Academy of Ancient Music, Wigmore Hall, 20 June 2007

I’m not sure why we feel this way, but we sense something a little cliquey and clinical about the Academy of Ancient Music – perhaps it is the corporate-style branding.

The music of course is beautiful.  Not quite sure why I chose this particular serving of fairly standard baroque concert fare, especially on an inconvenient Wednesday night for Janie.  I think I might have been itching to hear the BWV1042 violin concerto live and wondering about Locatelli.

We enjoyed it all well enough.

 

AAM 20 June 2007

Following The Lord’s Test Match In The Car, Then Bach At The Wigmore Hall With The Duchess, 1 July 2000

This memory was triggered by this charming piece on the King Cricket website in late May 2020:

Janie (Daisy) and I weren’t there for the tense ending of that match either. But we were nearby – there in spirit if not in body.

We had been eagerly following the match all day.

But that day was also the birthday of Daisy’s mother, The Duchess of Castlebar. I had bought tickets for the three of us to see a Bach concert at the Wigmore Hall for that evening.

Janie had quite recently acquired a taste for chamber concert halls and baroque music, perhaps a year or two earlier. The Duchess tended to prefer large scale concerts of the Proms variety; we mostly booked those for her. But the Proms don’t get going until a bit later in the summer and it was the 250th anniversary of Bach’s death that year. So Bach at The Wig it was to be.

Anyway, that afternoon the Lord’s Test Match was beautifully poised and/but for reasons I cannot recall – had there been a lot of overnight rain? – the day’s play had been delayed and was playing out until quite late.

The Duchess is an avid follower of the cricket as well as a music aficionado. We called her to let her know that we were on the way to collect her. We could all listen to the ending of the cricket match together on the car radio on our way to The Wig.

As we drove to the Duchess’s residence, England wickets fell and the match seemed to be drifting in The West Indies direction. Daisy and I anticipated a dark mood and we were not disappointed.

Thrown it away, they’ve thrown it away…

…said The Duchess. We set off for Marylebone (the southern end thereof).

The Duchess explained to us, as she had several times before, that Denis (Compton), Ted (Dexter), Colin (Cowdrey) Ken (Barrington), Geoffrey (Boycott) and players of that ilk – whom she had met together with her late husband in the good old days- would not have thrown it away like this.

We arrived at The Wigmore Hall. England hadn’t lost a wicket for a while. Was it possible that they could snatch victory from the very jaws of defeat?

Daisy parked up – it was a warm sunny evening so we sat in the car with the roof open and the car radio on, listening to the denouement of the cricket match.

The Duchess Of Castlebar

Try to imagine the scene, dear reader, as it must have looked to passing tourists who understand little or nothing about cricket. A distinguished-looking septuagenarian with her family sitting in a car leaping around in their seats, oohing and aahing every 45 seconds or so as the commentator spoke.

Then, those same seemingly dignified folk whooping for joy for a while, before sealing up the car and entering the Wigmore Hall. Tourists: meet the English.

Here’s a link to the scorecard and the Cricinfo bumf about the match.

Then the concert.

Basically it was an organ recital of JS Bach works by Jennifer Bate. When you click that preceding link you get some eye candy as well as the organist in question, as Jennifer Bate shares her name with a subsequent Miss England and sporting WAG.

Click the pic to read about the organist Jennifer Bate

It was a fine concert of mostly well-known Bach organ works. An example of one of the pieces (Bach after Vivaldi as it happens) can be seen and heard below.

A slightly sad coda to this Ogblog piece was the discovery that Jennifer Bate died in March 2020, just a few weeks before I wrote this piece.

Here’s another video of her playing one of the pieces we heard that night; Concerto in C BWV 595 (Ernst arr. Bach).

Wachet Auf: The King’s Consort At The Wigmore Hall, 9 December 1999

“Wachet Auf” means “Wake Up!”, which was possibly an early call for wokery back in the Baroque period…or possibly not. In any case, I wouldn’t recommend English speakers barking this German language expletive after a couple of G&Ts – it might be misunderstood.

We rated this gig “very good”. Some lesser known works by Bach’s lesser known contemporaries, sandwiched between a bit of Telemann and a bit of Bach:

  • Ouverture “Perpetuum Mobile”, Georg Philipp Telemann
  • Balletti Lamentabili a 4, Heinrich Ignaz Franz von Biber
  • O Heilige Zeit, Johann Kuhnau
  • Sinfonia No 2 in C Minor, Johann Ludwig Krebs
  • Wachet Auf, Ruft Uns die Strimme Cantata BWV 140, Johann Sebastian Bach

Here is O Heilige Zeit performed by Solomon’s Knot:

Here is the Krebs Sinfonia, performed by Capella jenensis:

Here is a recording of Wachet Auf by the Amsterdam Baroque Orchestra under Ton Koopman…

…whom we saw 25 years later performing Telemann sonatas and Tafelmusik at The Wig:

Till Fellner, Wigmore Hall, 2 October 1999

The then young Austrian pianist, Till Fellner, played a mixture of Bach and Beethoven that night:

  • Ludwig van Beethoven – Sonata in A major Op 101
  • Johann Sebastian Bach – The Well-Tempered Clavier Book 1, BWV 850 to 853
  • Ludwig van Beethoven – Six Bagatelles, Op 126
  • Johann Sebastian Bach – The Well-Tempered Clavier Book 1, BWV 846 to 849

This concert helped to cement Janie’s view that she is more a Bach person than a Beethoven person. I enjoyed all of it.

Here’s a recording of Till Fellner playing book one of The Well-Tempered Clavier with wonderfully light touch:

Here’s Andras Schiff playing and lecturing on the Beethoven A major sonata some 15 years later at The Wig:

Wigmore Hall Concert With Sonnerie, 23 September 1999

Excellent concert, this. Sonnerie was a superb but fluid ensemble, led by the indomitable Monica Huggett.

On this occasion they comprised Monica Huggett, Gary Cooper, Wilbert Hazelzet, Pamela Thorby, Catherine Latham, Katherine McGillivray, Catherine Martin, Emilia Benjamin, Alison McGillivray and Sarah Groser.

Here is the playlist from the gig:

  • Jean-Philippe Rameau – Pieces de clavecin en concerts No 3 in A major
  • Georg Philipp Telemann – Concerto for Flute, Oboe d’amore, Viola d’amore, Strings and Continuo in E major
  • Antonio Lucio Vivaldi – Concerto for Violin, Strings and Continuo in D major (“Il Grosso Mogul”) RV208
  • Georg Philipp Telemann – Concerto for Flute, recorder, Strings and Continuo in E minor
  • Johann Sebastian Bach – Sonata No 1 for Violin and Harpsicord in B minor BWV 1014
  • Johann Sebastian Bach – Concerto for Harpsicord, 2 Recorders, Strings and Continuo in F major BWV 1057

Here is a clip from an earlier but lovely recording of the E major Telemann piece, which includes Monica Huggett with the Academy of Ancient Music

While here is a lovely video of Ensemble Odyssee playing the Bach concerto we heard that evening:

We both went straight from work and both had early starts the next morning, so I guess we supped light at Sandall Close after the gig.

A Night At The Proms Without The Duchess But With Trevor Pinnock & The English Concert, 8 August 1999

Liberated from hosting The Duchess at The Proms, Janie and I went along to this concert on a Sunday evening planning nothing more than a light supper at my flat after the show. It was a Sunday evening and we both had ridiculously early starts the next morning.

Here’s the running order:

  • Johann Sebastian Bach, Singet dem Herrn, BWV 225
  • Joseph Haydn, Symphony No. 49 in F minor ‘La passione’
  • Joseph Haydn, Non nobis, Domine, Hob. XXIIIa:1
  • Joseph Haydn, Insanae et vanae curae
  • Wolfgang Amadeus Mozart, Requiem in D minor (compl. Süssmayr).

This was an excellent concert. You don’t need to take my word for that – it seems it got rave reviews afterwards. It has taken me 25 years to check out those rave reviews, but that’s me.

Here’s Geoffrey Norris in The Telegraph:

Pinnock Telegraph NorrisPinnock Telegraph Norris 09 Aug 1999, Mon The Daily Telegraph (London, Greater London, England) Newspapers.com

Tom Sutcliffe in the Standard was a little more equivocal, but still wrote very well of the gig.

Pinnock Sutcliffe StandardPinnock Sutcliffe Standard 09 Aug 1999, Mon Evening Standard (London, Greater London, England) Newspapers.com

Steuerman Does Goldberg At The Wigmore Hall, 11 February 1999

Unusual for us to go to a concert on a Thursday evening in those days. I don’t think I’d yet heard The Goldberg Variations live and was keen to do so.

Jean-Louis Steuerman, that boy can sure tinkle the ivories.

Take my word for it.

Actually, no need for you to take my word for it – here’s that very chap playing that very aria:

I told you he can play.

Kontrabande At The Wigmore Hall, 6 January 1999

25 years ago, Janie and I decided to party like it’s 1999 at the start of 1999. What better to do that than a concert of baroque music at The Wigmore Hall.

These are the pieces we heard/saw:

  • Cantata “Cessate Omai Cessate”, Antonio Lucio Vivaldi
  • Sinfonia to Cantata BWV 49, Johann Sebastian Bach
  • Concerto for Oboe d’Amore BWV 1055 (also transcribed Harpsicord), Johann Sebastian Bach
  • Cantata BWV 82 “Ich Habe Genug”, Johann Sebastian Bach
  • Concerto for Viola da Gamba and Recorder in A Minor, Georg Philipp Telemann
  • Cantata BWV 170 “Vergnugte Ruh”, Johann Sebastian Bach.

The Standard previewed the concert thusly:

Standard Kontrabande 6 Jan 1999Standard Kontrabande 6 Jan 1999 06 Jan 1999, Wed Evening Standard (London, Greater London, England) Newspapers.com

Perhaps there was a change of programme or perhaps my notes missed out the Handel by mistake. I’ll check back to the programme when next I can face the thought of an archaeological dig into my programme collection.

For sure we saw the small chamber ensemble, Kontrabande, with Charles Humphries doing the counter-tenor bit and Clare Salaman on the baroque violin. Sadly, I learn that Clare, who was an expert on strange and ancient instruments, didn’t make it to the 25th anniversary of this Kontrabande concert.

Here’s a video of Clare playing a strange and ancient instrument – the nyckelharpa – I don’t believe I have ever seen this instrument played live:

Here is an audio YouTube of Charles Humphries singing one of the Bach arias we heard, vergnugte Ruh, accompanied by Kontrabande:

While here is the Bremer Baroque Orchestra (similar scale to Kontrabande if I remember correctly) playing the very Telemann concerto we heard back then:

Music At Oxford At The Old Royal Naval College, 9 June 1992

I was reminded of this evening when John Random and I visited the Old Royal Naval College and toured the Painted Hall ceiling in January 2018 – click here or below for that story:

If It Ain’t Baroque…Don’t Fix It, A Day Out With John Random, Old Royal Naval College, Greenwich,18 January 2018

I mentioned to John during that 2018 visit that I had attended (nay, even been part of the hosting group for) a concert in 1992, around the time, strangely, that John Random and I first met.

I did recall that I had seen Evelyn Glennie perform that evening and that it had been a BDO Binder Hamlyn event as part of my old firm’s sponsorship of Music at Oxford. But the rest I couldn’t recall and I felt a bit silly about that, because I knew that I would have kept the programme at least and that it was all lined up to be Ogblogged…eventually. I should have dug out the bumf before the 2018 visit.

Anyway, curiosity got the better of me a few days later and I dug out the programme. Indeed, not only the programme but, inside the programme, instructions from the BDO Binder Hamlyn marketing department telling me what to do.

Here’s the programme:

Below is a link to a pdf of the instruction pack for hosts. There is even a copy of the form you needed to fill in if you wanted to arrive in Greenwich by boat.

Instruction pack for hosts – including boat form – click here.

People who know me through Z/Yen and associate “me and boats” in the context of our many Lady Daphne boat trips over the years, might be surprised to realise that I chose not to arrive by boat…those who know me a bit better than that in the matter of boats will be far less surprised.

Those who want a laugh about what happened the last time I was “conned” into transferring by boat will enjoy the following piece – click here or below:

Nicaragua, Morgan’s Rock to Mukul, 16 February 2016

A common theme to all the elements of this story so far is Michael Mainelli, who was/is:

  • the BDO Binder Hamlyn partner who led on the Music at Oxford sponsorship/marketing events,
  • my business partner at Z/Yen who owned and led on the Lady Daphne boat trips thing,
  • someone who, coincidentally, visited Morgan’s Rock in Nicaragua with his family (though not Mukul, which didn’t exist back then) a few years before Janie and I went there.

Anyway, I got a chance to interview Michael about the Music at Oxford event yesterday (25 January 2018). His main regret was that he couldn’t recall who he took as his date that year to Music at Oxford. Our conversation then side-tracked onto the loony rule that Binder Hamlyn had (and many firms still have) prohibiting intra-firm romances. Michael was already going out with Elisabeth back then but it was a secret, closely guarded by several dozen of the several hundred Binder Hamlyn staff and partners. So Michael had to take a decoy date to events like this instead.

Once we got over that digression, Michael recalled that this particular event was rather a ground-breaking one. Certainly it was the first time that we had taken  a Music at Oxford concert beyond Oxford. But Michael thinks it might have been the first (or certainly one of the first) commercially sponsored concerts to take place at the Old Royal Naval College Chapel.

Michael also recalls that Evelyn Glennie was very pleasant company over dinner after the concert.

Here is an interesting little vid about Evelyn Glennie:

Here is a little vid of the percussion and timpani cadenzas from the Panufnik Concertino that Glennie played that night in the chapel – but this is some other people playing. It is a bit noisy:

But the Old Royal Naval College Chapel is a Baroque building of great beauty, so you might want to imagine the sole baroque piece we heard that night, Bach’s Ricecare a 6 from A Musical Offering. Here is a sweet vid of the Croating Baroque Ensemble performing it:

But surely the last word should go to John Random. Because, strangely, that 1992 spring/summer was when John and I met – through NewsRevue. John was the first director to have my comedy material performed professionally – click here or below for one of the better examples from that season:

You Can’t Hurry Trusts, NewsRevue Lyric, 7 May 1992

On spotting that we also heard a piece by Antonín Dvořák in the Old Royal Naval College that summer’s night in 1992, I was also reminded of one of John Random’s lyrics from that same summer. Because that was the summer that Czechoslovakia split into the Czech Republic and Slovakia. John wrote a superb lyric to the tune of Slow Hand by The Pointer Sisters, which included the wonderful couplet:

Not a compatriot of Dvořák,

I want a lover who’s a Slovak.

1992 was a seminal summer in so many ways.

A mere 25 years later…double-selfies hadn’t been invented in 1992