Janie and I rated it “very good indeed” at the time. I do recall it being a very interesting play and the RNT production was top notch, as RNT productions were wont to be at that time.
I seem to recall we thought this play was a bit all over the place. It was very well received, but we thought it had glimpses of Miller’s greatness without being of Miller’s very best.
Still, well worth seeing, we felt. It wasn’t until Mr Peters’ Connections a few years later that we concluded that Miller’s light really had (excuse the pun) petered our.
What a super production this was. I remember being much taken with it, although, strangely, while I clearly recall seeing this with Bobbie, I did not recall Ashley joining us for this one. But the diary is clear:
I’m pretty sure this production was in the round and I remember feeling a sense of claustrophobia being so close to the action and the intense dilemmas and pain of the central characters.
This play, its morality and injustices came to my mind so many years later, in the late teenies, when the British gutter press started to brand anti-Brexit folk as “Enemies of the People”. Although I had seen a good production of the play subsequent to this 1988 production, it is Tom Wilkinson’s agonies, witnessed at close quarters so long ago, that sprang into my mind.
We three won’t simply have parted company at the doors of the Young Vic, that’s for sure. I’m guessing we might have taken a late meal at the Archduke or perhaps RSJs at that time. Anyone remember?
Postscript: Ashley Fletcher has chimed in to deny all involvement in this particular evening. The Ashley mention must have been Ashley Michaels, my (by then former) colleague from Newman Harris. I’ll pick Bobbie’s brain if/when I get the chance, but I suspect she’ll do that, “I can’t even remember what I did last week” routine.
Fortunately my subscription to the clippings service yields some retained memory – here is Michael ratcliffe’s Observer review:
Not one of Eugene O’Neill’s greatest plays, but my log suggests that Bobbie and I both found this production very good…
…and why shouldn’t we. Vanessa Redgrave & Timothy Dalton, with support from Amanda Boxer, Malcolm Tierney and several other good names. David Thacker directed it.
This was, in fact, a West End transfer of a much-lauded Young Vic production; the UK premier of this play. Bobbie and I couldn’t get in at the Young Vic but got in early during the transfer, so saw the original Young Vic cast/production.