Ma Stricht, NewsRevue Lyric, 28 March 1993

25 years later Europe still dominates our politics here in the UK – oh boy.

Anyway, the Maastricht Treaty was the hot potato in 1993. I wrote this:

MA STRICHT

(To the Tune of “Ma Baker”)

 

FEMALE VOICE:Freeze, this here’s the Ma Stricht treaty.  Put your hands in the air and gimme all your constitutional powers.

MALE VOICE:This is the story of Ma Stricht.  The longest bill in old Westminster town.

 

VERSE 1

It was the longest bill, At the third reading stage,

A repetitious bill,It seemed to take an age,

It was no fun at all,No no no fun at all;

It was the tritest act, In old Westminster town,

A most prosaic act, They tried to bring it down,

Till the whips came along,Then Tories played along.

 

CHORUS 1

Ma ma ma ma, Ma Stricht is, Parliament’s main fight,

Ma ma ma ma, Ma Stricht keeps, MPs up all night,

Ma ma ma ma, Ma Stricht is, as boring as hell,

Ma ma ma ma, Ma Stricht cos it’s the Lords match as well.

 

VERSE 2

She was the meanest cow,In old Westminster town,

An old and bitter cow,In her red Ermine gown;

She had no heart at all,No no no heart at all;

She used her heavy mob,These thugs all owed her credit,

An evil heavy mob,Lord Joseph and Lord Tebbit;

They had no heart at all,And had no brains to call.

 

CHORUS 2

Ma ma ma ma, Marge Thatcher, she and her old Peers,

Ma ma ma ma, Marge Thatcher, fought Europe for years,

Ma ma ma ma, Marge Thatcher, she thought the EC,

Ma ma ma ma, Marge Thatcher ought to stage World War Three.

 

MAJOR:This is a special bulletin.  Marge Thatcher is the Tory Whip’s most considerably wanted woman.  Oh yes.  If you see anyone voting with this woman, please report it immediately to Tory Central Office.

THATCHER:Don’t anybody move.  Hand over that treaty.

 

VERSE 3

John Major’s dull and thick, But he knows Thatcher’s ploys,

He’ll make the treaty stick,With his Tory whip boys,

Though it won’t work at all,Cos it’s not meaningful.

 

CHORUS 3

Ma ma ma ma, Ma Stricht oh, when will the end come?

Ma ma ma ma, Ma Stricht needs, a referendum,

Ma ma ma ma, Ma Stricht has, got nowhere to go,

Ma ma ma ma, Ma Stricht cos half of Europe says “no”.

Here is a vid of Boney M (probably) singing Ma Baker:

Here is a link to Ma Baker lyrics.

Jimmy Knapp, NewsRevue Lyric, 28 March 1993

Jimmy Knapp was the leader of the National Union Of Railwaymen (latterly and by the time of this lyric the RMT).

The “Reid” mentioned in the lyric is Bob Reid, who chaired British Rail at that time, not John Reid who was Minister of Transport a few year’s later.

Jimmy Knapp was somewhat in the news most of the time but in truth wasn’t big news that spring. I don’t think this lyric was used.

JIMMY KNAPP

(To the Tune of “Jimmy Mack” – backing vocals are easier done than read)

CHORUS 1

Jimmy Knapp, Jimmy, oh Jimmy Knapp, when are trains coming back?

Jimmy Knapp, Jimmy, oh Jimmy Knapp, you’re running off the track.

VERSE 1

MacGregor’s cursing you,

Bob Reid feels the same way too;

You stick to your lines like glue,

BR staff’s relying on you;

Worker’s chief fear is that you will fail,

To save those jobs in British Rail.

CHORUS 2

Hey, Jimmy, Jimmy, oh Jimmy Knapp, you’re taking all the flak,

Jimmy, Jimmy, oh Jimmy Knapp, it’s trains that Britons lack.

VERSE 2

He calls Reid on the phone,

About three times a day;

But it’s hard to listen to,

What Knapp has to say;

Cos everything Jim says to you,

Is in a deep Glasweigan hue.

CHORUS 3

Hey, Jimmy, Jimmy, oh Jimmy Knapp, you’re an old union hack,

Jimmy, Jimmy, oh Jimmy Knapp, you’re like a BR snack {stale and vapid}

{Jimmy Knapp, you’re an old union hack, Jimmy Knapp, you’re like a BR snack}

 

VERSE 3

I wanna say, un-i-ons aren’t getting stronger,

But the trains don’t run any longer,

Briton’s trains are empty,

Cos Jimmy he’s in charge of the RMT.

