Tag: Ian Redford

Linda by Penelope Skinner, Royal Court Theatre, 28 November 2015

We received an e-mail from the Royal Court, fewer than 10 days before going to a preview of this show, to say that Kim Cattrall had withdrawn from the show on doctor’s orders and that Noma Dumezweni would start rehearsing about a week before the first preview.

Truthfully, we had not booked this production to see Kim Cattrall; we had booked it because we had been so impressed by The Village Bike, Penelope Skinner’s previous play at the Royal Court.  We had also previously been hugely impressed by Noma Dumezweni, not least in the lead of A Human Being Died That Night at the Hampstead Theatre in 2013 and more recently cross-dressing in Carmen Disruption at the Almeida earlier this year, so we were really not bothered.

Noma needed to work from book to a greater or lesser extent for most scenes our night, but she was almost there and we could tell that work was in progress for a great performance.  We loved the play and thought the supporting cast were all excellent.  Amazing staging too, so all the creatives have a lot to be proud of.

Perhaps because of the unfortunate circumstances or perhaps because we liked the production so much, we were hoping hard that the show would get great reviews and so, on the whole, it has – five great reviews linked here by the Royal Court.

Our friend (perhaps now former friend) Michael Billington was less sure about the play though generous with his praise of Noma, click here.  Ditto Paul Taylor in the Independent, click here.  

Still, top marks from both me and Janie, plus five out of seven from the critics; it’s a big hit.

Six Degrees Of Separation, John Guare, The Old Vic, 16 January 2010

Around the time that we booked this play, I was writing the chapter of The Price of Fish, coincidentally Chapter Six, that explains the “shrinking world” theory known as six degrees of separation.

In theory, this play is all about that concept. In practice, I struggled at times to link this social comedy with the theory.

Without the futile search for intellectual insight, it was a reasonably fun evening at the theatre but a rather lightweight one. A super cast for this revival, but I’m not sure this play is worthy of a revival within 20 years, even though the world has/had changed between times.

Here is a link to The Old Vic resource on the production.

Here is a link to a search term that finds plenty of reviews, mostly indifferent ones. The consensus seemed to be that the production was excellent but the play somewhat lacking. Although neither Janie nor I had seen the play first time around, we thought that assessment was right.

Our Country’s Good by Timberlake Wertenbaker, Richmond Theatre, 19 June 1999

This production began its life at The Young Vic in the autumn of 1998, wending its way to several regional theatres before returning to London in 1999, when we saw it at The Richmond Theatre.

Here is a link to the Theatricalia entry for this production.

In 1998, I was busy getting friendly with Nicole Kidman in the Blue Room while Michael Billington was reviewing Our Country’s Good:

Blue Room & Our Country's Good Guardian BillingtonBlue Room & Our Country’s Good Guardian Billington 19 Sep 1998, Sat The Guardian (London, Greater London, England) Newspapers.com

But I digress.

Fascinating piece about the production in the Telegraph by Charles Spencer. Joe White assisted Max Stafford-Clark directing this piece after release from Wormwood Scrubbs:

Spencer Our Country's Good Joe White TelegraphSpencer Our Country’s Good Joe White Telegraph 15 Sep 1998, Tue The Daily Telegraph (London, Greater London, England) Newspapers.com

Janie might have got more out of this production had she known all that and had she known then what she knows now about rehabilitation of former prisoners…or lack thereof.

Our verdict on this piece/production at the time:

I liked it more than Janie did

Possibly it helped that I know (and like) The Recruiting Officer better than Janie does/did.

The cast no doubt changed over the year or so it toured, but we saw David Fielder, Stuart McQuarrie, David Beames, Fraser James, Ian Redford, Mali Harries, Ashley Miller, Sally Rogers and Michele Austin. Not bad.

I have no doubt that we ate at Don Fernando’s afterwards…and why not? Well, 25 years later, we couldn’t because the place has now closed down.