The Musicke Companye, Wigmore Hall, 25 March 2001

I sense that this particular collection of musicians under this particular “olde worlde nayme” did not last long, despite the plaudits.

But what a lovely concert. Sunday evening bliss.

  • Alessandro Scarlatti – Motet “Salve Regina” in F minor for soprano, alto, strings and continuo
  • Antonio Lucio Vivaldi – Concerto in G minor RV 416 for cello, strings and continuo
  • Domenico Scarlatti – Motet “Salve Regina” for soprano, alto and continuo
  • Giovanni Battista Pergolesi – Motet “Stabat Mater” for soprano, alto, strings and continuo
  • Johann Sebastian Bach – Concerto for Oboe d’Amore BWV 1055 (also transcribed Harpsicord)

I have replicated the gig below with some excellent versions in YouTube embeds.

Wachet Auf: The King’s Consort At The Wigmore Hall, 9 December 1999

“Wachet Auf” means “Wake Up!”, which was possibly an early call for wokery back in the Baroque period…or possibly not. In any case, I wouldn’t recommend English speakers barking this German language expletive after a couple of G&Ts – it might be misunderstood.

We rated this gig “very good”. Some lesser known works by Bach’s lesser known contemporaries, sandwiched between a bit of Telemann and a bit of Bach:

  • Ouverture “Perpetuum Mobile”, Georg Philipp Telemann
  • Balletti Lamentabili a 4, Heinrich Ignaz Franz von Biber
  • O Heilige Zeit, Johann Kuhnau
  • Sinfonia No 2 in C Minor, Johann Ludwig Krebs
  • Wachet Auf, Ruft Uns die Strimme Cantata BWV 140, Johann Sebastian Bach

Here is O Heilige Zeit performed by Solomon’s Knot:

Here is the Krebs Sinfonia, performed by Capella jenensis:

Here is a recording of Wachet Auf by the Amsterdam Baroque Orchestra under Ton Koopman…

…whom we saw 25 years later performing Telemann sonatas and Tafelmusik at The Wig: