A Museum In Baghdad by Hannah Khalil, Royal Shakespeare Company, Swan Theatre, 14 October 2019

Gertrude Bell, 1909, in what is now Iraq

Janie and I saw a preview of this superb production at the Swan, about a week before press night.

We became fascinated with Gertrude Bell when we saw the film Letters From Baghdad and a panel discussion about it a couple of years ago at the Curzon.

Hence our enthusiasm to decamp to Stratford and see A Museum In Baghdad more or less as soon as it opened. The RSC explains and describes the piece in its resources here.

Playwright Hannah Khalil explains her thinking behind the piece here:

The following trailer explains little but does give a flavour of the atmospheric music and sensescape of the piece:

Janie and I loved the play/production and came away from the show buzzing from the quality of ideas, drama, sounds and emotions we experienced at The Swan.

Janie tends to dislike plays that overlap time periods (this play is set in 1926 and 2006) and mess with the linear telling of stories, not least because she often finds that confusing. But this one works so well and certainly worked for her, such that the overlapping of the two time-settings just added a little to the chaos of the situations being depicted, without interfering with the narrative line.

The production runs at The Swan for a few months before transferring to the Kiln in London. We have not yet been to the latter since its refurb, so wonder how well the piece will work there. It certainly worked wonderfully for us in the three-sided Swan setting. It certainly should appeal to Kiln audiences.

All of the acting was top notch, as was the design, sound and movement. Hard to single out performances, but Emma Fielding, Rendah Heywood and Rasoul Saghir were exceptional.

We were grateful to be staying just across the road in The Arden, as the heavens were in open mode that evening. We debriefed over a snack supper there. I believe I spotted Mark Ravenhill with his entourage, amongst the small number of people who decamped to the hotel after the show.

We loved A Museum In Baghdad – what else is there to say?

Postscript following press night: reviews of this production can be found through this link.

Creditors by August Strindberg in a new version by David Greig, Donmar Warehouse, 27 September 2008

Janie and I are both very partial to a bit of Strindberg.

Creditors is a top drawer Strindberg play and this was a top draw production of same at the Donmar.

I had seen a smaller scale production of this before – at The Gate back in the 1980s – I’ll review that too in the fullness of time. But this version of Creditors, in David Greig’s edgy hands, was even more gripping than I remembered the play.

Here is a link to the Donmar’s excellent downloadable Study Guide for this production.

Superb cast too – all three of them excellent.

Even the West End Whingers were on the case for this one and seemed broadly satisfied – click here.

An especially good night at the theatre.

The Cosmonaut’s Last Message To The Woman He Once Loved In The Former Soviet Union by David Greig, Lyric Studio, Followed By Dinner At Grano, 10 May 1999

A rare visit to the theatre by me and Janie on a Monday evening. We had chosen to take a week off work; partly for culture and partly, in Janie’s case, I think to spend time with Phillie and her medical stuff. We had little opportunity to go away properly around that time, so it made sense to take a bit of time.

But this play/production was a waste of time for us.

It was doing very little for us, so we left at half time to enjoy a longer session over a super meal at Grano.

One of Vicky Featherstone’s earlier efforts at directing.

Nicholas de Jongh did not rate it highly:

Cosmonaut Standard de JonghCosmonaut Standard de Jongh 14 May 1999, Fri Evening Standard (London, Greater London, England) Newspapers.com

I don’t think Susannah Clapp in The Observer was too impressed either:

Cosmonaut Clapp ObserverCosmonaut Clapp Observer 16 May 1999, Sun The Observer (London, Greater London, England) Newspapers.com

Like a spacecraft that has lost its bearings…I’m sue you get my drift.

Grano Restaurant in Chiswick was something special. New in 1998, award-winning “best Italian Restaurant in London” in 1999. We had a super meal there. Sadly, now gone.