 12 April 2014

Janie and I both tend to like Simon Stephens plays, so there was little debate about booking an early sighting of this one at the Royal Court.

We enjoyed our evening, but neither of us could honestly say that this was one of Simon Stephen’s best or most memorable plays.

The play is about a rock star at the end of a long tour. The issues covered, while done well, seemed superficial compared with most of Simon Stephens’s plays. The dialogue glistened, but then what do you expect?

Here is a link to the (for some unknown reason) rather limited Royal Court resource on the play/production.

This search term – click here – will find you plenty of the (frankly, mixed) reviews.

Below is the video trailer:

King Charles III by Mike Bartlett, Almeida Theatre, 5 April 2014

Janie didn’t like this one at all.

I rather liked it in parts; far more so than Albion – Mike Bartlett’s most recent play at the time of writing (November 2017), also directed by Rupert Goold at the Almeida.

The conceit of the play is a Shakespeare pastiche, imagining a future King Charles III stumbling into a constitutional crisis with the government. (Three and a half years on, that scenario seems more likely than it did in April 2014, but I’ll leave that thought to one side).

That Shakespeare pastiche style worked in places but grated on me at times.

This was to be our last sighting of Tim Pigott-Smith, whose fine acting we enjoyed many times over the years. The whole cast was good and it was magnificently staged and produced.

Here is a link to the Almeida resource on King Charles III.

The play/production got mostly rave reviews – this search term will get you to the bulk of them.

Below is the trailer they used when it was up for a Tony:

 

Bailey’s Stardust, National Portrait Gallery, 4 April 2014

An evening visit to the National Portrait Gallery to see David Bailey canonical exhibition.

Janie and I went with Toni Friend.

Here is a link to the National Portrait Gallery resource on this show, which has some really good photographs, presumably being used at the time as “teasers”.

We really liked the exhibition, as did most but not all of the critics.

This search term – click here – will find you reviews, vids, the lot, if you want to know more about it.

Afterwards we went on to Haozhan chinese restaurant for dinner – we felt this place had gone down since our previous visit, but still was a good enough and convenient place to end an enjoyable evening.

Middlesex/Seaxe Pre Season AGMs, Lord’s, 31 March & 3 April 2014

I had a funny feeling I skived the Middlesex AGM in 2014. My diary says “day off”, but by reviewing my electronic records, it seems that I took most of the day off, then went to the Middlesex AGM via a bit of work at the flat.

I don’t recall much/anything about that AGM, but I did exchange e-mails with Richard Goatley about it afterwards, setting up a lunch with him the following week (9th), so cannot deny that I was there.

I better recall the Seaxe Club AGM, which took place four days later. We were still in the old Middlesex Room that year. My memory of that event assisted by the report in an electronic version of the subsequent newsletter – a novel development for the Seaxe Club that season, partly as a result of “youngsters” such as me and Barmy Kev pushing the idea.

Here is that newsletter.

The panel discussion was an especially good one that year; Gus Fraser, Mark Ramprakash and Ryan Higgins.

Pests by Vivienne Franzmann, Royal Court Theatre Upstairs, 29 March 2014

We were bowled over by this piece/production. We thought it was brilliantly acted and gripping from start to finish. It is about two feral sisters, both damaged by abuse in different ways.

It divided the critics but it did not divide us.

Ellie Kendrick and Sinéad Matthews are both young actresses to look out for. Vivienne Franzmann is yet another super female writer emerging via the Royal Court.

Here is the rather limited Royal Court resource on this one.

This search term will find you the links you need for reviews and stuff. Believe the good ones, don’t believe the poor ones.

Here is the trailer:

 

In the Vale Of Health: Japes by Simon Gray, Hampstead Theatre Downstairs, 21 March 2014

Janie and I both really like Simon Gray’s plays and we really like the Hampstead Downstairs.

So this project; taking all four of Simon Gray’s attempts to write about a quirky pair of brothers in The Vale of Health, seemed like something we should do in full.

We saw them in this sequence/timing:

  • 21 March 2014 – Japes;
  • 18 April 2014 – Japes Too;
  • 2 May 2014 – Michael;
  • 16 May 2014 – Missing Dates.

We’d often see the same faces in the audience again. One gentleman who sat next to us on the last night, we’d seen at least once before. I said to him that it would be like saying goodbye to close friends when this little season ended and he said, “that’s exactly what I was thinking”.

Very intimate plays, beautifully written (it’s Simon Gray after all) and very well acted/directed.

I’m cutting and pasting this same piece for all four evenings; the above and the links below basically apply to all four.

