Tag: Eve Leigh

Midnight Movie by Eve Leigh, Royal Court Theatre Upstairs, 30 November 2019

No, still don’t get it…

Whoops.

I booked this on the back of us very much enjoying Eve Leigh’s unusual piece, The Trick, earlier this year at The Bush:

The Trick by Eve Leigh, Bush Studio, 23 February 2019

But where The Trick had been unusual and a little puzzling, Janie and I both found Midnight Movie impenetrable.

Here is The Royal Court’s verbiage on the piece.

The trailer also provides some clues:

In many ways the play is in the tradition of dream plays, so it would be wrong to complain about the lack of plot and confusing switches. But this piece seemed, to me, so very disjointed, it was hard to get anything much out of the experience.

It is laudable that Eve Leigh and the Royal Court have tried to produce a piece that specific speaks to people with physical challenges, but the notion that the central male character was substituting internet experience for the physical experiences his body would not allow, really struggled to make that point through the material.

Janie really hated the piece.

I tried to go with the flow but couldn’t get anywhere with it.

It is only 70 minutes long, but it felt like so much longer.

We both had out own physical challenges by the end of the ordeal – those narrow arse-ache chairs had us John-Wayning out of the theatre.

We saw a preview, so there’s a chance that the piece has been tightened a little ahead of press night, but I doubt it.

Early signs from the reviews is that the opacity of the piece shines through, as it were.

A rare miss for us at the Royal Court.

The Trick by Eve Leigh, Bush Studio, 23 February 2019

Bush Theatre

Our first visit to The Bush this year – our previous visit had been to the Studio to see a quirky piece, Lands:

Lands by Antler, Bush Studio, 17 November 2018

The Trick is also a quirky piece, but differently so. It is about loss, bereavement and the ways we need to trick ourselves into keeping going through life.

I thought we might find such a piece hard to take this weekend – our next door neighbour at Noddyland, Barry, died on Thursday night. But actually the piece was very charming, unusual and entertaining, without being heavy at all.

My only beef with the piece is that it was very bitty and that some of the bits didn’t really make sense. One scene, where the two younger performers simply made breathing noises into microphones, seemed, to me, to simply be a bridge between one of the quirky scenes (in which one of those performers read the palm of a member of the audience) and the next substantive scene about the ageing, bereaved woman and her decline.

But the piece was clearly intended to confuse the audience a bit and mix various genres of performance, ranging from direct story-telling (the Isaac Bashevis Singer story, The Little Shoemaker, is “thrown in” at one point) to chamber drama to audience participation to conjuring tricks. Entertaining throughout.

Here’s Eve Leigh, the playwright, explaining herself as best she can about it:

After the Bush Studio run, which goes on to 23 March, The Trick is going to tour many parts of the UK – here is the trailer including those tour details:

This piece was very well performed by the four actors and cleverly directed and designed.

Janie and I really like short pieces of this kind. Perhaps it is because we are getting older, but we now find 70 minutes of interesting and entertaining stuff a better deal than several hours of drawn out drama.

Baffling in parts but well worth seeing in our view.