Tag: Annie Gosney

The Recruiting Officer by George Farquhar, Olivier Theatre, 27 June 1992

I have carried a fondness for this play with me for as long as I can remember, despite it not really being my type of play.

Revisiting my first encounter with it for Ogblog, some 25 years later (August 2017) I can understand why. This was one heck of a good production.

The Theatricalia website has recorded all the cast and crew details, mercifully, so I don’t have to – click here – then gasp in awe and wonderment. What a cast, what a production team.

Photostage has some photos, which you can peruse if you wish – here.

All my notes say is that I went with Bobbie Scully and that we thought it was very good.

I remember thinking Ken Stott was superb – I don’t think I had seen him before. It might have been my first encounter with the excellent Alex Jennings. Des Barrit was also a standout performer, as usual. But in truth the whole cast was good and you can see many names on the list who went on to do bigger and bolder things.

There are no on-line reviews to be found – until now – my one right here – yay!

I’m not sure what Bobbie and I did about eating afterwards, but in those days we would sometimes eat at the RNT itself – we might well have done that – or sometimes we’d go to The Archduke or somewhere of that ilk nearby.

 

Below is Michael Coveney’s Observer review:

Coveney on RecruitingCoveney on Recruiting Sun, Mar 15, 1992 – 60 · The Observer (London, Greater London, England) · Newspapers.com

Below is Michael Billington’s review:

Billington on RecruitingBillington on Recruiting Sat, Mar 14, 1992 – 30 · The Guardian (London, Greater London, England) · Newspapers.com

Murmuring Judges by David Hare, Olivier Theatre, 20 January 1992

Two visits to the Olivier Theatre with Bobbie in 48 hours. Just fancy. Must have been an availability thing and both of us wanting to see both plays.

In my log I wrote,

Good, but not as good as I had hoped it would be.

I seem to recall finding the play a bit wordy, a bit worthy and also some of the legal aspects a little unconvincing. I think the feedback from Bobbie’s legal entourage was similar on that last point when we ended up comparing notes.

Here is the Theatricalia entry for this production.

Here is a link to the Wikipedia entry for this play.

Below is Michael Billington’s Guardian review:

Billington Judges JudgesBillington Judges Judges Sat, Oct 12, 1991 – 21 · The Guardian (London, Greater London, England) · Newspapers.com

Below is Michael Coveney’s Observer review:

Coveney Judges JudgesCoveney Judges Judges Sun, Oct 13, 1991 – 56 · The Observer (London, Greater London, England) · Newspapers.com

The White Devil by John Webster, Olivier Theatre, 6 July 1991

My log from the time simply says:

Josette Simon was indisposed the night we went, which was a real shame.

I can now exclusively reveal that the understudy we saw instead was Souad Faress. I subsequently did get to see Josette Simon; in The Maids, a few years later. Bobbie might not have been so lucky.

I’m not sure I was wild about the play either. Jacobean tragedies don’t always float my boat and I have a feeling that I sensed that this one wasn’t entirely my cup of tea. The White Devil is heavy on courtly intrigue and light on laughs.

Fine cast as always with a National production, with Eleanor Bron and Denis Quilley as the big draw names along with Josette Simon. Philip Prowse directed. Here is the Theatricalia entry for this production.

Michael Billington was not so keen on this one, claiming that it wasted the actors:

Billington on White DevilBillington on White Devil Thu, Jun 20, 1991 – 23 · The Guardian (London, Greater London, England) · Newspapers.com

Whereas Michael Coveney loved the production:

Coveney on White DevilCoveney on White Devil Sun, Jun 23, 1991 – 61 · The Observer (London, Greater London, England) · Newspapers.com

The Crucible by Arthur Miller, Olivier Theatre, 30 June 1990

I rated this production very good and I remember it surprisingly well.

Howard Davies directed this one and gathered an excellent cast. Tom Wilkinson as John Proctor, Zoe Wanamaker as Elizabeth Proctor, Clare Holman as Abigail, plus a top notch RNT ensemble, as was the way at that time.

Here is the Theatricalia entry for this production.

Below is Nicholas de Jongh’s review from The Guardian:

de Jongh on The Cruciblede Jongh on The Crucible Sat, Jun 2, 1990 – 21 · The Guardian (London, Greater London, England) · Newspapers.com

This production must have been very good, because it is quite a long play and I had “done my back” pretty dramatically the week before. Thus started a period when my back would tell me whether or not I was fully engaged in a theatrical production. For this one, I only recall the superb drama; I don’t recall the pain!

The School For Scandal by Richard Brinsley Sheridan, Olivier Theatre, 19 May 1990

I thought this one was very good and I am pretty sure Bobbie thought so too.

An amazing cast directed by Peter Wood. Here is a link to the Theatricalia entry – feast your eyes on that list of names. the big draw names were Jane Asher, John Neville, Prunella Scales and Dennis Quilly, but there is a plethora of fine actors and actresses on that list, several on the up with small parts in this production. Also notable was Richard Bonneville, who played Charles Surface, and is latterly very well known as High Bonneville.

Michael Coveney in The Observer was not so keen on this:

Coveney on ScandalCoveney on Scandal Sun, Apr 29, 1990 – 54 · The Observer (London, Greater London, England) · Newspapers.com

Nicholas de Jongh in The Guardian seemed to like it a bit better:

de Jongh on Scandalde Jongh on Scandal Thu, Apr 26, 1990 – 24 · The Guardian (London, Greater London, England) · Newspapers.com