Class by Iseult Golden & David Horan, Bush Theatre, 11 May 2019

Gosh, this Irish play, which has done well at the Abbey and in Edinburgh before finding its way to London, got me and Janie debating the issues robustly for most of the weekend.

Which is a good thing.

The scenario is simple enough and well described in the Bush information about this production – click here – and in the video trailer below.

The play is basically about a teacher’s attempt to help a young boy, Jayden, who is struggling in class, while the parents have separated and are struggling with their relationship and the needs of their children. The play is a tragicomedy – some scenes are genuinely funny, but the underlying sadness of the situation is the prevailing emotion.

The acting was very high quality; Will O’Connell, Sarah Morris and Stephen Jones are all three fine Irish actors. The latter two, who play the parents, also play 9 year-old Jayden and one of his female classmates. It must be very challenging to switch from parent to child mode many times over in one performance, but these two do that well.

The class of the title has, in my view, a double meaning; not only the classroom in which the entire play is set but also the social class difference between the teacher and the families whose children he teachers. It is that class divide, in my view, that drives many of the events that occur in the play, both on stage and also offstage.

We were really impressed and very pleased that we have now seen this play. We read about it when we were in Edinburgh last year and couldn’t get tickets to see it at the Traverse, so were delighted to see it scheduled at one of our beloved local theatres, The Bush, this spring.

Reviews can be found through this link – mostly from The Traverse at the moment I type this, but that might have changed by the time you click.

Class runs until 1 June 2019 at The Bush. We’d recommend Class highly if you like your drama uncompromising yet witty.

Pentecost by David Edgar, The Other Place, 4 November 1994

In amongst the heave of getting Z/Yen started that autumn, Janie and I did make the time for a solitary long weekend in Stratford-Upon-Avon, during which we saw three plays.

Not exactly a rest cure…

…said Janie, when I latterly (c25 years later, October 2019) showed her the evidence of that weekend.

The evidence shows that we stayed at The Shakespeare Hotel that time; I think for the second and possibly the last time. We found the room a bit pokey.

Anyway, we saw this David Edgar play on the Friday evening and thought it superb. I’ve always been a fan of Edgar’s plays and this is a good example of his work.

Wikipedia is not all that forthcoming about the play – click here – but I learn that we saw the premier and that it won an Evening Standard Award the following year on transfer to The Young Vic.

Theatricalia sets out the cast and crew here.

I’ve managed to find a contemporaneous review of this one on-line – Paul Taylor from the Independent – click here…

…scraped to here just in case the above link goes down.

Here’s a Michael Billington clipping:

Billingtpn On PentecostBillingtpn On Pentecost Fri, Oct 28, 1994 – 40 · The Guardian (London, Greater London, England) · Newspapers.com

Billington On Pentecost Part TwoBillington On Pentecost Part Two Fri, Oct 28, 1994 – 41 · The Guardian (London, Greater London, England) · Newspapers.com

Here’s Michael Coveney’s take:

Coveney On PentecostCoveney On Pentecost Sun, Oct 30, 1994 – 79 · The Observer (London, Greater London, England) · Newspapers.com

Anyway, we loved this play/production, that’s for sure. The notion of art and culture fusing/transferring both from west to east and from east to west is more or less received wisdom now, but the debate in the play, especially while the southern slavic region of Europe was still in turmoil, felt very topical and of the moment in 1994.

Did we eat in Fatty Arbuckle’s that evening? Quite possibly, but unless more evidence turns up we’ll not know for sure.