CHORUS 4

Hey, Jimmy, Jimmy, oh Jimmy Knapp, you’d better mind the gap,

Jimmy, (costs are rising), Jimmy, oh Jimmy Knapp, cos British Rail is crap.

I attempted an updated version in June 1995, which went as follows:

JIMMY KNAPP
(To the Tune of “Jimmy Mack” – backing vocals are easier done than read)

CHORUS 1

Jimmy Knapp, Jimmy, oh Jimmy Knapp, when are trains coming back?
Jimmy Knapp, Jimmy, oh Jimmy Knapp, you’re striking Railtrack.

VERSE 1

Railtrack are cursing you, commuters feel the same way too;
You stick to your lines like glue, signalmen aren’t working for you;
You took the bosses by surprise, with union action for a huge pay rise.

CHORUS 2

Hey, Jimmy, Jimmy, oh Jimmy Knapp, you’re taking all the flak,
Jimmy, Jimmy, oh Jimmy Knapp, it’s trains that Britons lack.

VERSE 2

He calls Bob on the phone, about three times a day;
But it’s hard to listen to, what Knapp has to say;
Cos everything Jim says to you, is in a deep Glasweigan hue.

CHORUS 3 (SUNG IN A VERY DEEP GLASWEIGAN HUE)

Hey, Jimmy, Jimmy, oh Jimmy Knapp, you’re an old union hack,
Jimmy, Jimmy, oh Jimmy Knapp, you’re like a BR snack {stale and vapid}
{Jimmy Knapp, you’re an old union hack, Jimmy Knapp, you’re like a BR snack}

VERSE 3 (BACK TO NORMALITY)

I wanna say, un-i-ons aren’t getting stronger,
And the trains don’t run any longer,
Briton’s trains are empty,
Cos Jimmy he’s in charge of the RMT.

CHORUS 4

Hey, Jimmy, Jimmy, oh Jimmy Knapp, you mind the income gap,
Jimmy, {wages rising}, Jimmy, oh Jimmy Knapp, cos British Rail is crap.

Here are Martha and the Vandellas singing Jimmy Mack – embedded below or click this link to also see lyrics in YouTube:

Stand By Norman, NewsRevue Lyric, 27 March 1993

Well, I wrote far better lyrics about Norman Lamont – not least this pre-NewsRevue one…

Norman Lamont, Topical Lyric, 17 January 1992

…and the following, from after his demise, which is undoubtedly my favourite:

Norman The Chancellor, Topical Lyric, 30 May 1993

But while Lamont’s gig as Chancellor hung in the balance, I wrote this lyric – which I am pretty sure didn’t make the cut.

I can’t think of a lyric to this tune without thinking of Ivan Shakespeare’s wonderful piece: “Sometimes it’s hard to be a new man…Stand by your flan…” – a true classic.

STAND BY NORMAN

(To the Tune of “Stand By Your Man”)

 

VERSE 1 – JOHN MAJOR 

Sometimes it’s hard to be the PM,

Giving all your trust to just one man;

I have a wrecker,

In the exchequer,

Doing things that no-one understands.

 

VERSE 2 – STILL JOHN MAJOR

But as I’m desperate I’ll forgive him,

Even though the pound’s gone down the pan;

Wherever we go,

He fuels my ego,

Cos I look smart beside Norman.

 

CHORUS 1 – OF SUBTLE DOUBTERS

Stand by Norman,

Give him a rope to cling to,

Just hope he doesn’t hang you,

When you’re back is turned for moments.

 

CHORUS 2 – OF LESS SUBTLE DOUBTERS

Stamp on Norman,

And show the world we’re changing,

We want less mouse and need more man,

Stamp on Norman.

Here is Tammy Wynette singing Stand By Your Man with the lyrics popping up on the screen:

If that one doesn’t work, try this one:

…and a link to these lyrics.

Grunge Clobber Wearer, NewsRevue Lyric (Unused), 27 March 1993

I’d completely forgotten about this lyric. I’m sure NewsRevue didn’t use it but it certainly has party piece potential – especially as the tune, Guantanamera, is in my baritone-uke repertoire.

I especially like the spoken bit, emulating Pete Seeger’s delivery.

GRUNGE CLOBBER WEARER

(A Song with singalong potential to the Tune of Guantanamera”)

 

INTRO

Grunge clobber wearer, she is a grunge clobber wearer,

Grunge clobber wearer, she is a grunge clobber wearer.

