Tag: Chris Stanton

Reality Meets NewsRevue At Lord’s, 2 to 10 November 2022

Chris Rowe & Ian Harris At Lord’s, Photo by Nat Cherry

A plethora of real tennis at Lord’s in early November:

  • skills night, which I now “match manage”;
  • a match between the MCC and Middlesex University Real Tennis Club (MURTC), which I somehow found myself captaining/match managing for the MCC;
  • a long-in-the-planning “friendly” with fellow NewsRevue alum Chris Rowe.

Skills Night, 2 November 2022

I explained how I “inherited” responsibility for skills night from Johnny Whiting in my review of last year’s event, click here or below:

Back To Life, Back To Reality… Almost, November 2021

This year’s event was no less exceptional, with fun and fabulous prizes on offer, ranging from a half-exploded can of Irn Brew (don’t ask) to a most valuable player award of $500,000,000. The winners got proper bottles of Pol Roger (other fizzy drinks are available) and chocolates. The wooden spoon has now been emblazoned in the form of the coveted Hinds Trophy.

MCC Members can read all about skills night and tennis generally here. Should anything ever go awry with that link, a scrape of my match report can be found here.

MCC v MURTC, 9 November 2022

Those who know me well from school etc. know that I am unaccustomed to being a sports team captain. I was more likely to be the chap waving his hand wildly at the captain saying, “me, me, me” in the hope of being spotted and picked. But Carl Snitcher, the MCC captain for this match, needed to be elsewhere and I got the call about 10 days before the match to step in and “lead”.

Leadership in this instance merely comprised turning up, badgering people into paying their match fees and shouting “come on MCC” at regular intervals during the match.

It was also still my role to play in the fourth rubber of this five rubber match, renewing my partnership with John Thirlwell, whom I hadn’t partnered since before the pandemic.

Thirlwell and Harris snapped in the dedans on a previous match evening

John and I tried to get back into practice together by playing singles against each other the week before (a superb, close bout) and a practice doubles as a pair the day before the MURTC fixture. But all that was to no avail in the matter of winning our rubber on the big night. Still, we made a close match of it and the fixture as a whole was won by the MCC, albeit by the narrowest of margins in the final rubber, to take the match 3-2.

Those interested enough can watch the entire match – all six hours of it – on the MCC Real Tennis YouTube channel through the link below. Compelling is not the word for this viewing.

As Walt Whitman put it, no doubt thinking of match managing a real tennis match, not Abe Lincoln or anything of that sort:

O Captain! my Captain! our fearful trip is done,
The ship has weather’d every rack, the prize we sought is won…

NewsRevue Inspired Comedy Singles: Chris Rowe v Ian Harris, 9 November 2022

Soon after taking up real tennis in 2016, I ran into Chris Stanton in the dedans gallery at Lord’s. I had known Chris from NewsRevue since 1992, when I started writing for that show and John Random chose one of my pieces for Chris Stanton to perform, making “Stanny” the first professional actor to perform my material on stage. That, together with the connection with fellow NewsRevue alum Chris Rowe, is explained in my Chris Stanton obituary piece click here or below:

Chris Stanton: Absurdist & Realist, A Personal Tribute, 9 March 2020

Chris Rowe was a good friend of Stanny’s but a little before my time in NewsRevue…

Stanny & Rowy, 1991 NewsRevue Edinburgh Run

…as I understand it, Chris Rowe introduced Chris Stanton to real tennis at Lord’s, although they had rarely played together in recent years; indeed Chris Rowe had/has played hardly at all for several years.

When Chris Rowe and I communicated and eventually met after Stanny’s sad demise, we resolved that we really should have a game of tennis together.

Eventually that idea came to fruition this very day. It was to be Chris Rowe’s first proper game of singles for some considerable time, although he made sure to have a hit with one of the pros by way of preparation.

Despite Chris’s handicap on paper being far better than mine, the pros thought that, taking dormancy into account, we should play level and see what happens.

It was actually a very good match playing level, with deuces galore and lots of good rests (which is real tennis speak for rallies).

Unfortunately, the CCTV cameras wee not recording our match for posterity, so I cannot show you any clips from the actual singles bout in question, but I can assure you that the level was much higher than my doubles level the day before…

…but I would say that, wouldn’t I?

In the absence of footage from the actual match, I thought the following highlights reel is as close as I can get to illustrating the sort of skills on show that day. Below is a six minute thrillathon, which you might prefer to the six hour marathon of the MCC v MURTC match above:

Actually, there were probably elements of the Rowe v Harris match that might be seen as comedy tennis, in particular when one of us (usually me) got caught in an “it’s behind you” position, unable to call my own chase.

We also both managed an array of “characters” correcting the chase calls and devising arcane etiquette on the fly…

…since you last played here, my good fellow, the MCC Committee has deemed it to be ungentlemanly conduct to make a chap run around the court like that and then take the point from him…

…that sort of thing.

But then, as I said when I first met Chris Stanton at Lord’s:

If John Random were to consider inventing an ancient game with bizarre, arcane rules, for comedy purposes, he need look no further than the actual laws of real tennis.

