Despite the fact that we thought it was excellent, our friend, Michael Billington, really didn’t like it, bemoaning the fact that the only Synge that ever gets revived is this one.
Janie and I have a very clear memory of the opening of Marriage Play, in which Bill Paterson’s character, Jack, repeatedly taunts his wife, played by Sheila Gish, with the phrase “I’m leaving you”. It’s a bit “Who’s Afraid…” meets “Dances of Death”, I suppose. But we both recall really enjoying Marriage Play, while we thought a lot less of the second half’s short play, Finding The Sun.
What did the critics think?
Our friend, Michael Billington, was not wild about the evening as a whole, much preferring Marriage Play:
Janie and I are partial to a bit of David Mamet. We were also very excited to be seeing Zoe Wanamaker & Anna Chancellor (plus a young, then unknown, Lyndsey Marshal), directed by Phyllida Lloyd, early in the run at the Donmar Warehouse.
My memory and my single word log review…
pretentious
…suggests that we were a bit disappointed by the play.
Janie and I defer to the wisdom of the professional critics. The performances were good, we grant. But don’t attempt this play as am-dram unless you have three superb actresses to carry the evening.
…yet it fails to register in my usual lookup places (Wikipedia, Theatricalia) on lists of Shelagh Stephenson’s work.
It looks as though Janie booked this one almost as an afterthought. Perhaps she thought we’d have no time before the Christmas madness and then felt ready and at a loose end just ahead of the Saturday. She’s written:
A9 & 10, £40.35 Joanna Pearce playing Bea.
Perhaps a client recommended it to her.
Let’s see what the critics said. Our friend, Michael Billington, liked it despite its flaws:
I must say the scenario looks like the sort of play we would actively avoid now, so my guess is that it is well writ and was very well acted by an excellent cast, not least Dermot Crowley & Joanne Pearce.
Janie is especially partial to a bit of Tennessee Williams. Although I suspected that I would not be seeing a better production that the one I saw in 1988. the lure of Helen Mirren and Saskia Reeves was enough for me. Also involved, a young Stuart Townsend in the male lead, a yet-to-fall-foul-of-my-displeasure Nick Hytner directing, ably assisted by a young Josie Rourke.
Our friend, Michael Billington, was quite impressed:
That was our verdict. We like Shelagh Stephenson’s plays and this was a stellar cast including Samantha Bond, Julie Legrand, Alison Steadman and Julia Sawalha, directed by Terry Johnson.
This Cheek By Jowl production started at the Everyman in Cheltenham and Northcott Exeter before switching to the Lyric Hammersmith. Janie and I rated this one very good. We must have been very keen to see it as we went to the penultimate performance on a Friday evening (on a weekend when we also went to The Orange Tree on the Saturday), which even for us was a bit excessive.
We are especially partial to Tennessee Williams; while this play is not “major Williams” it was still a gripping theatrical event for us.
Janie and I saw a preview of this one and thought it was absoutely great. Janie has since formed an aversion to Dame Judy Dench…or perhaps Janie liked this one despite Judy.