The School For Scandal by Richard Brinsley Sheridan, Olivier Theatre, 19 May 1990

I thought this one was very good and I am pretty sure Bobbie thought so too.

An amazing cast directed by Peter Wood. Here is a link to the Theatricalia entry – feast your eyes on that list of names. the big draw names were Jane Asher, John Neville, Prunella Scales and Dennis Quilly, but there is a plethora of fine actors and actresses on that list, several on the up with small parts in this production. Also notable was Richard Bonneville, who played Charles Surface, and is latterly very well known as High Bonneville.

Michael Coveney in The Observer was not so keen on this:

Coveney on ScandalCoveney on Scandal Sun, Apr 29, 1990 – 54 · The Observer (London, Greater London, England) · Newspapers.com

Nicholas de Jongh in The Guardian seemed to like it a bit better:

de Jongh on Scandalde Jongh on Scandal Thu, Apr 26, 1990 – 24 · The Guardian (London, Greater London, England) · Newspapers.com

The Voysey Inheritance by Harley Granville-Barker, Cottesloe Theatre, 1 July 1989

I noted that this was a very good production and I’m sure that was true. Richard Eyre in charge of an infeasibly good cast in that intimate little Cottesloe Theatre.

Here is the Theatricalia entry for the production with so many top notch theatrical names on the list…

…David Burke, Michael Bryant, Jeremy Northam, Graham Crowden, Sarah Winman, Stella Gonet, Selina Cadell, Suzanne Burden, Wendy Nottingham… it was difficult to work out which names from the cast list to leave out from this highlights version of the list.

In truth I don’t think Granville-Barker is really for me. I find his plays stylised and very Edwardian – which is, after all, what they are.

This one is at least replete with interesting moral dilemmas but in truth it’s not Ibsen.

But I do recall really enjoying this particular evening in the theatre and I suspect that this is the best Granville-Barker experience I have ever had and ever will.

Below is Michael Billington’s Guardian review:

Billington on VoyseyBillington on Voysey Thu, Jun 29, 1989 – 24 · The Guardian (London, Greater London, England) · Newspapers.com

Below is Kate Kellaway’s Observer review:

Kellaway on VoyseyKellaway on Voysey Sun, Jul 2, 1989 – 41 · The Observer (London, Greater London, England) · Newspapers.com

I don’t recall exactly what Bobbie thought of it but I think she, like me, was much taken with the production. I also don’t recall what we did (i.e. where we ate) afterwards. Bobbie might just remember.

Hamlet by William Shakespeare, Olivier Theatre, 18 March 1989

This was the famous (or perhaps infamous) National Theatre production of Hamlet which took Daniel Day-Lewis to the very edge of reason and from which he quit part way through the run.

I went very early in the run – in fact it might even have been a preview – with Annalisa. I suspect that I had booked the thing with Bobbie in mind, but so long before the appointed date that Bobbie could no longer make it.

Let’s just say that, back then, I thought of Shakespeare as more Bobbie’s thing than Annalisa’s thing. Annalisa has latterly assured me that theatre, including Shakespeare, was very much her thing.

Anyway, I recall that we sat right at the front of one of those side wedges in the Olivier – you are very close to the action there, especially when the action is on your side of the stage.

I also recall that Daniel Day Lewis was a very wet Hamlet – by which I mean sweating and spitting his lines. Annalisa remarked afterwards that we should have taken umbrellas with us had we known.

It was a superb production, with a great many big names and several names that weren’t big then but went on to be big. National productions were a bit like that in those days – some still are I suspect.

I was motivated to write up this theatre visit while sitting at Lord’s in September 2018 watching, for the first time, Ethan Bamber bowl live. His father, David, was Horatio in this Hamlet production, nearly 30 years earlier.

Other big names/fine performances included Judi Dench, John Castle, Michael Bryant, Oliver Ford Davies & Stella Gonet. A young Jeremy Northam had a small part in the version we saw but stepped up to the plate when Daniel Day-Lewis walked out. Later in the run, Ian Charleson took on the role to much acclaim, just before he died.

I think this was still quite early in Richard Eyre’s tenure at the National and he directed this one himself, extremely well.

My only other recollection is a quote that Annalisa picked up from an American visitor to the National, who told his wife that he didn’t think all that much of the play – “too many of the lines were clichés”. I guess you can’t please everybody.

Below is Michael Billington’s Guardian review:

Billington on HamletBillington on Hamlet Sat, Mar 18, 1989 – 21 · The Guardian (London, Greater London, England) · Newspapers.com

Below is Michael Ratcliffe’s Observer review:

Ratcliffe on HamletRatcliffe on Hamlet Sun, Mar 19, 1989 – 46 · The Observer (London, Greater London, England) · Newspapers.com

Postscript: An Enthusiast From Across The Pond Sought Help…

…in March 2024 I received some unusual correspondence from a gentleman in the USA, wondering whether I still had the programme (or playbill in his terms) as he was keen to see Daniel Day-Lewis’s biography notes from that production.

I have mentioned before that Ogblog serves as a fifth emergency service on occasions and this felt like such an occasion. No sirens or speeding vehicles through the streets of London needed, but I fortuitously was able to lay my hands on this particular programme with relative ease, having not yet returned that batch to deep storage.

Without further ado…

…drumroll…

…THAT page:

The Changeling by Thomas Middleton, William Rowley, Lyttelton Theatre, 25 June 1988

Hot on the heels of seeing an excellent Uncle Vanya…

…Bobbie and I saw a very good production of The Changeling at The National.

Miranda Richardson played Beatrice-Joanna, Rebecca Pidgeon played Isabella, George Harris as De Flores, Richard Eyre directing…

…here is a link to the Theatricalia entry.

It isn’t a jolly play and I did see it again only a few years later at Stratford, with Janie:

I think this National production was the better of the two.

Below is Michael Billington’s Guardian review, plus an interview with Miranda Richardson

Billington on ChangelingBillington on Changeling Sat, Jun 25, 1988 – 18 · The Guardian (London, Greater London, England) · Newspapers.com

Kate Kellaway’s Observer review is below:

Kate Kellaway on ChangelingKate Kellaway on Changeling Sun, Jun 26, 1988 – 40 · The Observer (London, Greater London, England) · Newspapers.com

The diary is silent on what we did afterwards. For some reason, is think that we ate at the National that evening. It is quite a long play and I think the restaurant there was doing arrangements to eat part of your meal during and part after show at that time. But I could be mistaken.