Here is a link to a search term that will find you Hampstead resources and (unusually for downstairs) reviews, as they transferred this little season upstairs afterwards, because it had done so well downstairs.

Here is a YouTube interview and stuff:

We Are Proud To… by Jackie Sibblies Drury , Bush Theatre, 15 March 2014

This was a very unusual piece about the Herero people of Namibia and the tragedy that befell them at the hands of the German colonial power in the late 19th and early 20th century.

The whole title is unfeasibly long.

It is written & performed in the post-modern style of a group of young people trying to put together a performance about…

It occasionally grated but mostly it worked well; a very moving, informative and entertaining piece.

Here is a link to the Bush resource on the play/production.

It divided the critics, did this one – a search term with links to reviews is here.

Here is a YouTube with the playwright and director:

 

A Short Break in Oman, Zighy Bay, 1 to 12 March 2014

We needed 10 days of complete rest and relaxation, so opted for Zighy Bay at the North-West tip of Oman. So “tippy”, it is actually much closer to Dubai than to Muscat, hence flying in to the Emirates and driving across to Zighy Bay.

Mike Smith had persuaded me to try playing the baritone ukulele a few weeks before and lent me such an instrument. I said I would get no chance to start before my holiday and was reluctant to take his instrument with me, but Mike assured me that he would not be fazed if anything happened to it. So I basically took up the instrument out there. Baby steps.

I didn’t keep any kind of written log, so spaced out were we with the pampering luxury of it all, but there are about 50 photos to be seen here or below…

01 Ged Swimming In Our Villa Pool P1010023

…and Janie (Daisy) was on a bit of a moving picture fix at that time, so some pretty weird vids:

In case you remain unaware, I am Ged and Janie is Daisy – these have been our pet names for each other since 1993.

The Origins Of Ged & Daisy, Bali, c10 December 1993

Itinerary and info on Zighy Bay downloadable below.

Wormleighton – 01 Mar 14 – Itinerary

Six Senses Zighy Bay – Fact Sheet

I’m not too sure what else I can say about this blissfully restful break.

We loved the place.

We played tennis pretty much every day. We swam in that little pool of ours. We took strolls.

We read quite a lot. I especially remember reading Joe Boyd’s book White Bicycles, but I read several others too. Perhaps you can spot the book pile in one of the videos.

I played around with that musical instrument, very early steps down that road.

We ate wonderful food. We locked away our mobile phones and pretty much didn’t look at them for 10 days.

We rested well.

Lunch With Mum, Garry & Janice at La Cucina, 23 February 2014

Image borrowed from www.londontown.com

Towards the end of mum’s life, these outings were not easy affairs, as her confusion was certainly getting quite a bit worse from the start of that year.

Mum liked La Cucina in Northcote Road and had settled on that as being “her place” after a not such good meal at Numero Uno early in her time in Nightingale.

La Cucina is now gone. Here is an extract from that restauarant’s final LondonTown.com record – click here:

A large corner building marked by large burgundy awnings, Italian bar and restaurant La Cucina is a Northcote Road landmark – indeed you’ll often hear uttered locally ‘I’ll meet you at La Cucina. But the popularity of this restaurant isn’t just down to being easy to find, of course not, La Cucina is so well loved by Wandsworth locals for numerous reasons, not least the laid back, friendly atmosphere and friendly service from all Italian wait staff.

Indeed, we were happy to carry on going there because the waiters used to fuss around mum (Janie deliberately malapropises the notion of waiters fawning around mum to “fornicating waiters”) and make her feel special. They also did “old fashioned Italian-style food”, such as liver strips in sauce, that made her feel comfy.

Garry and Janice kindly came up from Southend to see her/us from time to time and this was one such occasion. Mum was really pleased to see them – she still recognised people she knew well at that time – six moths later it was different.

An enjoyable lunch indeed. I think we retired briefly to the Nightingale cafe so mum could show off her family to the visiting masses.

It Just Stopped by Stephen Sewell, Orange Tree Theatre, 22 February 2014

A curates egg of a play, this. Good in parts. Irritating in others. It is set in an apartment block in which a pair of Manhatten sophisticates are thrown together with a vulgar pair of Melbournites when their tower apartment block has a total blackout.

Here is the Orange Tree resource on the play – sadly lacking the cast and creatives (but they are nevertheless tagged in this Ogblog piece).

Here is a link to a search term that finds other resources on this play/production.

Below is a Vimeo of the cast talking about the play:

I recall we enjoyed the first half of this one more than the second half. Still, we were glad to have seen it and went to Don Fernando for some Spanish grub afterwards.