 

VERSE 1

She wears an old green sombrero,

She bought for three quid at Oxfam,

It don’t match her blue bolero,

And she’s a bright yellow socks fan.

None of her gear ever matches

She’s a thing of shreds and patches.

Grunge clobber wearer, she is a grunge clobber wearer,

Grunge clobber wearer, she is a grunge clobber wearer.

 

VERSE 2

She dons an old baggy cardie,

And V-neck jumper that mum made,

Mum used to knit clothes so hardy,

That they would last several decades.

She decks her bright baggy flare-as,

Or loon pants under her hipsters.

Grunge clobber wearer, she is a grunge clobber wearer,

Grunge clobber wearer, she is a grunge clobber wearer.

 

SPOKEN BIT

The words mean:

She is much poorer now and can’t afford designer clothing any more,

But she is not crying, because she can now wear old tat and call it fashion.

Her cut outs are soft green.  Her cut outs are also flaming crimson.

Her cut outs resemble the output of an old age home occupational therapy unit.

The last verse says: “This fashion is insincerer”:

With the poor people of this earth she wishes to share her fashion statement.

But once she’s making pots of money again, she’ll go back into the boutiques.

 

OUTRO

Sing along now: Grunge clobber wearer, she is a grunge clobber wearer,

Grunge clobber wearer, she is a grunge clobber wearer.

(Once more: Grunge clobber wearer, she is a grunge clobber wearer,

Grunge clobber wearer, she is a grunge clobber wearer.)

Here is Pete Seeger giving it his all in a grunge clobber wearer shirt:

…and here is a link to those Guantanamera lyrics.

Will He Employ Me Tomorrow, NewsRevue Lyric, 27 March 1993

Unemployment was a big issue in 1993 – the gig economy hadn’t been invented for a start. Quite a lot of my lyrics related to the topic.

I was unsure whether or not this one was used, until I found this letter – click here.

It’s perhaps not the very best of them and is generic in nature. Some decent lines though and it seems it gre on me when I saw it performed.

WILL HE EMPLOY ME TOMORROW?

(To the Tune of “Will You Still Love Me Tomorrow?”)

VERSE 1

Each day I slog completely, {Sha-la-lub-sha, sha-la-lub-sha, sha-la-lub-sha, sha-la-lub-sha,}

To keep my boss repletely, {Sha-la-lub-sha, sha-la-lub-sha, sha-la-lub-sha, sha-la-lub-sha,}

Tonight my fright may well be mortified, {Aaaaaaaa, aaaaaaaa, aaaaaaaa, aaaaaaaa},

Will he employ me tomorrow? {Will he employ you tomorrow?}

VERSE 2

This permanent employment, {Sha-la-lub-sha, sha-la-lub-sha, sha-la-lub-sha, sha-la-lub-sha,}

Seems like transient deployment? {Sha-la-lub-sha, sha-la-lub-sha, sha-la-lub-sha, sha-la-lub-sha,}

Can I believe these are P45s. {Aaaaaaaa, aaaaaaaa, aaaaaaaa, aaaaaaaa},

He won’t employ me tomorrow. {He won’t employ you tomorrow}

MIDDLE BIT

For years with words unspoken,

I earned my pay by working hard;

But now my contract’s broken,

I’ve been sent {s/he’s been sent} to the knack- {to the knack-} ers yard.

VERSE 3

I’d like to hope that your boss, {Sha-la-lub-sha, sha-la-lub-sha, sha-la-lub-sha, sha-la-lub-sha,}

Does not treat staff like old dross;{Sha-la-lub-sha, sha-la-lub-sha, sha-la-lub-sha, sha-la-lub-sha,}

So tell me now cos if you think he’s kind, {Aaaaaaaa, aaaaaaaa, aaaaaaaa, aaaaaaaa},

He may employ me tomorrow. {He may employ you tomorrow?}

I’ll crawl and plead if you don’t think he’ll mind, {Aaaaaaaa, aaaaaaaa, aaaaaaaa, aaaaaaaa},

Oh please employ me tomorrow? {Oh please employ him/her tomorrow?}

Here is an embedded vid of the Shirelles singing “Will You Still Love Me Tomorrow” – and if you click through to YouTube on this link you can also read the lyrics:

Submission To Michael Ereira’s NewsRevue April To May 1993 Run, 23 March 1993

LIST OF SONGS SUBMITTED AND TAPE TRACK LISTING

MICHAEL EREIRA APRIL- MAY 1993 RUN

 

         

