Smelling A Rat by Mike Leigh, Hampstead Theatre, Then Jilly’s Party, 14 January 1989

This was at the old Hampstead Theatre – the portacabin-like place quite near the new Hampstead (i.e. also Swiss Cottage). The place had a proud tradition by 1989, not least in the matter of Mike Leigh plays.

What a fine cast – as always with Mike Leigh who seems to be a magnet for talent – including Timothy Spall, Saskia Reeves and Brid Brennan.

I do remember really liking this play/production. It was, in some ways, the sort of cheesy farce I tend not to like. But being Mike Leigh, it was sort-of an antidote to such farces, much as Noises Off by Michael Frayn is sort-of farce, sort-of antidote.

Here is the Theatricalia link for this play/production.

Dramaonlinelibrary.com has a synopsis of the play – click here.

Below is Kate Kellaway’s Observer review:

Kellaway on SmellingKellaway on Smelling Sun, Dec 11, 1988 – 41 · The Observer (London, Greater London, England) · Newspapers.com

Below is Michael Billington’s Guardian Review:

Billington on SmellingBillington on Smelling Tue, Dec 13, 1988 – 35 · The Guardian (London, Greater London, England) · Newspapers.com

I went to see this one with Bobbie – I wonder whether or not she remembers much about it…

…or whether Bobbie remembers much about Jilly’s party at the latter’s Nether Street residence?

I think it was at this particular Jilly party that I had a long conversation with one of Jilly’s scientist friends about nuclear fusion technologies, which we reprised some 20-25 years later at a subsequent Jilly gathering.

A full and enjoyable evening.

Hedda Gabler by Henrik Ibsen, Hampstead Theatre, 18 October 1988

Everyone remembers their first time and I was lucky enough to have my first experience with the wonderful actress, Lindsay Duncan.

Seeing Hedda Gabler, I’m talking about – what did you think I meant?

This was another midweek theatre visit with Bobbie, during that brief period of a few months when I was between qualifying and moving on to my next, fully-fledged career.

I rated this experience as “very good” in my log and why not? Lindsay Duncan as Hedda, Jonathan Coy as Tesman, Dermot Crowley as Lovborg…

here is a link to the Theatricalia entry for this production.

Most unusually, I have been to see this play with Janie on (at the time of writing) three further occasions. I guess that Lindsay Duncan as Hedda is a bit like a highly addictive drug – you keep chasing that first high, hoping to experience it again. In truth, it did take us a while to land a really good production; the one at the Almeida in 2005 – all to be written up in future Ogblogs.

But back in October 1988, I was already a bit of an Ibsen fan and for sure was really taken with this production. Trevor Nunn had a hand in it, apparently…

..who’d have thought, back then in 1988, that I’d end up meeting Trevor Nunn socially a few years later? Another matter for another Ogblog piece.

Below is Nicholas de Jongh’s Guardian review:

de Jongh on Heddade Jongh on Hedda Mon, Oct 17, 1988 – 21 · The Guardian (London, Greater London, England) · Newspapers.com

Below is Michael Ratcliffe’s short review in the Observer:

Ratcliffe on HeddaRatcliffe on Hedda Sun, Oct 23, 1988 – 40 · The Observer (London, Greater London, England) · Newspapers.com

Danger: Memory! – I Can’t Remember Anything and Clara by Arthur Miller, Hampstead Theatre, 21 May 1988

The irony in the fact that I can hardly remember anything about this double bill of Arthur Miller plays is not wasted on me.

Nor is that irony likely to be wasted on Bobbie, with whom I saw this double bill at the Hampstead Theatre in 1988, but I’m guessing she remembers little about it. Nor on Janie, with whom I saw it all again at the Orange Tree in 2006.

There is a Theatricalia entry for this production – here.

I’m pretty sure this production was the UK premier of this double bill, which probably felt like an exciting prospect.

But I think we came away from the experience feeling that this was not top notch Miller.

This on-line review from the Guardian, of a subsequent London production, explains the synopses and supports my limited memory.

Here is a link to Frank Rich’s review of the original Lincoln Centre production in New York.

Below is Nicholas De Jongh’s Guardian review:

Nicholas De Jongh Danger: Memory!Nicholas De Jongh Danger: Memory! Fri, Apr 8, 1988 – 28 · The Guardian (London, Greater London, England) · Newspapers.com

Below is Blake Morrison’s Observer review:

Blake Morrison on Danger: Memory!Blake Morrison on Danger: Memory! Sun, Apr 10, 1988 – 37 · The Observer (London, Greater London, England) · Newspapers.com

Who needs memory once you have subscribed to a Newspaper clippings service?