Broken Glass by Arthur Miller, Lyttelton Theatre, 13 August 1994

The play is well described on Wikipedia here. We saw the UK premier at the RNT.

What a cast; Henry Goodman, Margot Leicester, Ken Stott…David Thacker directed it. Theatricalia has this record for the play/production we saw – click here.

Janie and I rated it “very good indeed” at the time. I do recall it being a very interesting play and the RNT production was top notch, as RNT productions were wont to be at that time.

Here is a link to a review of the original New York production of this play, a few months before the RNT production.

Here’s Michael Billington’s review:

Billington On Broken GlassBillington On Broken Glass Sat, Aug 6, 1994 – 26 · The Guardian (London, Greater London, England) · Newspapers.com

Michael Coveney hated it:

Coveney On Broken GlassCoveney On Broken Glass Sun, Aug 7, 1994 – 68 · The Observer (London, Greater London, England) · Newspapers.com

Lots of Olivier Awards for the RNT production, including BBC Best Play Award.

The Last Yankee by Arthur Miller, Duke Of York’s Theatre, 14 August 1993

We saw this production after it transferred from the Young Vic to the Duke of York’s.

We hated the discomfort of those West End theatres, but this was one we really wanted to see.

We didn’t see Peter Davison and Zoe Wannamaker at The Duke of Yorks, we saw Matthew Marsh and Margot Leicester instead. A fair swap, I’d say.

Below is Michael Billington’s review:

Billington Last YankeeBillington Last Yankee Thu, Jan 28, 1993 – 30 · The Guardian (London, Greater London, England) · Newspapers.com

Below is Michael Coveney’s review of same:

Coveney On The Last YankeeCoveney On The Last Yankee Sun, Jan 31, 1993 – 55 · The Observer (London, Greater London, England) · Newspapers.com

I seem to recall we thought this play was a bit all over the place. It was very well received, but we thought it had glimpses of Miller’s greatness without being of Miller’s very best.

Still, well worth seeing, we felt. It wasn’t until Mr Peters’ Connections a few years later that we concluded that Miller’s light really had (excuse the pun) petered our.

Went To See An Enemy Of The People by Henrik Ibsen (Arthur Miller Adaptation), With Bobbie & Ashley, Young Vic, 9 November 1988

What a super production this was. I remember being much taken with it, although, strangely, while I clearly recall seeing this with Bobbie, I did not recall Ashley joining us for this one. But the diary is clear:

What a cast and crew too. Here is the Theatricalia page for it. A young Tom Wilkinson and Connie Booth playing the big leads, with lots of good folk in support. David Thacker directed.

This was the Arthur Miller adaptation of the Ibsen play. WhatsOnStage.com listed this production as one of the six best Miller productions – with a tribute from Jeremy Herrin. So there.

I’m pretty sure this production was in the round and I remember feeling a sense of claustrophobia being so close to the action and the intense dilemmas and pain of the central characters.

This play, its morality and injustices came to my mind so many years later, in the late teenies, when the British gutter press started to brand anti-Brexit folk as “Enemies of the People”. Although I had seen a good production of the play subsequent to this 1988 production, it is Tom Wilkinson’s agonies, witnessed at close quarters so long ago, that sprang into my mind.

I’m struggling to remember the rest of the evening, but perhaps Bobbie and/or Ashley will recall it. I’m guessing that Ashley stayed with Bobbie on that occasion, as she was, by then, ensconced in her natty new pad in DuCane Court, whereas I was still plotting my imminent escape from my parents’ house – which I pulled off just a few week’s later.

We three won’t simply have parted company at the doors of the Young Vic, that’s for sure. I’m guessing we might have taken a late meal at the Archduke or perhaps RSJs at that time. Anyone remember?

Postscript: Ashley Fletcher has chimed in to deny all involvement in this particular evening. The Ashley mention must have been Ashley Michaels, my (by then former) colleague from Newman Harris. I’ll pick Bobbie’s brain if/when I get the chance, but I suspect she’ll do that, “I can’t even remember what I did last week” routine.

Fortunately my subscription to the clippings service yields some retained memory – here is Michael ratcliffe’s Observer review:

Ratcliffe on EnemyRatcliffe on Enemy Sun, Oct 16, 1988 – 40 · The Observer (London, Greater London, England) · Newspapers.com

Michael Billington’s Guardian review is shown below:

Billington on EnemyBillington on Enemy Sat, Oct 15, 1988 – 36 · The Guardian (London, Greater London, England) · Newspapers.com

A Touch Of The Poet by Eugene O’Neill, Comedy Theatre, 26 March 1988

Not one of Eugene O’Neill’s greatest plays, but my log suggests that Bobbie and I both found this production very good…

…and why shouldn’t we. Vanessa Redgrave & Timothy Dalton, with support from Amanda Boxer, Malcolm Tierney and several other good names. David Thacker directed it.

Here is the Theatricalia entry for this production.

This was, in fact, a West End transfer of a much-lauded Young Vic production; the UK premier of this play. Bobbie and I couldn’t get in at the Young Vic but got in early during the transfer, so saw the original Young Vic cast/production.

Here is the Wikipedia entry on this lesser-known O’Neill play.

A rarity for a production of this antiquity, I have managed to find a review by Frederick Wilkins in The Eugene O’Neill Newsletter – dated Spring 1988 – which reviews the Young Vic production at both of its locations.

(Just in case anything ever happens to that Newsletter, I have scraped that fascinating review to here)

Michael Ratcliffe’s review is clipped below:

Michael Ratcliffe On CatMichael Ratcliffe On Cat Sun, Feb 7, 1988 – 26 · The Observer (London, Greater London, England) · Newspapers.com

Michael Billington admired the piece thus:

Billington on PoetBillington on Poet Thu, Feb 4, 1988 – 14 · The Guardian (London, Greater London, England) · Newspapers.com

I wonder what Bobbie remembers of that production and that evening?

Postscript: a couple of days before I got to this piece, to add the clips, in January 2020, I ran into Vanessa in Speck. Small world.