Hysteria by Terry Johnson, Royal Court Theatre, 29 October 1993

This was a very interesting play about a meeting between Sigmund Freud and Salvador Dali. We both really enjoyed it.

Here is the Wikipedia entry for the play.

Here is the Theatricalia entry.

Super cast, with Henry Goodman as Freud, Tim Potter as Dali. Phyllida Lloyd directed this production, which was the premier.

The play has oft been revived since.

Here is Michael Billington’s review from the Guardian:

Billington on HysteriaBillington on Hysteria Mon, Sep 6, 1993 – 25 · The Guardian (London, Greater London, England) · Newspapers.com

Below is Michael Coveney’s review – not so keen:

Coveney on HysteriaCoveney on Hysteria Sun, Sep 12, 1993 – 49 · The Observer (London, Greater London, England) · Newspapers.com

We rounded off our evening with Chinese food from The Park Inn. Quite right too.

The diary suggests that we planned to have Marianne and Anil over for dinner the next evening, the Saturday, but Anil doesn’t get beyond a question mark and Janie is sure she has never met him, so my guess is that the whole idea fell though.

Oleanna by David Mamet, Royal Court Theatre, 24 July 1993

These days (he says, writing more than 25 years later), I do most of the running with regard to booking theatre. But back then, Janie was more proactive.

There are notes in her diary from weeks before, working out when this was going to open and when we might be available. Then, for the day itself (as one might now find in my diary) notes on exactly which seats she’d booked (Row J) and how long the play might be (8:00 to 10:10).

For sure I would have been a willing participant in seeing the latest Mamet – I had been a bit of a Mamet fan for years by 1993. David Suchet and Lia Williams? yes please. Harold Pinter directing? just tell me where I need to go and when. Here is a link to the Theatricalia entry.

I remember it being a very good production of an extremely powerful play. Here is a link to the Wikipedia entry on the play.

It was in fact a very controversial play and Mamet had written more than one ending for it. There was much debate in the press.

Below is Michael Billington’s review:

Billington's Review Of OleannaBillington’s Review Of Oleanna Fri, Jul 2, 1993 – 37 · The Guardian (London, Greater London, England) · Newspapers.com

Here are links to The Guardian with some fascinating opinions published the following week:

Oleanna OpinionsOleanna Opinions Wed, Jul 7, 1993 – 20 · The Guardian (London, Greater London, England) · Newspapers.com

<ore Oleanna Opinions<ore Oleanna Opinions Wed, Jul 7, 1993 – 21 · The Guardian (London, Greater London, England) · Newspapers.com

Finally, here is Michael Coveney’s review.

Michael Coveney On OleannaMichael Coveney On Oleanna Sun, Jul 4, 1993 – 56 · The Observer (London, Greater London, England) · Newspapers.com

This was a stunning, unforgettable night at the theatre; Janie and I are privileged to have seen this production.

Icecream by Caryl Churchill, Royal Court Theatre, 13 May 1989

I don’t remember all that much about this one, which probably means that I found it somewhat impenetrable, as is sometimes the case with Caryl Churchill plays.

The Royal Court has a tiny stub on-line for this production.

Super cast with Saskia Reeves and David Thewlis. Max Stafford-Clark directed it.

Here is the Theatricalia entry.

Below is Michael Ratcliffe’s Observer review:

Ratcliffe on IcecreamRatcliffe on Icecream Sun, Apr 16, 1989 – 43 · The Observer (London, Greater London, England) · Newspapers.com

Below is Michael Billington’s Guardian review:

Billington on IcecreamBillington on Icecream Wed, Apr 12, 1989 – 45 · The Guardian (London, Greater London, England) · Newspapers.com

I have the play text, so perhaps I should have a read to refresh my memory about this play/production. Or perhaps Bobbie can help.

Postscript

I have now reverted to the text and it sort-of comes back to me. The diary also tells me that we sat in seats D9 & D10 and that they were £10 tickets that Saturday. Good value, I suppose.

A Weekend In London, Including The Pope’s Wedding by Edward Bond, Royal Court Theatre, Dinner At The Mayflower After Theatre & Lunch At The Swiss Centre The Next Day, 7 to 9 December 1984

Image from The Royal Court Theatre Living Archive on a fair usage basis.

A moment in my personal history on that visit to London; my first visit to The Royal Court Theatre.

I was blown away by this production – Bobbie and I returned in the new year to see Saved as well, which was being performed in rep along with The Pope’s Wedding. After that, I returned to The Royal Court many, many times. Most recently at the time of writing (forty years on), strangely, as a facilitator for the Royal Court rather than as an audience member. A strange but true story:

But returning to The Pope’s Wedding, I am sure I have Bobbie to thank for seeking out the opportunity to see that production. She was doing her Bar pupillage in London by then and had no doubt spotted a review and/or an advert for the production. I think we got in on some sort of special deal, which possibly involved queueing up for “on the day” tickets. What I do recall is that we saw both The Pope’s Wedding and Saved from the best seats in the house for very modest ticket prices.

The Royal Court has benefitted from this “drug pusher style sales technique” for many decades since; I got addicted to watching theatre from the best seats not any old seats. In fact, many other theatres have benefitted from The Royal Court’s foresight at snaring potential theatre addicts young.

I quite often say “what a cast” in my theatre visit write ups, but on this occasion I think that phrase deserves a shout: WHAT A CAST!

Tony Rohr, Adrian Dunbar, Mark Wingett, Peter Lovstrom, Joanne Whalley (prior to her becoming Joanne Whalley Kilmer), Gerard Horan, Lesley Manville, Peter-Hugo Daly and Gary Oldman – directed by Max Stafford Clark. Here is a link to the Theatricalia entry for this production.

Have I mentioned that I was blown away by this production? (Yes you have, let the reader see what some real experts say – ed).

John Barber in The Telegraph was very keen on it:

Pope's Barber TelegraphPope’s Barber Telegraph 29 Nov 1984, Thu The Daily Telegraph (London, Greater London, England) Newspapers.com

Michael Billington also rated it highly:

Pope Billington GuardianPope Billington Guardian 29 Nov 1984, Thu The Guardian (London, Greater London, England) Newspapers.com

Pope Shulman StandardPope Shulman Standard 28 Nov 1984, Wed Evening Standard (London, Greater London, England) Newspapers.com

While rummaging, I loved this preview piece from The Standard, not least the fruity headline:

Other Bond GirlsOther Bond Girls 23 Nov 1984, Fri Evening Standard (London, Greater London, England) Newspapers.com

Returning to that weekend, the diary reminds me that we went to The Mayflower (Chinese restaurant on Shaftesbury Avenue) after the theatre – one of those places that we knew would still be open at that hour. I’m guessing that we had fancied trying The Swiss Centre but were too late for that, hence we returned the next day to take lunch there.

One habit that I think we started that Pope’s Wedding & Mayflower evening, which we/I continued for several years after, was to pick up the Sunday papers on Saturday night and start reading them on the Night Bus home if in town at that late hour on a Saturday.

I remember back then thinking that this weekend was the height of sophistication which, for the 22 year old me, it probably was, at that time.

That production of The Pope’s Wedding…wow!