Joking apart, it was such a pleasure finally to play tennis with Chris Rowe having plotted to do so for so long. I hope we’ll do it again. Although, if he gets back into practice, Chris will need to be giving me quite a few handicap points for sure.

Chris Stanton: Absurdist & Realist, A Personal Tribute, 9 March 2020

With thanks to John Random for the 1992 pictures, such as the one above.

It was with great sadness, although not surprise, that I learnt, on 11 March, that Chris Stanton has died. He had been battling and eventually reconciling himself with terminal cancer for a couple of years. It was a fitting coincidence that I learnt of his demise, through the NewsRevue alum community (specifically, via Chris Rowe), as I came off the real tennis court at Lord’s.

I first met Chris at the Canal Cafe Theatre in the spring of 1992, when I started writing for NewsRevue and while Chris was performing in John Random’s Spring 1992 run of the show.

Chris Stanton was the very first professional performer to deliver my lyrics to a paying audience. A rather morbid number, entitled California Here I Go:

California Here I Go, NewsRevue Lyric, 23 April 1992

Not one of my best, but one of my first…and my goodness, a performer of Chris’s quality could make the most of whatever material he was given.

That cast: Sarah Swingler, Ian Angus Wilkie, Chris Stanton, Sonia Beck

Later that run, the cast, with Chris Stanton up front and exceptional, performed another of mine, You Can’t Hurry Trusts. A much better – indeed still relevant – lyric for a topical satirical review, though I say so myself:

You Can’t Hurry Trusts, NewsRevue Lyric, 7 May 1992

Chris Stanton’s professional career continued to thrive and take off as the 1990s went on…as did mine of course, but his was a performing career whereas my career was a more conventional one. I saw little of him for 20 or so years after our involvement with NewsRevue waned, by the end of the 1990s.

Chris was reluctant to join us at Ivan Shakespeare Memorial Dinners, although he did perhaps turn up once or twice in the early part of the 20th century.

Coincidentally, our paths crossed again some 20 years after Chris’s involvement with NewsRevue ceased, in 2016, when I took up real tennis at Lord’s and ran into Chris in the dedans gallery.

I, beginner.

Real tennis is a wonderful game, still played virtually unchanged since medieval times, ideal for those with a sense of comedy. As I said back in 2016:

real tennis is such a weird game, the rules could easily have emanated from a John Random sketch describing a fictitious game of John’s imagining.

Unless you are very gifted at the game (which I am not and Chris was only a little more gifted than me), you have to be prepared to look absurd at times, the game is so complex and confounding. Yet addictive.

I did write up my first on court encounter with Chris, en passant in 2016.

Real tennis players are sometimes referred to as “realists” but I think there is an “absurdist” element to it for us comedy types. I especially enjoyed saying, panto-style, “it’s behind you” to Chris, if he ended up (as oft we do) confounded by the eventual landing point of that hand-made, not-quite-round ball in that crazily-shaped court. Ironically, of course, Chris was doing a fair bit of panto in recent years, before he was taken ill.

We are a geeky lot too, so “the book” for real tennis scores is a global database that records the results of every match. Here is my head-2-head of recorded games with Chris; he will have given me handicap points in each of these matches; fewer as the years went on:

Final score: Stanton 3 matches to Harris 2 matches. I could have been a contender…

I didn’t know why I hadn’t seen Chris for a while – I thought he might just have been busy with work or off games with an injury – until I ran into him at Lord’s last summer on a test match day and he explained to me (with some surprise that I didn’t know) that he had lung cancer (one of the non-smoker varieties), was undergoing treatment but was probably just staving off the inevitable. By that time, Chris seemed reconciled, I’d even say at peace, with his fate. Certainly that was the way he presented me with the facts of the matter.

My last memory of spending time with him will be an abiding one and speaks volumes about the man. Towards the end of last summer, we had a 40th anniversary party for NewsRevue at the Canal Cafe Theatre. The event included the extant show and a “smoker” – the latter being a form of party we often had in the 1990s at which performers and writers would do party pieces for one another.

Chris rose to the challenge and asked to perform two of his favourite pieces at the piano: A Loan Again (by Ian Christiansen I think) and John Random’s wonderful 0898 song, the latter being a very witty, quickfire number – I hope John doesn’t mind me upping/linking his classic lyric.

Chris said to me, earlier in the evening, that he was worried that his lungs no longer had the capacity to carry him all the way through 0898 without a breather. I said that I was sure it wouldn’t matter if he did need a breather; we were a gathering of friends.

Of course, commensurate professional that he was, Chris somehow got through the song without missing a beat or pausing for breath once. It was a masterful performance, not least in the circumstances.

NewsRevue 40th Anniversary Party, Show & Smoker, Canal Cafe Theatre, 18 August 2019

I don’t suppose my report of his tenacity comes as news to anyone who worked with Chris throughout his long and successful acting career, nor to anyone who did battle with him on the real tennis court.

In the language of real tennis, Chris was a “better than half a yard” sort of bloke; news of his demise has made me (and no doubt many others) feel “worse than the door”.

