Tag: Almeida Theatre

Mozart And Salieri by Alexander Pushkin, Almeida Theatre, 11 March 1989

I went to see this production at the Almeida with Kate (previously and latterly Susan) Fricker. I rated it as very good and I’m pretty sure that Kate really enjoyed this production too.

It was an adaptation of a short Pushkin play about the interaction/rivalry between the two composers. This play inspired Peter Shaffer to write Amadeus on the same topic but the pieces are quite different other than the core topic. Here is the Wikipedia entry about the play.

Of course there is little on-line about these old productions – this one doesn’t even have a Theatricalia entry – but I did find this fascinating Guardian piece, including a wonderful photo of Tilda Swinton in the role of Mozart – click here.

Below is Michael Billington’s Guardian review:

Billington on Mozart SalieriBillington on Mozart Salieri Mon, Apr 10, 1989 – 37 · The Guardian (London, Greater London, England) · Newspapers.com

Below is Michael Ratcliffe’s Observer review:

Ratcliffe on Mozart SalieriRatcliffe on Mozart Salieri Sun, Apr 16, 1989 – 43 · The Observer (London, Greater London, England) · Newspapers.com

The dates on these reviews imply that Kate and I attended a preview in March 1989.

The diary is silent about what Kate and I did before or after the show; I’m sure we will have eaten something or at least taken some refreshment and had a chat. Perhaps Kate remembers.

My memory isn’t brilliant on this one. I would have sworn that we saw Stella Gonet opposite Tilda Swinton in this, but all the evidence says we saw Lore Brunner. I can see no sign of ever having seen those two (Swinton and Gonet) on stage together, although both were prominent in the leading roles we were seeing at that time.

In any case, I believe this was only my second visit to the Almeida, the first having been some six months earlier, to see Hello And Goodbye. I do recall falling for the Almeida as a place itself on this second visit – whereas that first visit I was simply bowled over by the production and didn’t especially associate that visit with the Almeida. That was partly, I think, because Kate was especially taken with what they seemed to be doing at the Almeida in terms of restoring an old theatre for modern use.

Hello And Goodbye by Athol Fugard, Almeida Theatre, 6 September 1988

My log says that this play/production was superb and I certainly remember it as so.

The play is one of Fugard’s earliest – a two-hander about a brother and sister in the Eastern Cape; somewhat down-at-heel Afrikaners. Here is a link to a Jhu article about this lesser-known Fugard play.

This might have been my first sight of Tony Sher performing live and it was, I think, my first ever visit to the Almeida Theatre. Those things were oft-repeated after this night.

I don’t think I have ever seen Estelle Kohler perform since, but I recall thinking that her performance, as well as Tony Sher’s, was acting from the very top drawer.

But then what did I know? Or indeed what do I know? Except that, on Googling this production, it seems that both performers picked up Olivier Award nominations for their performances in this one that year – click here.

I saw this production with Bobbie midweek – on a Tuesday – whatever next?

I wonder whether Ivan Shakespeare sold us the programme or ushered us to our seats – I didn’t know him back then, but I believe he was volunteering at the Almeida for many years before I met him through NewsRevue.

The production was actually an RSC thing – a brief exile from the Barbican at the Almeida.

Here is a link to the Theatricalia entry on this production.

Below is Nicholas de Jongh’s Guardian review:

Nicholas de Jongh on Hello & GoodbyeNicholas de Jongh on Hello & Goodbye Tue, Aug 9, 1988 – 17 · The Guardian (London, Greater London, England) · Newspapers.com

Below in Michael Ratcliffe’s Observer review:

Ratclliffe on Hello & GoodbyeRatclliffe on Hello & Goodbye Sun, Aug 7, 1988 – 39 · The Observer (London, Greater London, England) · Newspapers.com

This was a really memorable night at the theatre – more than 30 years later, I can still visualise the Johnny and Hester characters hollering at each other – I can still almost feel their pain.