  Song Title

Original Title/

Artist on Tape

Aprox. No. of Performances
   7+ 4-6   1-3 New/Nil
top of the pops uk economy special golden brown/stranglers

jilted john/jilted john

y
better face heal the world/michael jackson y
zaire of the brat year of the cat/al stewart y
if i had a ….. if i had a hammer/trini lopez y
wake ye up signore amato wake me up before you go go/wham y
designer delilah/tom jones y
slobidan’s army oliver’s army/elvis costello y
i don’t care ’bout my baby take good care of my baby/bobby vee y
my genitalia my generation/who y
don’t leave me this space dont leave me this way/harold melvin & bluenotes

dont leave me this way/thelma houston

y
side b
i got bacon i got rhythm/happenings y
mushrooms under my skin i’ve got you under my skin/frank sinatra y
fair weather friend you’ve got a friend/carole king y
mating a bull with a heffer stairway to heaven/led zeppelin y
standing in the dole queue lambeth walk/no recording sorry y
marje proops high hopes/no recording sorry y
several quickies recordings of some of these available on request if you need them y

 

She Ain’t Heavy, She’s Bulimic, NewsRevue Lyric, 15 March 1993

Writing 25 years later, this piece seems in extraordinarily bad taste.

Not only did the death of Princess Diana transform her overnight from being a valid butt of jokes to being more or less untouchable with comedy…

…but in any case I suspect that any jokes about bulimia would be considered poor taste now.

Back in the 1990s though, this quickie often had the audience in raptures – it ran and ran. That’s what sick humour can do.

Here’s the quickie lyric – short and not at all sweet:

SHE AIN’T HEAVY, SHE’S BULIMIC

(Sickie Quickie to the Tune of “He Ain’t Heavy, He’s My Brother”)

The colon’s long,

With many a winding turn;

The dinners that you prepare,

Should get there.

But the food,

Isn’t staying down at all;

She ain’t heavy,

She’s bulimic.

In May of that year, I paired the lyric with a short sketch, thus:

EATING DISORDERS

(A quickie sketch plus quickie song)

NOSH AND THROW

VIDAL:Hello.  My name’s Vidal Sassoon; and I’ve always been a great admirer of this scrawny cow.

DIANA:My name’s Princess Di; and Vidal Sassoon makes me throw up.

VIDAL:Still. Business is business.  So putting our differences aside, we’ve developed this wonderful new calorie controlled diet.

(Holds up sample)

It’s called “Nosh……

DIANA:…..and Throw”.

SHE AIN’T HEAVY, SHE’S BULIMIC

(Sickie Quickie to the Tune of “He Ain’t Heavy, He’s My Brother”)

The colon’s long,

With many a winding turn;

The dinners that you prepare,

Should get there.

But the food,

Isn’t staying down at all;

She ain’t heavy,

She’s bulimic.

The lyric was sometimes paired as above, sometimes with other sketches or skits that made it seem more topical, but it ran in the show on and off for years.

Here is another version of the lyric from April 1995 with a story about the then Lady Althorp, Di’s sister-in-law, who apparently was also bulimic.

EATING DISORDERS – LADY ALTHORPE REMIX
(A quickie sketch plus quickie song)

KEEP IT IN THE FAMILY

INTERVIEWER: Lady Althorpe, do eating disorders run in your family?

LADY A: No, but noses run in our family.

INTERVIEWER: That is an extremely old joke, Lady Althorpe.

LADY A: I know, but you can’t keep a good joke down.

INTERVIEWER: I see. And of course, you can’t keep a good meal down either.

SHE AIN’T HEAVY, SHE’S BULIMIC
(Sickie Quickie to the Tune of “He Ain’t Heavy, He’s My Brother”)

The colon’s long,
With many a winding turn;
The dinners that you prepare,
Should get there.

But the food,
Isn’t staying down at all;
She ain’t heavy,
She’s bulimic.

OUTRO

LADY A: That’s really sick humour, you know.

INTERVIEWER: I know.

Below is a vid showing the Hollies performing “He Ain’t Heavy, He’s My Brother”:

This link – click here – will show you the Hollies lyrics.

Wake Ye Up Signore Amato, NewsRevue Lyric (Unused), 8 March 1993

My lean run of form was to come to an end after this one – a week later I wrote a corker – but this lyric, like the several that preceded it, was missing the mark for the show.

Writing in March 2018, I realise that the notion of Italian politics being in a total mess is always topical and therefore (in a way) never topical.

WAKE YE UP SIGNORE AMATO

 (To the Tune of “Wake Me Up Before You Go Go”)

 

Lines to be sung correspondingly by the corrupt and the law enforcers.  Yehs, yehs to be provided by yourselves.

