The Milk Train Doesn’t Stop Here Anymore by Tennessee Williams, Lyric Hammersmith, 29 November 1997

I wrote the following in my log around the time:

Unusual production; worked in many but not all respects.

Originally done at Citizens Theatre, Glasgow in October 1994.

This play is not, in my view, top notch Tennessee Williams, so there was possibly only so much that could be done with it. Philip Prowse did his best as director. Rupert Everett flamboyantly and memorably played the role of Flora Goforth.

Like us, Nicholas de Jongh was impressed by the performances but not 100% sure about the play in The Standard:

28 Oct 1997, Tue Evening Standard (London, Greater London, England) Newspapers.com

Susannah Clapp in the Observer observed the performance as uber-camp

02 Nov 1997, Sun The Observer (London, Greater London, England) Newspapers.com

Charles Spencer in The Telegraph didn’t like it much:

29 Oct 1997, Wed The Daily Telegraph (London, Greater London, England) Newspapers.com

Hedda Gabler by Henrik Ibsen, Hampstead Theatre, 18 October 1988

Everyone remembers their first time and I was lucky enough to have my first experience with the wonderful actress, Lindsay Duncan.

Seeing Hedda Gabler, I’m talking about – what did you think I meant?

This was another midweek theatre visit with Bobbie, during that brief period of a few months when I was between qualifying and moving on to my next, fully-fledged career.

I rated this experience as “very good” in my log and why not? Lindsay Duncan as Hedda, Jonathan Coy as Tesman, Dermot Crowley as Lovborg…

here is a link to the Theatricalia entry for this production.

Most unusually, I have been to see this play with Janie on (at the time of writing) three further occasions. I guess that Lindsay Duncan as Hedda is a bit like a highly addictive drug – you keep chasing that first high, hoping to experience it again. In truth, it did take us a while to land a really good production; the one at the Almeida in 2005 – all to be written up in future Ogblogs.

But back in October 1988, I was already a bit of an Ibsen fan and for sure was really taken with this production. Trevor Nunn had a hand in it, apparently…

..who’d have thought, back then in 1988, that I’d end up meeting Trevor Nunn socially a few years later? Another matter for another Ogblog piece.

Below is Nicholas de Jongh’s Guardian review:

de Jongh on Heddade Jongh on Hedda Mon, Oct 17, 1988 – 21 · The Guardian (London, Greater London, England) · Newspapers.com

Below is Michael Ratcliffe’s short review in the Observer:

Ratcliffe on HeddaRatcliffe on Hedda Sun, Oct 23, 1988 – 40 · The Observer (London, Greater London, England) · Newspapers.com