Tag: Jason Barnes

Canary by Jonathan Harvey, Hampstead Theatre, 21 May 2010

Well, by this time the Ed Hall era had started at Hampstead Theatre, but this one didn’t really work for us.

It felt to us like an “everything including the kitchen sink” gay saga. Angels in America without the sparkling wit, The Normal Heart without the heart-wrenching pathos. It spanned the decades from 1962 (a fine year IMHO) to the present day.

We really wanted to like it. We didn’t really dislike it. It just didn’t grip and/or move us.

Good troupe from the Liverpool Everyman – it was a shame really.

Here is a search term – click here – that finds you all the reviews and resources available back then.

There’s a YouTube trailer/interview with the playwright for this one:

We no doubt went to Harry Morgans for some comfort food before the show.

Remembrance Of Things Past by Marcel Proust, adapted by Harold Pinter & Di Trevis, Cottesloe Theatre, 17 November 2000

We were such groupies in those days – we leapt in early and went to see the opening night (i.e. the first preview) of this one, on a Friday.

So keen were we to make sure that we were psychologically and spiritually ready for the experience, we both took that Friday off work. OK, maybe we had some other things to do that day, such as try to jostle Gavin along into finishing the long overdue work in Clanricarde Gardens.

Anyway, this piece is about Proust’s Remembrance, not my rambling memories. The conceit of this production was a film script that Harold Pinter had written in the 1970s, adapting Proust’s epic into screenplay. That movie had never been made. Di Trevis liked the screenplay and helped further adapt it into a three-hour play, which she then directed.

Fabulous cast – including Duncan Bell, Sebastian Harcombe, Julie Legrand, Diana Hardcastle, David Rintoul and a young Indira Varma.

There was a buzz in the theatre world about this one ahead of time and I think it buzzed on for some time. It certainly transferred to the Olivier, but I think that had always been planned in to the deal.

We loved the Cottesloe (now Dorfman) and were very keen to see this one early.

I remember being very impressed by it. Janie thought it a bit long…

…try reading Proust, love…

…and/but I suspect that our preview ran longer than the scheduled three hours as some material was probably cut between previews and press night.

Some of the press gushed. Here’s Nicholas de Jongh:

Remembrance de Jongh Standard Remembrance de Jongh Standard 24 Nov 2000 Evening Standard (London, Greater London, England) Newspapers.com

Paul Taylor was not so sure – liking much but disliking the freeze frames:

Remembrance Taylor Indy Remembrance Taylor Indy 24 Nov 2000 The Independent (London, Greater London, England) Newspapers.com

Dominic Cavendish positively found the whole thing mediocre – which is faint praise indeed:

Remembrance Cavendish Telegraph Remembrance Cavendish Telegraph 27 Nov 2000 The Daily Telegraph (London, Greater London, England) Newspapers.com

Our friend Michael Billington was balanced, mostly positive about it.

Remembrance Billington Guardian Remembrance Billington Guardian 25 Nov 2000 The Guardian (London, Greater London, England) Newspapers.com

I must admit, I’ve made do with having seen this production and reading some passages in translation. The full one-and-a-quarter-million pages of the novel will have to wait – almost certainly for another life.

Thanks Harold, thanks Di.

Blue / Orange by Joe Penhall, Cottesloe Theatre, 1 May 2000

This was one of our “oh wow!” visits to the theatre.

Superb,

was all I write in the log, but I knew I wouldn’t need to write much down because the evening was so memorable.

It was a bank holiday Monday and Mum’s birthday. “How did you get away with that?”, I hear you readers cry.

My diary notes that we went to Mum & Dad for bank holiday lunch before going on to the RNT for Blue / Orange. Simple enough.

This is a great play, which was masterfully performed by Chiwetel Ejiofor (our first sighting of him), Andrew Lincoln and Bill Nighy. Roger Michell directed. Theatricalia tells all here.

Paul Taylor was impressed. “Gripping”, he says:

Blue / Orange Taylor IndyBlue / Orange Taylor Indy 14 Apr 2000, Fri The Independent (London, Greater London, England) Newspapers.com

Nicholas de Jongh in The Standard also rated it highly.

Blue / Orange de Jongh StandardBlue / Orange de Jongh Standard 14 Apr 2000, Fri Evening Standard (London, Greater London, England) Newspapers.com

Charles Spencer in the Telegraph hated the play:

Blue / Orange Spencer TelegraphBlue / Orange Spencer Telegraph 17 Apr 2000, Mon The Daily Telegraph (London, Greater London, England) Newspapers.com

My friend, Michael Billington, had a downer on the National at that time – it took me a dozen or so more years to acquire a similar view. Still, Michael B approved of this one:

Blue / Orange Billington GuardianBlue / Orange Billington Guardian 19 Apr 2000, Wed The Guardian (London, Greater London, England) Newspapers.com

Rose by Martin Sherman, Cottesloe Theatre, 29 May 1999

Janie and I remember being really impressed by Olympia Dukakis’s performance in this one woman play, while finding the play itself “a bit much”.