Or in the language of the stage, Chris Stanton was a stellar performer whose passing has temporarily made me feel wooden as I write.

But such super memories. Thank you, Chris Stanton.

Postscript: The Coincidence Magnifies

Within a day or so of posting this tribute, I learnt that Chris Rowe, the Newsrevue alum who notified us about Chris Stanton’s demise, is also a member of the MCC and also a real tennis enthusiast. Indeed, it was through Chris Rowe that Chris Stanton got involved with real tennis at Lord’s.

Here is a poster from the Newsrevue 1991 Edinburgh show, in which both of the gentlemen appeared:

NewsRevue 40th Anniversary Party, Show & Smoker, Canal Cafe Theatre, 18 August 2019

NewsRevue is the world’s longest running live comedy show. It has been running since 18 August 1979. That is a Guinness World Record. If you don’t believe me, click here and read it on the official Guinness World Records site.

I have been involved with the show since 1992, as reported on Ogblog in many postings, not least this one which records my first performed offering – click here or below:

California Here I Go, NewsRevue Lyric, 23 April 1992

I formed many friendships over the years I wrote for NewsRevue (most of the rest of the 1990s). Many of us keep in touch through Ivan Shakespeare dinners, many of which are written up on Ogblog, including this one:

Ultimate Love and Happy Tories, Ivan Shakespeare Memorial Dinner, Café Rouge Holborn, 3 March 2017

Mike Hodd (see headline picture) is one of the founders of the show, was a mainstay at our writers meetings in the 1990s and is a fairly regular attendee at Ivan Shakespeare dinners.

For some reason, Mike roped me into liaising with Emma and Shannon at the Canal Cafe to help pull together the 40th anniversary event.

I take very little credit for the superb evening that ensued, but I did contribute some archival material and I did stitch up some NewsRevue alums by gathering names and serial numbers through the e-mail connections.

I also suggested that the event include a smoker, in line with a tradition we had back in the 1990s of having after show parties at which we performed party pieces. Mike particularly liked that idea so it simply had to happen.

But the organisation of the event was really down to Emma, Shannon and the team who did a cracking job.

First up was a pre show drinks reception, at which some of us (encouraged to dress up), looked like this:

Barry Grossman, Colin Stutt and Me.

Then we watched the current show. An excellent troupe comprising Dorothea Jones, Brendan Mageean, Gabrielle De Saumarez and Rhys Tees under Tim MacArthur’s directorship.

Before the smoker, Shannon and the team played us a wonderful 40th anniversary video compilation of pictures and video clips from across the decades. Here is that very vid:

I was proud to have supplied some of the clippings contained therein and moved to see the video and ponder on just what 40 years of a show really means.

Then the smoker. I was really delighted that current/recent cast and crew joined in the idea and chipped in with their own party pieces, which were very entertaining.

From our own “Class of ’92, there were several contributions, captured pictorially by Graham Robertson, with thanks to him for the following pics.

Mike Hodd made two excellent contributions to the smoker;

  • a very amusing stand up set in which he somehow managed to extract humour from Parkinson’s disease. I shall never again be able to dissociate in my mind the film Fatal Attraction from the affliction fecal impaction;
  • a slow build routine in which he was an auctioneer trying to fob off some utter tat as masterpieces. Great fun.
Gerry Goddin

Gerry Goddin performed an audience participation routine in which we joined in a song about “mutton dressed as lamb” to the tune of Knees Up Mother Brown. Gerry dealt with my heckling so masterfully that some people thought the heckles had been planted; they had not.

Barry Grossman

Barry performed a stand up comedy routine with masterful poise. I thought we were all supposed to be writers who cannot perform.

I wanted to celebrate one of my classic songs from 1992; the second of mine to be performed in the show but a perennial:

You Can’t Hurry Trusts, NewsRevue Lyric, 7 May 1992
My solo rendition of You Can’t Hurry Trusts

Chris Stanton was the performer who made my debut contributions to NewsRevue such a success in 1992. He too was at this party and performed a couple of classics brilliantly well; A Loan Again and also John Random’s classic 0898 song. No photo of the Chris’s performance as yet – unless Graham finds one of those amongst his collection.

Jonny Hurst also celebrated John Random’s ouevre with a rendition of the wonderful “Tell Laura A Liver”.

This was in part done to honour John Random’s recent selfless act to donate a kidney out of pure altruism to an anonymous recipient. To complete the honouring of that extraordinary good deed, Jonny and I jointly segued the liver song into a visceral medley including a specific piece we put together to honour John’s donation:

 WHO DO YOU THINK GOT YOUR KIDNEY, MR RANDOM?

(Lyric to the Tune of “Who Do You think You Are Kidding, Mr Hitler?”)
 

THE MAIN REFRAIN
 
Who do you think got your kidney, Mr Random?
Since your organ donation?
Was it a girl for to stop her renal pain?
Was it a boy who can take the piss again?
So who do you think got your kidney, Mr Random?
Now that you’ve gone down to one?
 
FIRST MIDDLE EIGHT

Mr Burns – he came to town
The age of twenty-one
He did assume a nom de plume
And took the name Random.
 
FIRST REPRISE
 
So who do you think got your kidney, Mr Random?
Now that you’ve gone down to one?
 
SECOND MIDDLE EIGHT

Mr Burns did not return
With kidney number one
But kept his sense of humour…
(pause)
…And is ready with his pun.
 
SECOND REPRISE
 
So who do you think got your kidney, Mr Random?
Now that you’ve gone down to one?
 

It was a great party, it was a terrific show and it was a superb smoker. A truly memorable event to celebrate 40 years of a wonderful show.

As John Random said in his preamble to the smoker, NewsRevue has initiated so many careers and transformed so many lives over those decades. And for those of us who have formed enduring friendships, it is hard to express our gratitude to Mike Hodd and those who have kept the NewsRevue torch burning week in week out for forty years and counting.

MCC v Middlesex University Real Tennis Club, Lord’s, 16 November 2017

I was delighted to be selected to represent the MCC again against Middlesex University Real Tennis Club. This was to be my third go in that fixture – click here to read about the previous go.

Even more delighted, because I saw that our captain, Josh Farrall, had picked me to partner Chris Stanton. I have known Chris for over 25 years – he was the first professional actor to perform one of my silly songs. In NewsRevue, spring 1992.

So I thought it was to be comedy doubles. Ideally with me writing the script and Chris doing all the work.

John Random, who directed that 1992 show, on learning that Chris and I had been reunited through this strange game, had expressed a desire to see real tennis. So I had the idea to invite John to watch Chris and me play in this match.

Initially John said yes to that idea, but the weekend before the match, he was selected for a Compare The Meerkat advert and had to pull out of the Lord’s tennis spectating role. It transpires that John has previous in the matter of phoney slavic accents and extremely dodgy fur:

Win a one-way ticket to the Gulag if you even think about markets-dot-com

In the end John’s inability to show up at Lord’s was probably just as well. For a start, that Trotsky beard would not have gone down well at The Grace Gate. Further, in any case, Chris Stanton was also a no show on the day – surely not another one summoned to perform with an anthropomorphic gang from the mongoose family?

So, captain my captain Josh Farrall partnered me in the first match. Sadly there are no photos from this match, but there is a stock photo of me playing in a previous match – that isn’t Josh watching me hit the ball all wrong.

A perfect shot of an ever so slightly imperfect shot – photo by Sidney Yankson

Exhausted by our endeavours, I nevertheless volunteered to relieve our captain from multiple duties by taking his slot in the later match he was scheduled to play.

This gave me the chance to partner Nick Evans, who is even more of a novice than me and against whom I was scheduled to play singles the next day, against a delightful Middlesex couple (including the MURTC team captain) who are also more novice than me, although not by much.

The whole fixture was great fun; a lot of people who hadn’t (or had only very occasionally) played matches before, plus a few regulars of old and the odd turncoat, as was the experience in the match against the HAC a few months ago.

It was a superb success as a social evening, with the traditional Lord’s curry going down a treat, washed down with some very jolly wines.

“What was the score?”, I hear the more competitive readers cry. Come on now, I’ve told you before, what happens on the MCC tennis court stays on the MCC tennis court.

I’ll just provide one picture-based clue:

Pears-Pairs-Bagels

Real tennis was the winner, along with conviviality.

Class Of ’92 Ivan Shakespeare Memorial Dinner, Café Rouge Holborn, 5 October 2017

NewsRevue’s 2004 Guinness World Record for being the World’s Longest Running Live Comedy Show – Gerry Goddin far left, Barry Grossman back left, a wide-eyed me front right

Partly inspired by my chance encounter 18 months ago (and subsequent re-encounters) with Chris Stanton at the real tennis court at Lord’s…

…partly inspired by the fact that many of us who gather for these Ivan Shakespeare Memorial Dinners have been hanging around NewsRevue now for 25 years…

…John Random decided to theme this get together around the notion “Class of ’92”.

I didn’t realise that John had actually persuaded Chris Stanton to come along this time, which was a very pleasant surprise. Chris brought a couple of ringbinder files with scripts from his 1992 runs, including the late Spring run, directed by John Random, in which I (or rather, my material) made its NewsRevue debut:

Seeing those files, it made me realise what a challenging job it must be for performers to do NewsRevue. The sheer volume of scripts, the mixture of sketches and songs, the changes to the show every week…

…Chris showed me one running order, for example, in which there was an unbroken sequence of fourteen or fifteen pieces in which he appeared.

John Random brought along a photo album which had lots of photos of NewsRevue types…even one of me and Janie from our very early days together…most people in the room were represented by at least one photo.

Mark Keagan was there, as was Barry Grossman, Nick R Thomas, Colin Stutt and Gerry Goddin, the latter of whom produced a particularly fiendish version of his “quiz” game and tortured us with it at the end of the evening.

Prior to this evening, when chatting at Lord’s, Chris Stanton had been threatening to have a bonfire of his old scripts. Part of my purpose was to help John Random to rescue this treasure trove for posterity. But by the end of this evening, Chris explained that he did not want to part with his scripts and had no intention of destroying them.

