Suddenly Last Summer by Tennessee Williams, Comedy Theatre, 10 April 1999

We do like our Tennessee Williams, do Janie and I. This is a rarely performed play and I have always been fascinated by it.

Indeed, we must have been very keen to see this one, as we booked for the first Saturday of the West End run. We tend to avoid the West End these days.

We loved it. I wrote in my log:

Superb. One of the best so far this year.

Sheila Gish was predictably excellent, but we were also much taken with a young Rachel Weisz; I think this was the first time we saw her. There was more to the cast than those two – see tags in this piece – the Theatricalia entry unusually lacks them. 

We were wowed; not much else that we can say.

Nicholas de Jongh in The Standard was also wowed

Suddenly Standard de JonghSuddenly Standard de Jongh 15 Apr 1999, Thu Evening Standard (London, Greater London, England) Newspapers.com

But wait! Our friend, Michael Billington, didn’t like it:

Suddenly Guardian BillingtonSuddenly Guardian Billington 17 Apr 1999, Sat The Guardian (London, Greater London, England) Newspapers.com

We need a third opinion. Charles Spencer in the telegraph. Pretty darn positive:

Suddenly Telegraph SpencerSuddenly Telegraph Spencer 16 Apr 1999, Fri The Daily Telegraph (London, Greater London, England) Newspapers.com

The Real Inspector Hound by Tom Stoppard & Black Comedy by Peter Shaffer, Richmond Theatre, 11 April 1998

Whose brilliant idea was it to pair The Real Inspector Hound with Black Comedy? Well, if I’m not totally mistaken The Bear Pit at Alleyn’s School did so back in the mid 1970s. It worked well then (I shall write up The Bear Pit production in the fullness of time) and it worked well nearly 25 years later, in the late 1990s, too.

Superb evening…

…was my take on it in my log. How could it not be – what a cast! Desmond Barrit, David Tennant, Nichola McAuliffe, Sara Crowe, Anna Chancellor…and Greg Doran directing.

Here’s a link to the Theatricalia entry.

We saw a preview at Richmond the week before the show opened at The Comedy Theatre.

Nicholas de Jongh voted it “good” in The Standard:

Real Inspector Black Comedy de Jongh StandardReal Inspector Black Comedy de Jongh Standard 23 Apr 1998, Thu Evening Standard (London, Greater London, England) Newspapers.com

Michael Billington in The Guardian was very keen on it:

Real Inspector Black Comedy Guardian BillingtonReal Inspector Black Comedy Guardian Billington 23 Apr 1998, Thu The Guardian (London, Greater London, England) Newspapers.com

While The Independent previewed the event the morning after our visit wondering, over three pages, whose brilliant idea it was to pair these two short plays? (The Bear Pit at Alleyn’s School. Do you arts journos know nothing?)

Hound Black Indy Butler 1 of 3Hound Black Indy Butler 1 of 3 12 Apr 1998, Sun The Independent (London, Greater London, England) Newspapers.com Hound Black Indy Butler 2 of 3Hound Black Indy Butler 2 of 3 12 Apr 1998, Sun The Independent (London, Greater London, England) Newspapers.com Hound Black Indy Butler 3 of 3Hound Black Indy Butler 3 of 3 12 Apr 1998, Sun The Independent (London, Greater London, England) Newspapers.com

A Touch Of The Poet by Eugene O’Neill, Comedy Theatre, 26 March 1988

Not one of Eugene O’Neill’s greatest plays, but my log suggests that Bobbie and I both found this production very good…

…and why shouldn’t we. Vanessa Redgrave & Timothy Dalton, with support from Amanda Boxer, Malcolm Tierney and several other good names. David Thacker directed it.

Here is the Theatricalia entry for this production.

This was, in fact, a West End transfer of a much-lauded Young Vic production; the UK premier of this play. Bobbie and I couldn’t get in at the Young Vic but got in early during the transfer, so saw the original Young Vic cast/production.

Here is the Wikipedia entry on this lesser-known O’Neill play.

A rarity for a production of this antiquity, I have managed to find a review by Frederick Wilkins in The Eugene O’Neill Newsletter – dated Spring 1988 – which reviews the Young Vic production at both of its locations.

(Just in case anything ever happens to that Newsletter, I have scraped that fascinating review to here)

Michael Ratcliffe’s review is clipped below:

Michael Ratcliffe On CatMichael Ratcliffe On Cat Sun, Feb 7, 1988 – 26 · The Observer (London, Greater London, England) · Newspapers.com

Michael Billington admired the piece thus:

Billington on PoetBillington on Poet Thu, Feb 4, 1988 – 14 · The Guardian (London, Greater London, England) · Newspapers.com

I wonder what Bobbie remembers of that production and that evening?

Postscript: a couple of days before I got to this piece, to add the clips, in January 2020, I ran into Vanessa in Speck. Small world.