Tag: Jane Hamilton

Luther by John Osborne, Olivier Theatre, 19 October 2001

We pushed the boat out to see this one. Friday night at the National Theatre – we both had busy Friday schedules well into the afternoon.

Was it worth it, I hear you cry.

So dull, we walked at half time

Seemingly not.

I have a feeling this was the occasion when we bumped into my friends from Lambton Place, Bryan Rostron & Sunny, with their pal Paul Foot. You don’t mess with investigative journalists like Bryan and Paul – we confessed to the fact that we were going to sneak away after the drinks interval.

We wanted to like this play/production. We are partial to John Osborne, although well aware of the fact that his good is very very good, but not all of his drama is of the highest quality. This one felt like a history lesson in a rather dull (to us) aspect of history.

I also felt badly about walking out on Timothy West. He had, after all, sat through hours of dull stuff with me in it on more than one occasion without walking out at half time:

Andorra, 23, 24 & 25 February 1978
Twelfth Night, Alleyn’s School, 12, 14, 15 & 16 December 1978

Returning to Luther, it was, of course, a fine cast and a fine production. Rufus Sewell in the title role. Richard Griffiths, Timothy West, and Maxine Peake in supporting roles, Peter Gill directing with a young Josie Rourke assisting.

Here’s a link to the Theatricalia entry for this one.

But oh boy did we find this dull. What did the critics – possibly better equipped for dull than me and Janie, have to say?

Nicholas de Jongh heaped praise on the production while stating that Luther was “quite the wrong choice of Osborne”:

Luther de Jongh Standard Luther de Jongh Standard 8 Oct 2001 Evening Standard (London, Greater London, England) Newspapers.com


Michael Billington disagreed – loving it especially for its reclamation of potentially lost Osborne:

Luther Billington Guardian Luther Billington Guardian 8 Oct 2001 The Guardian (London, Greater London, England) Newspapers.com

Charles Spencer, on the other hand, described it as a long hard slog:

Luther Spencer Telegraph Luther Spencer Telegraph 8 Oct 2001 The Daily Telegraph (London, Greater London, England) Newspapers.com

A rare example of a split jury in which we sided with Spencer rather than Billington. “Long hard slog” sums it up rather well from my recollection.

From Square (14 February) To Naked The Next Weekend: Naked by Luigi Pirandello, Almeida Theatre, 21 February 1998

The Square (Restaurant), 14 February 1998

“Dinner with some chick”

…reads my diary entry for that evening…

“8:00 Valentine Night The Square Restaurant” 6 Bruton Street W1 Karine”

…reads Janie’s more helpful entry.

Janie’s diary also informs me that we went to Sound On Wheels in North Harrow that morning, where the indomitable Maurice & Ray will have sorted out the latest arrival in our household, my souped-down Honda CRX, Nobby, with a sound system.

Picture borrowed from allinlondon.co.uk

25 years on, Sound On Wheels has gone. As has The Square, which presciently closed down just before the Covid 19 pandemic.

When we went it was all the rage, having relatively recently moved to Mayfair. It was in the process of collecting its second Michelin Star had it not done so already.

Also borrowed from allinlondon.co.uk, for consistency’s sake

Janie remembers this as one of the finest meals we have had, with superb service too. It was a very special evening.

Naked by Luigi Pirandello, Almeida Theatre, 21 February 1998

There had been a lot of hype about Juliette Binoche coming to tread the Almeida boards, so we were really looking forward to this one.

Our review:

Not as good as we expected – the critics were more convinced by Ms Binoche than we were

My recollection is that we found it hard to hear what she was saying despite the fact that we were sitting in the front row.

The critics fell in love with her, though. My friend, Michael Billington, going a little overboard. I agree with him about Juliette Binoche’s “eccentric inflections” and that Oliver Ford Davies put in a blinder of a performance.

Naked Billington GuardianNaked Billington Guardian 19 Feb 1998, Thu The Guardian (London, Greater London, England) Newspapers.com

David Benedict in The Independent leapt to Juliette’s defence, like a knight in shining armour, denying even the accusation that the inflections were eccentric:

Naked Benedict IndependentNaked Benedict Independent 25 Feb 1998, Wed The Independent (London, Greater London, England) Newspapers.com

Nicholas de Jongh in The Standard hated the play but loved Juliette Binoche. I would agree that part of the problem was the play – not one of Pirandello’s best:

Naked de Jongh StandardNaked de Jongh Standard 19 Feb 1998, Thu Evening Standard (London, Greater London, England) Newspapers.com

Unsurprisingly, Charles Spencer was star struck by Juliet Binoche in The Telegraph:

Naked Spencer Telegraph (for real)Naked Spencer Telegraph (for real) 19 Feb 1998, Thu The Daily Telegraph (London, Greater London, England) Newspapers.com

I stand by our own review – we couldn’t hear clearly what Juliet Binoche was saying in a play that, in any case, would have been a fairly difficult watch.

We ate at Pasha afterwards. Another once-excellent eatery that is no longer there 25 years later:

A hat trick of thanks for pictures to allinlondon.co.uk

The Showman by Thomas Bernhard, Almeida Theatre, 12 June 1993

Janie and I both thought this play/production was very good.

Alan Bates was a superb actor and was espececially suited to this role. The supporting cast were excellent under Jonathan Kent’s expert direction.

Below is Michael Billington’s judgment on the piece:

Billington On the ShowmanBillington On the Showman Wed, May 19, 1993 – 26 · The Guardian (London, Greater London, England) · Newspapers.com

Michael Coveney was also very keen on this play/production:

Michael Coveney On The ShowmanMichael Coveney On The Showman Sun, May 23, 1993 – 64 · The Observer (London, Greater London, England) · Newspapers.com

Janie and I still say “my dear child” in the gnarley style that Alan Bates delivered that phrase in this production.

This was our first visit to the Almeida together and I have a feeling we ran into my NewsRevue friend Ivan Shakespeare on this occasion and indeed on more than one of our first few occasions at the Almeida. Ivan was a volunteer there and I think he did Saturday evenings whenever he could.