On the way home, my song “Coppers are Dressed as Hippies” popped into my head, as did the notion that I too have a ringbinder file at home with correspondence and one or two old running orders and programmes.

In the morning, I copied/wrote up “coppers” (click link here or above) and found a running order, programme and writers’ newsletter from Paula Tappenden’s summer run; the run that followed the John Random/Chris Stanton one.

In some ways, I thought, I had blooped by not bringing those artefacts to the evening. But in other ways, it seems more fitting that I use Ogblog as a medium, following up on the Class of ’92 evening, to circulate copies of my 1992 artefacts, shown below:

  • the programme for that Paula Tappenden run (late June through August 1992);
  • the running order from week four (late July 1992);
  • John Random’s unusually short writers’ newsletter w/e 31 July 1992…who was your visitor from Idaho, John? Do tell.

Postscript. In response to my request for details on the mystery visitor from Idaho, I received the following beautifully-crafted missive from John Random a week or so later:

…the friend from Idaho was my former flatmate Janet.

One of my biggest regrets in life is that I didn’t spend the whole of 1986 simply writing down everything she ever said. Here was comedy gold, narrative gold right under my nose and I didn’t recognize it for what it was.

Without ever trying to be funny, without even KNOWING she was being funny, Janet contrived to be one of the funniest people I’ve ever met. This was chiefly because everyone she’d ever known was either barking mad or the victim of some cruel yet ludicrous twist of Fate.

I recall she had a pioneer ancestor who was run over by the very train that brought his family out West to join him. Apparently, he had started the celebrations a little too early and was a little too merry by the time the train pulled in.

Not that this should be taken as meaning she was catty or scabrous. On the contrary, she was a big motherly woman of the sort you might get if you crossed Jenni Murray with Claire Rayner.

Sadly, Janet’s not much of a writer, so I have very few letters of hers, and she seldom even e-mails. However, she recently broke a seven-year silence indicating that she might be coming over in a week or two. I do hope so.

In my grateful reply to John, I described Janet’s interruption to his newsletter writing that week as John’s “person from Porlock” moment.

My own offerings from that Paula Tappenden Week Four are all now up on Ogblog, btw, all clickable below:

If anyone wants a better quality copy of the artefacts, just message me and they can be whizzing your way in next to no time.

Ultimate Love and Happy Tories, Ivan Shakespeare Memorial Dinner, Café Rouge Holborn, 3 March 2017

NewsRevue’s 2004 Guinness World Record for being the World’s Longest Running Live Comedy Show – Gerry Goddin far left, Barry Grossman back left, a wide-eyed me front right

NewsRevue goes back all the way to 1979. When the show turned 25, in 2004, it was awarded the Guinness World Record for being the World’s Longest Running Live Comedy Show. I was there. I’d been there since 1992. This year my involvement with the show turns 25.

Those of us who wrote for the show in the 1990s still gather a few times a year for Ivan Shakespeare Memorial Dinners.

Earlier this week, coincidentally, I played real tennis with Chris Stanton (another NewsRevue alum, in his case a performer) at Lord’s. Chris was reminiscing with me about the show, not least because he was rummaging through his old files and found many complete runs of scripts from “our era”, which he was planning to shred. I think John Random might rescue them for posterity.

Chris then gave me a pretty-much word perfect rendering of Brian Jordan’s wonderful Arthur Scargill song, to the tune of My Guy. As John Random later reminisced:

He may not be to everyone’s liking/But as a union leader, he’s striking.

Hearing about Brian Jordan reminded me of my first big hit; The Ultimate Love Song, which Brian made his own for a while and took to Edinburgh (my material’s debut there) in his show “Whoops Vicar Is That Your Dick?”  I am so proud to have had my Edinburgh debut in a show with that name.

After seeing Chris, I looked at my file and realised that The Ultimate Love Song turns 25 this week; I copyrighted it 29 February 1992…so perhaps it turns six-and-a-quarter. Anyway, it seemed right to mention it at the Ivan Shakespeare and I was badgered into giving a quick rendering, as much as I could remember.

I have now upped The Ultimate Love Song in its entirety – together with the tale of its early use – here’s the link again.

Here is a link to Ben Murphy’s rendering of The Ultimate Love Song from 1993.

Mark Keagan was at the Ivan Shakespeare dinner; he’s one of the more regular attendees. He mentioned that his father-in-law and former home secretary, David Waddington, sadly passed away last week. Which reminded me that I did once write a song with a verse about Waddington; again nearly 25 years ago. We all (Mark included) agreed that the song might come in handy for him over the coming weeks…well you never know…so I have upped that one too. Happy Tories it is called – also about Maggie Thatcher and Chris Patten – click here.

Below is a picture of John Random and Mark Keagan from the previous Ivan Shakespeare dinner.

Mark was awarded the 2016 trophy, but should he have been? Rumour has it that John might have been handed the wrong envelope…

Gerry Goddin and John both produced quizzes. Gerry’s was infernal as usual; I did well at first but tailed off at the end, letting Barry Grossman take the honours at the line. John’s was suitably silly and superficial for my mood – a small collection of “shock and awe” pun headlines to unfathom. Perhaps naturally, I won that quiz.

