Hedda Gabler by Henrik Ibsen, Holland Park, 17 July 1993

There’s nothing like a good production of an Ibsen play…

…and this was nothing like a good production of an Ibsen play.

It seemed like such a good idea at the time.

Janie and I had not yet seen any Ibsen play together and Janie had never seen Hedda Gabler and it was summer and the idea of theatre in the park sounded lovely.

As it happens, I had seen a very good Hedda (Lindsay Duncan) at Hampstead a few years earlier, but I thought I could never get too much Hedda.

My log simply says:

It was so poor we walked at half time

This might have been the first time Janie and I “walked” together at half time.

On reminding Janie recently (December 2019) about this particular evening she simply said:

OMG it was dreadful

In truth, Janie and I had a tough search for a truly good Hedda. Richmond Theatre (previewing a West End Francesca Annis Hedda) in 1999 was a bit of a staid production. It wasn’t until 2005, Richard Eyre’s production at the Almeida (Eve Best as Hedda) that I thought Janie had seen a good enough production to be able to claim that we had both done Hedda.

So I’ve done four Heddas…in fact I think I might have seen a small town Hedda in my student days, making it five. As Judge Brack puts it:

Good God – people don’t do such things.

Went To See An Enemy Of The People by Henrik Ibsen (Arthur Miller Adaptation), With Bobbie & Ashley, Young Vic, 9 November 1988

What a super production this was. I remember being much taken with it, although, strangely, while I clearly recall seeing this with Bobbie, I did not recall Ashley joining us for this one. But the diary is clear:

What a cast and crew too. Here is the Theatricalia page for it. A young Tom Wilkinson and Connie Booth playing the big leads, with lots of good folk in support. David Thacker directed.

This was the Arthur Miller adaptation of the Ibsen play. WhatsOnStage.com listed this production as one of the six best Miller productions – with a tribute from Jeremy Herrin. So there.

I’m pretty sure this production was in the round and I remember feeling a sense of claustrophobia being so close to the action and the intense dilemmas and pain of the central characters.

This play, its morality and injustices came to my mind so many years later, in the late teenies, when the British gutter press started to brand anti-Brexit folk as “Enemies of the People”. Although I had seen a good production of the play subsequent to this 1988 production, it is Tom Wilkinson’s agonies, witnessed at close quarters so long ago, that sprang into my mind.

I’m struggling to remember the rest of the evening, but perhaps Bobbie and/or Ashley will recall it. I’m guessing that Ashley stayed with Bobbie on that occasion, as she was, by then, ensconced in her natty new pad in DuCane Court, whereas I was still plotting my imminent escape from my parents’ house – which I pulled off just a few week’s later.

We three won’t simply have parted company at the doors of the Young Vic, that’s for sure. I’m guessing we might have taken a late meal at the Archduke or perhaps RSJs at that time. Anyone remember?

Postscript: Ashley Fletcher has chimed in to deny all involvement in this particular evening. The Ashley mention must have been Ashley Michaels, my (by then former) colleague from Newman Harris. I’ll pick Bobbie’s brain if/when I get the chance, but I suspect she’ll do that, “I can’t even remember what I did last week” routine.

Fortunately my subscription to the clippings service yields some retained memory – here is Michael ratcliffe’s Observer review:

Ratcliffe on EnemyRatcliffe on Enemy Sun, Oct 16, 1988 – 40 · The Observer (London, Greater London, England) · Newspapers.com

Michael Billington’s Guardian review is shown below:

Billington on EnemyBillington on Enemy Sat, Oct 15, 1988 – 36 · The Guardian (London, Greater London, England) · Newspapers.com

Hedda Gabler by Henrik Ibsen, Hampstead Theatre, 18 October 1988

Everyone remembers their first time and I was lucky enough to have my first experience with the wonderful actress, Lindsay Duncan.

Seeing Hedda Gabler, I’m talking about – what did you think I meant?

This was another midweek theatre visit with Bobbie, during that brief period of a few months when I was between qualifying and moving on to my next, fully-fledged career.

I rated this experience as “very good” in my log and why not? Lindsay Duncan as Hedda, Jonathan Coy as Tesman, Dermot Crowley as Lovborg…

here is a link to the Theatricalia entry for this production.

Most unusually, I have been to see this play with Janie on (at the time of writing) three further occasions. I guess that Lindsay Duncan as Hedda is a bit like a highly addictive drug – you keep chasing that first high, hoping to experience it again. In truth, it did take us a while to land a really good production; the one at the Almeida in 2005 – all to be written up in future Ogblogs.

But back in October 1988, I was already a bit of an Ibsen fan and for sure was really taken with this production. Trevor Nunn had a hand in it, apparently…

..who’d have thought, back then in 1988, that I’d end up meeting Trevor Nunn socially a few years later? Another matter for another Ogblog piece.

Below is Nicholas de Jongh’s Guardian review:

de Jongh on Heddade Jongh on Hedda Mon, Oct 17, 1988 – 21 · The Guardian (London, Greater London, England) · Newspapers.com

Below is Michael Ratcliffe’s short review in the Observer:

Ratcliffe on HeddaRatcliffe on Hedda Sun, Oct 23, 1988 – 40 · The Observer (London, Greater London, England) · Newspapers.com