Tag: Alex Sims

Lulu by Frank Wedekind, Almeida Theatre At Kings Cross, 24 March 2001

To the bus station we went that Saturday to see Lulu very early in the Almeida run. The theatre was being refurbished that season – hence the bus station.

This play might have benefitted from the more intimate atmosphere of the Almeida Theatre itself. The coldness of the bus station served to emphasise the absence of warmth in a sex worker’s craft.

With Anna Friel, Oliver Milburn and Alan Howard taking lead roles and Jonathan Kent directing, it was always going to be a well put together show. Here is a link to the Theatricalia entry.

Nicholas de Jongh was captivated by Anna Friel’s Lulu, but several of his critic colleagues were not. The following piece from the Standard shows the critical divide.

Lulu de Jongh Standard Lulu de Jongh Standard 20 Mar 2001 Evening Standard (London, Greater London, England) Newspapers.com

Janie and I were similarly conflicted over this one It wasn’t just about the bus station setting. Wedekind’s work is open to wide interpretation and this version seemed to be hedging its bets.

Our friend, Michael Billington, expressed similar sentiments well:

Lulu Billington Guardian Lulu Billington Guardian 20 Mar 2001 The Guardian (London, Greater London, England) Newspapers.com

Susannah Clapp was kinder to it than most:

Lulu & Boston Marriage, Clapp Observer Lulu & Boston Marriage, Clapp Observer 25 Mar 2001 The Observer (London, Greater London, England) Newspapers.com

Were we glad to have seen this production? Of course we were.

Richard II by William Shakespeare, Almeida at Gainsborough, 20 May 2000

We were still at the stage that I thought Janie might just be converted on to Shakespeare, so I booked a couple of Bard productions that spring: Ralph Fiennes playing the title role in this one and Tony Sher playing the title role in the Scottish one.

The idea didn’t really work on Janie – especially Richard II, which she found long and dull, despite a great cast and very solid production.

If I remember correctly, Gainsborough was a pop up theatre on the site of a disused film studio in Hoxton. This was one of the Almeida’s homes for a while, during which time the theatre was being poshed-up a bit.

Ralph Fiennes was a nodding acquaintance of mine back then – one of several actors who frequented Lambton Place in those days. This I disclose in the interests of openness and transparency, not that nodding acquaintanceship might affect my judgment.

I thought this production was very good, but I have always had my doubts about Richard II as a play. It is one that I “studied” at school, as a precursor to Henry IV Part one being my ‘O’ Level text. If Michael Lempriere couldn’t make it interesting for me, even Ralph, Jonathan Kent directing and an excellent supporting cast were going to struggle.

Paul Taylor in The Independent liked it but was a little underwhelmed:

Richard Taylor IndependentRichard Taylor Independent 13 Apr 2000, Thu The Independent (London, Greater London, England) Newspapers.com

Nicholas de Jongh in The Standard was more impressed by the set than anything else:

Richard de Jongh StandardRichard de Jongh Standard 13 Apr 2000, Thu Evening Standard (London, Greater London, England) Newspapers.com

Even Charles Spencer in The Telegraph described it as “far from electrifying” and “dull”:

Richard Spencer TelegraphRichard Spencer Telegraph 14 Apr 2000, Fri The Daily Telegraph (London, Greater London, England) Newspapers.com

Not our greatest weekend of theatre, 19/20 May 2000. But you cannot win them all.