Rapture, Blister, Burn by Gina Gionfriddo, Hampstead Theatre, 17 January 2014

It seemed like only a week since we last went to Harry’s and then The Hampstead…

…but this one did less for us.

I seem to recall finding the whole evening a bit irritating and we really didn’t like this play.

It’s had great reviews so don’t take our word for it.

Emilia Fox doesn’t do much for us and the play seemed very laboured and obvious in places.

The Hampstead resource on the play/production can be found here.

This search term will find you the reviews.

Richard II by William Shakespeare, Almeida at Gainsborough, 20 May 2000

We were still at the stage that I thought Janie might just be converted on to Shakespeare, so I booked a couple of Bard productions that spring: Ralph Fiennes playing the title role in this one and Tony Sher playing the title role in the Scottish one.

The idea didn’t really work on Janie – especially Richard II, which she found long and dull, despite a great cast and very solid production.

If I remember correctly, Gainsborough was a pop up theatre on the site of a disused film studio in Hoxton. This was one of the Almeida’s homes for a while, during which time the theatre was being poshed-up a bit.

Ralph Fiennes was a nodding acquaintance of mine back then – one of several actors who frequented Lambton Place in those days. This I disclose in the interests of openness and transparency, not that nodding acquaintanceship might affect my judgment.

I thought this production was very good, but I have always had my doubts about Richard II as a play. It is one that I “studied” at school, as a precursor to Henry IV Part one being my ‘O’ Level text. If Michael Lempriere couldn’t make it interesting for me, even Ralph, Jonathan Kent directing and an excellent supporting cast were going to struggle.

Paul Taylor in The Independent liked it but was a little underwhelmed:

Richard Taylor IndependentRichard Taylor Independent 13 Apr 2000, Thu The Independent (London, Greater London, England) Newspapers.com

Nicholas de Jongh in The Standard was more impressed by the set than anything else:

Richard de Jongh StandardRichard de Jongh Standard 13 Apr 2000, Thu Evening Standard (London, Greater London, England) Newspapers.com

Even Charles Spencer in The Telegraph described it as “far from electrifying” and “dull”:

Richard Spencer TelegraphRichard Spencer Telegraph 14 Apr 2000, Fri The Daily Telegraph (London, Greater London, England) Newspapers.com

Not our greatest weekend of theatre, 19/20 May 2000. But you cannot win them all.

Good by CP Taylor, Donmar Warehouse, Followed By Dinner At Zafferano, 20 March 1999

By gosh, we seemed to be specialising in previews of Nazi stuff that month, having been to see Speer at the Almeida a couple of weeks earlier:

My log comment for Good was less complimentary than that for Speer:

Didn’t quite do the business for us.

Great cast, with Charles Dance, Emelia Fox, Ian Gelder, John Ramm and several other stalwarts under the direction of Michael Grandage.

It might not have done the business for us, but it sure did for Nicholas de Jongh in The Standard:

Good Standard de JonghGood Standard de Jongh 24 Mar 1999, Wed Evening Standard (London, Greater London, England) Newspapers.com

Charles Spencer in The Telegraph shared our sentiments:

Good Spencer TelegraphGood Spencer Telegraph 25 Mar 1999, Thu The Daily Telegraph (London, Greater London, England) Newspapers.com

Anthony Holden in teh Observer also seemed equivocal in his praise:

Goood Holden ObserverGoood Holden Observer 28 Mar 1999, Sun The Observer (London, Greater London, England) Newspapers.com

We ate at Zafferano after Good. Zaffs was very good indeed.