We went on a bit of a Strindberg fest that February – this the first of two Strinds in one month. the second was Easter at The Pit:
My log says that we thought The Dance Of Death “superb” and why not? John Neville, Gemma Jones, Cheryl Fergison and Anthony O’Donnell makes for a seriosuly good cast.
Janie and I see a lot of theatre and on the whole go to see productions that we find good or very good. But just occasionally we see something that is a cut above and is truly memorable as one of the best productions we have ever seen.
That is how my memory (25 years later) recalls this adaptation/production of The Life Of Galileo and my log from the time registers the simple phrase, “excellent production”.
Yes, yes, yes! We thought this was a really, really good night at the theatre.
I’d long been a Pinter fan. Janie wasn’t really familiar with his work, but Janie made the running for this night at the Almeida, booking us the front row seats we craved for that place (still do) and jotting down all the details. 90 minutes without an interval. Seats A7 & A8.
This play/production was our first sighting of Pinter together.
I think we ran into Ivan Shakespeare again that night; volunteering for the Almeida selling programmes.
Michael Billington’s review was on the front page of the Guradian – how often does that happen? Along with a luvvie-fest piece (I’m glad we weren’t there that night and a continuation on Page 18.
Also in the Guardian, an Anna Massey interview about Moonlight. Anna Massey went on to become one of Janie’s regular clients, but Janie didn’t yet know her when we saw Moonlight.
Janie and I still say “my dear child” in the gnarley style that Alan Bates delivered that phrase in this production.
This was our first visit to the Almeida together and I have a feeling we ran into my NewsRevue friend Ivan Shakespeare on this occasion and indeed on more than one of our first few occasions at the Almeida. Ivan was a volunteer there and I think he did Saturday evenings whenever he could.