Tag: Jill McCullough

Ancient Lights by Shelagh Stephenson, Hampstead Theatre, 23 December 2000

Janie and I rated this one:

Very good indeed…

…yet it fails to register in my usual lookup places (Wikipedia, Theatricalia) on lists of Shelagh Stephenson’s work.

It looks as though Janie booked this one almost as an afterthought. Perhaps she thought we’d have no time before the Christmas madness and then felt ready and at a loose end just ahead of the Saturday. She’s written:

A9 & 10, £40.35 Joanna Pearce playing Bea.

Perhaps a client recommended it to her.

Let’s see what the critics said. Our friend, Michael Billington, liked it despite its flaws:

Ancient Billington Guardian Ancient Billington Guardian 7 Dec 2000 The Guardian (London, Greater London, England) Newspapers.com

Nicholas de Jongh gave it the dreaded Standard blob as its rating:

Ancient de Jongh Standard Ancient de Jongh Standard 7 Dec 2000 Evening Standard (London, Greater London, England) Newspapers.com

But then again, Charles Spencer really liked it:

Ancient Spencer Telegraph Ancient Spencer Telegraph 8 Dec 2000 The Daily Telegraph (London, Greater London, England) Newspapers.com

I must say the scenario looks like the sort of play we would actively avoid now, so my guess is that it is well writ and was very well acted by an excellent cast, not least Dermot Crowley & Joanne Pearce.

Orpheus Descending by Tennessee Williams, Donmar Warehouse, 17 June 2000

Really good.

That’s what I wrote in my log. And I meant it.

I had previously seen Peter Hall’s excellent 1988 production of Orpheus Descending, with Vanessa Redgrave, Jean-Marc Barr and other fine acting folk:

Orpheus Descending by Tennessee Williams, Theatre Royal Haymarket, With Jilly, Followed By Annalisa’s Party, 10 December 1988

Janie is especially partial to a bit of Tennessee Williams. Although I suspected that I would not be seeing a better production that the one I saw in 1988. the lure of Helen Mirren and Saskia Reeves was enough for me. Also involved, a young Stuart Townsend in the male lead, a yet-to-fall-foul-of-my-displeasure Nick Hytner directing, ably assisted by a young Josie Rourke.

Our friend, Michael Billington, was quite impressed:

Orpheus Billington Guardian

Article from 28 Jun 2000 The Guardian (London, Greater London, England)

Paul Taylor described Hytner’s production as “powerful, if over-emphatic”:

Orpheus Taylor Independent

Article from 28 Jun 2000 The Independent (London, Greater London, England)

Kate Bassett wrote well of it in the Telegraph:

Orpheus Bassett Telegraph

Article from 29 Jun 2000 The Daily Telegraph (London, Greater London, England)

Nicholas de Jongh described Hytner’s production as “staid”, but still rated the experience “very good”:

Orpheus de Jongh Standard

Article from 28 Jun 2000 Evening Standard (London, Greater London, England)

I wrote “really good”, not “very good”. I wonder whether the LLMs detect a difference between those two ratings?

The Memory Of Water by Shelagh Stephenson, Richmond Theatre, 28 November 1998

Very good.

That was our verdict. We like Shelagh Stephenson’s plays and this was a stellar cast including Samantha Bond, Julie Legrand, Alison Steadman and Julia Sawalha, directed by Terry Johnson.

Here is the Theatricalia entry for the production.

Our Richmond preview came just after it previewed at several other places. The Cambridge Evening News reviewed it thusly:

Memory Singer CambridgeMemory Singer Cambridge 27 Oct 1998, Tue Cambridge Evening News (Cambridge, Cambridgeshire, England) Newspapers.com

It transferred to the West End with considerable success, if I remember correctly.

Out Cry by Tennessee Williams, Lyric Hammersmith, 16 May 1997

This Cheek By Jowl production started at the Everyman in Cheltenham and Northcott Exeter before switching to the Lyric Hammersmith. Janie and I rated this one very good. We must have been very keen to see it as we went to the penultimate performance on a Friday evening (on a weekend when we also went to The Orange Tree on the Saturday), which even for us was a bit excessive.

We are especially partial to Tennessee Williams; while this play is not “major Williams” it was still a gripping theatrical event for us.

Paul Taylor in The Independent was impressed.

Taylor Indy Out CryTaylor Indy Out Cry 25 Apr 1997, Fri The Independent (London, Greater London, England) Newspapers.com

Charles Spencer in the Telegraph, on the other hand, hated it.

Spencer Telegraph Out CrySpencer Telegraph Out Cry 29 Apr 1997, Tue The Daily Telegraph (London, Greater London, England) Newspapers.com

Michael Billington in The Guardian was equivocal about it.

Billington Guardian Out CryBillington Guardian Out Cry 30 Apr 1997, Wed The Guardian (London, Greater London, England) Newspapers.com

It certainly went down well in the West Country before it came to London.

Herald Express Out CryHerald Express Out Cry 03 Apr 1997, Thu Herald Express (Torquay, Devon, England) Newspapers.com

The Gift Of The Gorgon by Peter Shaffer, The Pit, 12 December 1992

Janie and I saw a preview of this one and thought it was absoutely great. Janie has since formed an aversion to Dame Judy Dench…or perhaps Janie liked this one despite Judy.

Here is the Theatricalia entry for this one.

Below is Michael Coveney’s review from The Observer:

Gift of the Gorgon CoveneyGift of the Gorgon Coveney Sun, Dec 20, 1992 – 42 · The Observer (London, Greater London, England) · Newspapers.com

Below is Michel Billington’s glowing review:

Gift Of teh Gorgon BillingtonGift Of teh Gorgon Billington Fri, Dec 18, 1992 – 26 · The Guardian (London, Greater London, England) · Newspapers.com

Paul Taylor in The Independent was less keen – click here.