As always it was good to see the gang – a slightly depleted gathering this time but at least when that happens you get a chance to have a proper chat with everyone.

Pickled Herring Of The Year Competition and Other Delights, 12 October 2016

Not all that many people are familiar with the Pickled Herring Of The Year competition. But if you are part of the wider cousin-hood of my mother’s family, in particular the Briegal branch, then you probably know all about it.

Briegal table, minimally laden when the photo was taken, thanks to Hils for the photo
Briegal table, minimally laden when the photo was taken, thanks to Hils for the photo

For more years than I can remember, Jacquie Briegal has hosted a fast-breaking dinner at the end of Yom Kippur. Breaking the fast, for most of us who attend, has become a nominal term for the family gathering, as hardly any of us now participate in the fast itself. But that is no reason to abstain from a jolly family gathering and feast for theoretical “fast-breaking”.

I worked in the morning and into the afternoon, but had taken the opportunity to arrange some real tennis late afternoon, with a view to using Shanks’s pony to get from Lord’s to Jacquie’s place in Swiss Cottage.

A couple of days prior to my real tennis game I was asked if I could stay on an extra hour. As I have reported before, click here, this quite often happens in the Lord’s real tennis fraternity. As it happened, I realised that I could do that and still get to Jacquie’s in reasonable time. What I didn’t realise (or at least didn’t think about) was quite how much two tough singles matches on the trot would take out of me.

First up was my old friend from NewsRevue, Chris Stanton. I have mentioned running into Chris at the Lord’s real tennis courts before, click here, but I had not played him before today. A tough gig for me, even with the handicap adjustment, which we both thought a little understated. Still, it was good to chat with Chris again before we started, remembering NewsRevue friends, songs and sketches gone by. Then after Chris, another gentleman I hadn’t played before, with vast real tennis experience and a less than generous handicap adjustment to compensate; I somehow got a draw out of the second match.

Suffice it to say that I started my two hours on the real tennis court feeling like a leaping salmon and ended it feeling like a pickled herring…

…which segues us nicely and effortlessly (well, actually the walk from St John’s Wood to Swiss Cottage felt far from effortless that evening) to the Pickled Herring Of The Year Contest. I neglected to mention above; part of the family tradition of breaking the fast at Jacquie’s place is for the meal to begin with a veritable smörgåsbord of starters, focused around varieties of smoked and preserved fishes, primarily various types of pickled herring.

My (self-appointed) role in this herring-fest is to judge the Pickled Herring Of The Year. The rules are pretty straightforward:

  • I alone decide the results – attempts to influence my decisions meet short shrift in this competition. That might sound a bit dictatorial – it is meant to;
  • Only the actual chunks of pickled herring varieties are eligible for the competition. Smoked salmon and gravadlax (ever-present) need not apply;
  • Nor does Jacquie’s delightful chopped herring qualify for the contest, although Jacquie did once get a lifetime achievement award for the chopped herring – the equivalent of Bob Dylan being awarded the Nobel Prize For Literature – controversial but undoubtedly both are achievements worthy of the highest possible praise.

As it happens, this is not a photo of the moment Jacquie received her lifetime achievement award; perhaps it should have been. Thanks to Hils for the photo.
As it happens, this is not a photo of the moment Jacquie was garlanded with her lifetime achievement award for chopped herring; perhaps it should have been. Thanks to Hils for the photo.

We were a relatively small group this year; Jacquie and Hils of course. Josh (Jacquie’s grandson, Hils’s nephew), cousin Jane and her daughter Ruth, cousin Michael (always the last to arrive as he does actually go to shule and fast), plus me and Janie.

Hils and Janie - again not from a herring-fest occasion - thanks to Joy for the photo.
Hils and Janie – again not from a herring-fest occasion – thanks to our neighbour Joy for the photo.

Jacquie does not adjust the quantity of food served for the number of people who happen to be attending that year, so there were easily as many varieties of herring up for the award as usual (six) and huge quantities of other food. I haven’t even mentioned the main courses, including place goujons, salmon fishcakes, gefilte fish balls…nor the enormous variety of salads, breads, other accompaniments, several varieties of honey cake, other sweetmeats…

…I’m sure you get the picture…

…I’m equally sure that you, dear reader, now rapidly want to know the results of this year’s competition so you can stop reading and go off to eat something – your mouth is no doubt watering by now.

Bronze herring 2016 – wine pickled herring;

Silver herring 2016 – schmaltz herring;

Gold herring 2016 – sweet pickled herring.

Unusual for the sweet to win, but this year one of the sweeter herrings was perfectly balanced in the combination of sweetness and sourness; it also had a superb texture, a little like the schmaltz herring texture that quite often wins.

A Miscellaneous, Mostly Middlesex, Day At Lord’s, 7 April 2016

I’m using some of my own time to help Middlesex CCC with its strategic planning. Richard Goatley, the new Chief Executive thought that AGM day would be a good opportunity to see lots of people, so I blocked out the whole day for Lord’s, starting there at 9:30, after clearing my e-mails and going to the gym.