 

VERSE 1

Corrupting Italy, reacting bitterly, corrupting Italy, reacting bitterly

You put the kickback into my hand,

They’re on the make down Naples and up in Milan;

Corruption spreading the land,

A state of pay that Ancient Romans would understand.

Di Pietro, he’s no fool,

With his metro-politan rules;

This skulduggery we know ain’t right,

You’ve made a buggery and Italy is in the shite.

 

CHORUS 1

Wake ye up Signore Amato, else your government must departo,

Wake ye up Signore Amato, don’t want to miss it when you nail that heist;

On the make with lots of Dagos, Eyetie Government’s move we prego,

On the make with lots of Dagos, take me grafting tonight,

I wanna get that bribe, yeh yeh yeh.

 

VERSE 2

You took the job from Bettino Craxi,

He’s on a graft charge now he spends all day in the Jacksy;

You tried to keep your voce sotto,

You’re in a worse mess than Canal Cafe Risotto.

Watch the English say we’re daft,

They distinguish us for our graft;

They’ll be laughing, so effetely,

Greasy palming, English just do more discretely (absurd Masonic handshakes).

 

CHORUS 2

Shake them up Signore Amato, or the crowds’ll throw you ripe tomatoes,

Shake them up Signore Amato, don’t want to miss it when you nail that bribe;

Shake them up before you go broke, Or the Eyeties’ll want a new bloke,

Shake them up before you go broke, or this is election year,

Like almost every year.

Below is a vid of Wham singing Wake Me Up Before You Go Go – to read the lyrics too you need to click through to the vid here instead:

I Got Bacon, NewsRevue Lyric (Probably Unused), 6 March 1993

Another one that I don’t think was used, although I rather like this one.

The US troops dropped some inappropriate stuff in an attempt to provide relief to/for the Bosnian Muslims.

I think I covered the matter with subtlety and grace.

I GOT BACON

(To the Tune of “I Got Rhythm”)

 

INTRO – US TROOP

In this fast and troubled world,

We sometimes lose our crates;

Of food intended for,

Muslims in Bosnia.

Do do do do do do do do

 

VERSE 1 – BOSNIAN MUSLIMS, RUMMAGING THROUGH CRATES

I got bacon,

I got pork chops,

I got crackling,

Who could ask for anything more?

I got matzos,

Kosher bagels,

Hebrew prayer books,

Will they send us anything more?

 

MIDDLE BIT 1 – US TROOP

Old man Clinton, sent the poor food,

We dropped more food,

In the Serb village next door.

 

VERSE 2 – BACK TO BOSNIAN MUSLIMS, RUMMAGING THROUGH CRATES

I got books by,

Salman Rushdie, (rubs head)

Heavy reading,

Will those jerks send anything more?

 

MIDDLE BIT 2 – A BOSNIAN MUSLIM

Old man Clinton, please deny us,

Don’t supply us,

With this weighty crap no more.

 

VERSE 3 – BOSNIAN MUSLIMS

I got headaches,

Crate hit my bonce,

I’ve concussion,

Can’t remember anything more,

Can’t remember anything more.

(Silence – exit stage looking confused and bemused)

Below is The Happenings version of I Got Rhythm on vid:

Click here for the lyrics for the above vid.

New Suede Tunes, NewsRevue Quickie (Unused), 4 March 1993

My lean run of writing continued into early March. I still had plenty of material in the show because I had written some corkers over Christmas and into January that were running and running.

This one was about the band Suede which must have been the most heavily hyped band since…

…the previously most heavily hyped band.

Anyway, here is the quickie, which understandably didn’t make the cut.

NEW SUEDE TUNES

(A quickie to the Tune of “Blue Suede Shoes”)

 

INTRO

And now, the band rock journalists have all been talking about;

The greatest band since………the last band we said was the greatest band;

The band you’ve all been waiting for;

Here they are, the one, the only:

Suede.

 

THE SONG

Well it’s:

One heap of money,

Two boring shows,

Three all screw the groupie,

Then go catch doses,

So don’t you,

Egg on those new Suede tunes,

Overhype anything,

But stay offa those new Suede tunes.

Below is a vid showing Elvis Presley singing Blue Suede Shoes:

Click here for the lyrics of Blue Suede Shoes.

Just in case the whole Suede thing passed you by…

…I mean, even I bought the album and they are said to have been the first of the 1990s Britpop sensations so Suede must have been hyped bigly…

…below is a vid of Suede singing Animal Nitrate: