The Tragedy of Richard III by William Shakespeare, Lyttelton Theatre, 28 July 1990

Bobbie & I were both very keen to see this one – hence our appearance on the first Saturday after press night, booking the tickets long before.

We weren’t disappointed. My log reads:

Superb. The setting was 1930’s style and they made a movie based on this production.

Below is a link to a National Theatre clip:

While below is a clip from the 1995 movie:

Janie would have got less out of this than Bobbie and I did – she is not so keen on Shakespeare, Sir Ian McKellen nor Dame Maggie. (The latter was not in the National Theatre stage production – Susan Engel played Queen Margaret.)

Here is a link to the Theatricalia entry for that Richard Eyre stage production.

Below is Michael Billington’s Guardian review. He also thought this production excellent:

Billington on Dick The ShitBillington on Dick The Shit Fri, Jul 27, 1990 – 31 · The Guardian (London, Greater London, England) · Newspapers.com

In The Observer, Michael Coveney reviewed this Dick The Shit production and also the King Lear with which it was repping:

Coveney on Dick Shit & LearCoveney on Dick Shit & Lear Sun, Jul 29, 1990 – 51 · The Observer (London, Greater London, England) · Newspapers.com

While Kate Kellaway (also in the Observer) interviewed the two protagonists, Ian McKellen (Dick) & Brian Cox (Lear).

Kate Kellaway with Cox & McKellenKate Kellaway with Cox & McKellen Sun, Jul 29, 1990 – 51 · The Observer (London, Greater London, England) · Newspapers.com

A Life In The Theatre by David Mamet, Theatre Royal Haymarket, 9 December 1989

This was my last visit to the theatre in the 1980s.

I don’t remember much about it. Even when I wrote up my notes, while the memory must have been a bit fresher (more than 30 years have now passed; just a few years would have passed when I first logged this production).

Bobbie was with me that night, but I doubt if she remembers it much either.

I was fresh back from the USA and had by chance seen some Mamet while there…

…so A Life In The Theatre probably seemed comparatively tame Mamet. Indeed, the one thing I do recall about it was feeling that it was tame Mamet.

One reason I wanted to see this production was the presence of Samuel West in the cast. I knew young Sam from school. He had been polite enough to come with his parents to watch me in the school play, Twelfth Night. more than 10 years earlier…

…so I felt I ought to return the favour. After all, perhaps his nascent career could do with some assistance. As it has transpired, Sam’s subsequent, extremely successful “life in the theatre” did not need my help. I have seen him on stage a couple of times since.

Denholm Elliot was also a draw to this production.

Fortunately, despite my poor memory of the piece and production, there are well-crafted reviews to be had which confirm that it was a very good production.

Michael Billington gave young Sam a good review as “an admirable foil” for Denham Elliot’s character. Would Billington have praised my “conviction and self assurance” if he had seen Twelfth Night in 1978? Mercifully, we’ll never know. But I did get to know Michael Billington quite well over the years, through theatre and cricket.

Billington On A Life In The TheatreBillington On A Life In The Theatre Thu, Nov 2, 1989 – 30 · The Guardian (London, Greater London, England) · Newspapers.com

Michael Ratcliffe’s tepid review begins at the bottom of the previous column with the words, “David Mamet’s A Life In The”…and then goes on:

Ratcliffe on A Life In the TheatreRatcliffe on A Life In the Theatre Sun, Nov 5, 1989 – 50 · The Observer (London, Greater London, England) · Newspapers.com