I could describe the detailed conversations that morning with the MCC and ECB, but they are probably covered by the “I’d tell you but then I’d have to kill you” protocol. (Unless you, dear reader, are Richard Goatley himself, in which case you wouldn’t need to read it here because you already have notes.)

After a pleasant lunch in The Lord’s Tavern, which Richard spent mostly signing forms for Dawid Malan, we met with Martin Hadland. Martin is doing a closely related piece of work around membership satisfaction and finding ways to boost membership. We went through the results of a members survey and discussed his impending focus groups with members. It all looks very well done so far and promises interesting ideas for improving the membership propositions.

I then had a pesky 90 minutes or so interval before the AGM. I had been expecting that interval, so had brought some reading matter with me. I went to the real tennis dedans viewing gallery. I shall eventually write up my new experience of learning to play real tennis. Suffice it to say here that I thought that I’d both get some reading done and also get my head into the game a little more.

I watched some very good players locked into a tight match. Then, just before 17:00, in walks a familiar face; Chris Stanton. He was in John Random’s Spring 1992 NewsRevue cast and was the lead performer on the first songs of mine that were ever performed there, two of which I have today blogged in honour of the chance encounter:

Chris and I had a very pleasant but brief chat, as his opponent turned up shortly after. I watched Chris play for a while, then left the viewing gallery to whizz through my e-mails before going to the meeting. Strangely, John Random had e-mailed one of his “Where Are They Now” messages to his NewsRevue alumni circle earlier in the day (Sarah Moyle spotted on the TV), so I e-mailed back to let everyone know that I had just seen Chris Stanton face-to-face!

Doubly ironic happenings, as real tennis is such a weird game, the rules could easily have emanated from a John Random sketch describing a fictitious game of John’s imagining. Richard Goatley doesn’t even believe that the game exists, despite the proximity of the Lord’s real tennis court to Richard’s office – like, next door!

I subsequently received the following missive from Random:

What a great idea. Real tennis is presumably the one where you don’t use the same prescriptions as Maria Sharapova.

 

My reply:

Absolutely not the same meds as Maria – she took Meldonium.  The performance enhancing drug of choice for real tennis is Sanatogen.

As a novice, I am sometimes asked to play with some of the more senior members – one pair I was up against when learning doubles had a combined age of around 178 and they are determined to still be playing next year as the world’s first ever nonagenarian tennis pair. Their secret simply has to be Sanatogen.

Next stop, the AGM. The formal part is covered by the aforementioned “I’d tell you but then I’d have to kill you” protocol. Believe me, the substance of a Middlesex AGM is not worth dying for, nor even worth the effort to attend were it not for the subsequent elements to the evening.

Suffice it to say that new Chair, Mike O’Farrell, while not as funny as outgoing Chair, Ian Lovett, ran a tight ship for the AGM, getting through the meeting with all business thoroughly covered and in record time. One type of gem replacing another type of gem in the chair; that’s my view.

The AGM is always followed by a very interesting pre-season forum; this year Angus Fraser, Dawid Malan and Richard Scott joined Richard Goatley on the panel for a very interesting discussion about cricket. Apparently Middlesex is a cricket club. I wish I’d realised that when I started work on the Middlesex strategy. Oh well.

Then a very enjoyable party for those members willing to stump up an ayrton for wine, cheese and a convivial opportunity to catch up with friends, grandees and friendly grandees. After the party, the conviviality was set to continue in the Tavern. Tired, I attempted to make my apologies, keen not to become both tired AND emotional. I explained that the metaphorical umpire’s finger had been raised, so I had no option but to go. It is very hard for cricket lovers to object to you going, when you put it like that.

A fruitful day, a lovely chance encounter and a most enjoyable evening.

 

Comedy In The Zone, An Unintentional Sketch In Earls Court, Then Canal Cafe Theatre For Swing Low Sweet Testicles by Noel Christopher, Then NewsRevue Christmas Run, 17 December 1992

I was reminded of this day in conversation with John Random in February 2021. I have just received a bundle of scripts and ephemera from Erica Stanton, Chris Stanton’s widow, including materials pertaining to the show, Swing Low Sweet Testicles.

John reflected on the show and mentioned a diary note about promoting the show on 15 December. I remembered seeing the show at that time, checked my diary and discovered that I saw the show on 17 December.

Below is the B-Side of the flyer for that show. The reviews must relate to an earlier Noel Christopher extravaganza, known simply as The Show, scripts for which also arrived in Erica’s bundle.

Swing Low Sweet Testicles itself mustered at least one decent review:

Can’t imagine where City Limits got that date range from – it ran from December 9th 1992 to January 17th 1993.

The cast and crew were NewsRevue stalwarts and most had been somewhat involved in my early successes with that mob.

Brian Jordan, who directed “Testicles“, had debuted my material at Edinburgh that summer, with The Ultimate Love Song in his show Whoops Vicar Is That Your Dick? He was partial to a good nob title, was Brian.

Even earlier in my so-called writing career, the late great Chris Stanton had been the first professional performer to tread the boards with one of my lyrics.

I don’t think that Cliff Kelly had yet overlapped with my material in NewsRevue, but I might be mistaken.

Chloe Lucas had done a magnificent job of belting my Coal Digger song in the Autumn NewsRevue run preceding Swing Low Sweet Testicles. I’m pretty sure that the Coal Digger song, along with a couple of my others, was in the Christmas run of NewsRevue which I saw (for a second time) after Testicles.

Anyway, I rather enjoyed Swing Low Sweet Testicles. I was partial to Noel’s writing and was glad of the opportunity to see some of his less-topical, more-enduring material.

Below is the programme for the NewsRevue show that night, which I stayed on to see for a second time, having seen the opening night on 26 November.

Earlier That Day…Getting Into The Zone

My diary also records a memorable working day. Memorable for inadvertent, comedic reasons.

I was working as a management consultant for Binder Hamlyn at that time. On that day, I accompanied the National VAT Partner, Alan Buckett, to visit a large European Manufacturing Group, whose UK headquarters were out on the M4 corridor, to help them get their heads around something or other.

We were done with that by lunchtime and Alan suggested stopping for a bite to eat in Earls Court – a convenient stop on the way back to the City for him and a short hop to home for me, as I had an early-evening engagement with Testicles and didn’t want to go back to the City.

Alan parked his car and we walked down the Earls Court Road, in search of a wine bar/restaurant someone had recommended to him.

Ah, there it is…

…said Alan, striding towards the place he had been aiming towards.

But instead of walking down the stairs to, as I could see it, the entrance to the wine bar in question, Alan marched up the stairs and into…

Clonezone. I believe it is accurate to describe that particular store as a Gay fetishist fashion emporium.

35 Years Of Clonezone

I tried to stop him, but Alan had his stomp on and disappeared into the shop.

I waited outside for what seemed ages but was probably only a few seconds.

The tall, besuited Alan, who normally looked every inch a City gent, retreated from Clonezone rather sheepishly.

I smiled.

Alan and I went into the wine bar restaurant for a light lunch and a debrief.

Towards the end of the lunch, Alan said,

When you get back to the office, I’d just prefer it if you didn’t mention…

…I said that his Clonezone secret was safe with me. Alan is long-since retired now and I’m pretty sure, if he remembers the story at all, it’d be the funny side of it that has stuck in his mind.

Alan might well have shocked the clones within as much as they (and the place) shocked him.

You Can’t Hurry Trusts, NewsRevue Lyric, 7 May 1992

Buoyed by my early success with California Here I Go, I wrote quite a lot of lyrics during John Random’s Spring 1992 run.

Eventually I’ll upload the others; those performed and those not. Actually I’m not sure which John used and which he didn’t; I think he was (rightly) quite selective with those earlier efforts. But I do recall that John used this one about NHS Trusts; indeed it was revived, updated and used quite a lot for at least a couple of years – one of my better and more successful ones.

Virginia/Gini refers to Virginia Bottomley, the much-maligned Secretary of State for Health at that time. The song still works pretty much word for word, by merely changing the name of the Health Secretary and the future year in which a bed might become available – at the time of writing I am using “2028” when I lay this one down on my baritone uke.

I especially remember Chris Stanton starring in this number, as the lead singer/unfortunate old codger who was suffering while the NHS tried to transform into trusts. John Random will doubtless remember more about it, including the names of the other cast members from that run. I’m guessing Ian Angus Wilkie…

My WP file is dated 4 May 1992 and I am pretty sure that my version was first performed that Thursday, 7 May 1992.

♬ YOU CAN’T HURRY TRUSTS ♬

(To the tune of “You Can’t Hurry Love”)

 

VERSE 1

I need drugs, drugs, to ease my pains, I need some treatment, NHS explains;

 

CHORUS 1

{Virginia says}You can’t hurry trusts {No} you’ll just have to wait;

{She says}List’ll get shorter, numbers doctored by the state.

You can’t hurry trusts {No} you’ll just have to wait;

{You gotta}Pop pills for a while, that way you will be sedate.

 

VERSE 2

But how many more months must I pine,

Before they find a bed in which to mend my spine?

Right now the only thing that keeps me hanging on,

Is the pethidine and this mogadon.

 

CHORUS 2

{But Virginia always says}

You can’t hurry trusts {No} you’ll just have to wait;

{She says} While we raise finance, operations will be late.

How long must I wait, how much more can I take?

Before all ‘dis traction, will cause my poor back to break.  {You must wait}

 

VERSE 3

NHS trusts, don’t come easy,

So they keep debating, pontificating,

While Gini argues, what trusts ought to provide,

The NHS shoots off down the slide.

But I keep hoping, {Oooooh} that one fine day,

( {The hospital’ tell me}, I can stay.})

 

CHORUS 3

{But Gini says}You can’t hurry trusts {No} you’ll just have to wait;

{Why?}We must hire accountants, and a huge inspectorate.

You can’t hurry trusts {No} you’ll just have to wait;

{We promise}You’ll have a bed soon, autumn nineteen ninety eight.

{So just wait!!!!!!!!!!!}

Click here or below for a link to a YouTube of the original Supremes hit recording of You Can’t Hurry Love, with the lyrics thrown in.