To be fair, we were a bit numb that weekend – we had attended Jenny Jamilly’s funeral the day before and were possibly not in the mood for high drama. Let alone uber-Jewish high drama, nach.

We saw a preview late May although the play didn’t receive its press night until some four weeks later.

The critics seem to have sided with us viz the performance and the play. Here’s Nicholas de Jongh in The Standard:

Rose de Jongh StandardRose de Jongh Standard 25 Jun 1999, Fri Evening Standard (London, Greater London, England) Newspapers.com

Our friend Michael Billington similarly liked the performance but not the play:

Rose Billington GuardianRose Billington Guardian 26 Jun 1999, Sat The Guardian (London, Greater London, England) Newspapers.com

Only Charles Spencer in the telegraph, amongst the reviews I can find, lauded both the performance and the play:

Rose Spencer TelegraphRose Spencer Telegraph 28 Jun 1999, Mon The Daily Telegraph (London, Greater London, England) Newspapers.com

Theatre Stories by Ken Campbell, Cottesloe Theatre, Followed By Dinner At Vong, 18 October 1997

I have long been partial to a bit of Ken Campbell. This one man show comprised “more than a bit” of him, I suppose.

Superb fun.

…was my verdict. I think I got more out of it than Daisy did, but she still liked it a lot.

Patrick Marmion liked it in the Standard.

Theatre Stories Marmion StandardTheatre Stories Marmion Standard 20 Oct 1997, Mon Evening Standard (London, Greater London, England) Newspapers.com

Paul Taylor in the Independent was very taken with it.

Campbell Taylor IndyCampbell Taylor Indy 20 Oct 1997, Mon The Independent (London, Greater London, England) Newspapers.com

Dinner At Vong

Janie’s thing at that time was for us to go to a posh place for after theatre dinner. This time, we went to Vong at The Berkeley Hotel.

Andrew Lloyd Weber wrote up the place for the Telegraph a few month’s earlier:

Vong Lloyd Weber TelegraphVong Lloyd Weber Telegraph 28 Jun 1997, Sat The Daily Telegraph (London, Greater London, England) Newspapers.com

Matthew Fort in The Guardian described the place as too chic and achingly glossy in 1996 when it first opened.

Vong Fort GuardianVong Fort Guardian 24 Feb 1996, Sat The Guardian (London, Greater London, England) Newspapers.com

I remember finding the food very interesting and the price less scary than Nobu.

Closer by Patrick Marber, Cottesloe Theatre, 31 May 1997

No equivocation from us nor the critics on this one. While my “very good” report on many pieces covers a range of satisfaction, for this one I wrote:

One of the very best…

…which is not something I wrote often. I very clearly recall Janie and I walking out after Closer saying “wow” to each other.

Patrick Marber himself directed it and we were skilful/fortunate to see the original cast at the Cottesloe as this production upscaled in the light of rave reviews, multiple awards and huge audiences. We saw Liza Walker, Clive Owen, Ciaran Hinds and Sally Dexter. Here is the Theatricalia entry.

Here are the pick of the reviews.

First up – Charles Spencer in the Telegraph raving about it:

Closer Spencer TelegraphCloser Spencer Telegraph 30 May 1997, Fri The Daily Telegraph (London, Greater London, England) Newspapers.com

Michael Billington in The Guardian described it as a triumph and a great play:

Closer Billington GuardianCloser Billington Guardian 31 May 1997, Sat The Guardian (London, Greater London, England) Newspapers.com

David Bennett in The Independent was perhaps a lone unequivocal voice, who saw it as essential viewing but dangerously autobiographical:

Closer Bennett IndependentCloser Bennett Independent 31 May 1997, Sat The Independent (London, Greater London, England) Newspapers.com

Yet Robert Butler the next day in the same paper was very excited about the play/production:

Closer Butler IndyCloser Butler Indy 01 Jun 1997, Sun The Independent (London, Greater London, England) Newspapers.com

Janie and I both just so remember that “wow” feeling and still remember this as one of the very best plays/productions we have ever seen.

Blinded By The Sun by Stephen Poliakoff, Cottesloe Theatre, 31 August 1996

I wrote in my log:

Yes, we saw it before it opened. Yes, it was very good.

Press night was early the following week.

I was always partial to a bit of Poliakoff, so this will have felt like a bit of a birthday treat, opening at that time of year.

In fact, we had been due to go to the Proms on my actual birthday that year, but “Proms 7:30” is scribbled out in my diary for the preceding Wednesday. Not sure what went wrong there – probably we simply failed to get tickets (Claudio Abbado & The Berlin Phil doing Brahms – very popular).

But I digress.

Stellar cast for this one – as was the way back then with Poliakoff at the National or the RSC: Douglas Hodge and Frances de la Tour the biggest names; Graham Crowden & Hermione Norris also standout performers. Here is the Theatricalia entry for this production.

This is Lyn Gardner’s review from The Guardian:

Blinded Lyn Gardner GuardianBlinded Lyn Gardner Guardian 04 Sep 1996, Wed The Guardian (London, Greater London, England) Newspapers.com

Here is Michael Coveney’s Observer review:

Blinded Coveney ObserverBlinded Coveney Observer 08 Sep 1996, Sun The Observer (London, Greater London, England) Newspapers.com

Paul Taylor in the Independent also liked it a lot:

Blinded Paul Taylor IndyBlinded Paul Taylor Indy 05 Sep 1996, Thu The Independent (London, Greater London, England) Newspapers.com

The Designated Mourner, Wallace Shawn, Cottesloe Theatre, 1 June 1996

What an amazing piece of theatre this was.  The late great Mike Nichols, better known as a director of course, acted brilliantly, with Miranda Richardson and David de Keyser, all wonderful.

David Hare, better known as a playwright but also a talented director, did a grand job with the piece.

Wallace Shawn, perhaps better known as an actor than as a playwright, although also a very talented playwright, wrote it.  Not his best known; indeed possibly not his best piece, but, an excellent play.

Here is the Theatricalia entry for this play/production.

Despite all that role rotation, it came off superbly well for us.

Janie and I recognised the unmistakable back of Wallace Shawn’s head just in front of us that night.  A few years later, we chatted with Wallace Shawn at the Almeida when he turned up to see Miranda Richardson in Aunt Dan and Lemon; he waxed lyrical about how wonderful he thinks she is, seemed genuinely self-effacing about his writing and genuinely delighted that we had been inspired to seek out his plays by seeing this piece and of course My Dinner With Andre, one of my favourite films ever.

Wikipedia explains the plot – click here.

Bit early in the life of the web for on-line reviews, but I found this rather informative thing – click here.

Michael Billington was very taken with the play and production in the Guardian:

Billington on MournerBillington on Mourner Thu, Apr 25, 1996 – 2 · The Guardian (London, Greater London, England) · Newspapers.com

Michael Coveney seemed less sure but still speaks well of it:

Coveney on MournerCoveney on Mourner Sun, Apr 28, 1996 – 65 · The Observer (London, Greater London, England) · Newspapers.com

We were really taken with it; discussing the issues for the rest of the weekend and beyond.

Stanley by Pam Gems, Cottesloe Theatre, 13 February 1996

My log and indeed my memory is unequivocal about this one:

Quite outstanding. One of the very, very best.

A rare visit to the theatre midweek, I’m guessing that our impending trip to Thailand & Vietnam restricted our choices of dates for this one. Such was our desire to see it, we booked a midweek evening to be sure of seeing the production.

Both Antony Sher and Deborah Warner were superb in their roles, as indeed was the whole supporting cast.

Here is the Theatricalia entry for this play/production.

In truth, Stanley Spencer’s art is not really my bag, but his story is strange and peculiarly touching, certainly as told in this excellent play by Pam Gems.

Strangely, I cannot find a Guardian review for this one, but Michael Simons previewed it:

Michael Simons Previews StanleyMichael Simons Previews Stanley Mon, Jan 22, 1996 – 57 · The Guardian (London, Greater London, England) · Newspapers.com

Paul Taylor gave the play & production rich praise in The Independent.

Michael Coveney in The Observer agreed the play was excellent and enjoyed the production too:

Coveney On StanleyCoveney On Stanley Sun, Feb 4, 1996 – 68 · The Observer (London, Greater London, England) · Newspapers.com

It picked up awards and stuff, did Stanley. But there’s no praise higher than the Ged & Daisy accolade quoted at the top of this piece.

Violin Time by Ken Campbell, Cottesloe Theatre, 16 January 1996

This evening – a rare visit to The Cottesloe on a Tuesday evening – was the first time I saw Ken Campbell perform.

I was really smitten with this piece – I found it very funny. I think I got more out of it than Janie did, but she was fascinated enough to want to see more of his work after that.

One of the things that attracted us to the piece, apart from the weirdness of the blurb, which promised us – I paraphrase from various book blurbs available:

“Cathar heretics, a mysterious female French book thief and a Vietnamese violinist who does pig impressions”.

It would be difficult to say no to that, especially as we had booked to go to Vietnam a couple of months later.

Janie and I saw an early preview of the show; it didn’t get reviewed until October but we saw a preview in January.

There is a somewhat tepid Independent review of the piece by Robert Hanks available on-line – here.

Michael Coveney in the Observer liked it, perhaps because he got a name drop:

Coveney on Violin TimeCoveney on Violin Time Sun, Oct 6, 1996 – 76 · The Observer (London, Greater London, England) · Newspapers.com

Unusually, it doesn’t look as though The Guardian reviewed it.