Platonov by Anton Chekov, Almeida At Kings Cross, 1 September 2001

This was a very good production with a top notch cast, performed in that pop-up coach station of a theatre that the Almeida used while the main theatre was getting its major revamp. I’m pretty sure we saw a preview.

Helen McCrory and Aidan Gillen led the way, ably supported by solid performers such as Adrian Scarborough and Jodhi May, directed by Jonathan Kent – one of his last productions at The Almeida.

Here is a link to the Theatricalia entry for this play/production.

This is not the greatest Chekhov play – it is an early play that shows traces of the brilliance to come. Chekhov recycled some of the best bits of this one into his later, now classic plays. This production was based on an adaptation by David Hare.

It was a very good evening at the theatre, as I remember it, albeit rather a bum-numbing long one.

Nicholas de Jongh spoke highly of the production in The Standard:

Platonov de Jongh Standard Platonov de Jongh Standard 12 Sept 2001 Evening Standard (London, Greater London, England) Newspapers.com

Our friend Michael Billington also wrote highly of it:

Platonov Billington Guardian Platonov Billington Guardian 13 Sept 2001 The Guardian (London, Greater London, England) Newspapers.com

Charles Spencer in The Telegraph was less sure:

Platonov Spencer Telegraph Platonov Spencer Telegraph 13 Sept 2001 The Daily Telegraph (London, Greater London, England) Newspapers.com

The Cherry Orchard by Anton Chekhov, Cottesloe Theatre, 23 September 2000

The previous week we saw Yasmina Reza’s “Conversations…”, which Michael Billington described as Chekhovian…

Well if you thought that Reza’s work was Chekhovian, Michael, just wait until you see The Cherry Orchard.

Another Saturday night at the theatre which didn’t raise a comment in my log at the time. Perhaps we were overdoing at bit at that time.

Amazing cast: Maxine Peake, Roger Allam, Michael Bryant, Vanessa Redgrave, Eve Best, Corin Redgrave (yes, that was two Redgraves for the price of one), and many other fine acting folk, directed by Trevor Nunn.

Nicholas de Jongh liked it but didn’t gush:

Cherry de Jongh Standard Cherry de Jongh Standard 22 Sept 2000 Evening Standard (London, Greater London, England) Newspapers.com

Michael Billington also rates it good without rating it great:

Cherry Billington Guardian Cherry Billington Guardian 23 Sept 2000 The Guardian (London, Greater London, England) Newspapers.com

Perhaps my null log entry was about right for this one.

Pentecost by David Edgar, The Other Place, 4 November 1994

In amongst the heave of getting Z/Yen started that autumn, Janie and I did make the time for a solitary long weekend in Stratford-Upon-Avon, during which we saw three plays.

Not exactly a rest cure…

…said Janie, when I latterly (c25 years later, October 2019) showed her the evidence of that weekend.

The evidence shows that we stayed at The Shakespeare Hotel that time; I think for the second and possibly the last time. We found the room a bit pokey.

Anyway, we saw this David Edgar play on the Friday evening and thought it superb. I’ve always been a fan of Edgar’s plays and this is a good example of his work.

Wikipedia is not all that forthcoming about the play – click here – but I learn that we saw the premier and that it won an Evening Standard Award the following year on transfer to The Young Vic.

Theatricalia sets out the cast and crew here.

I’ve managed to find a contemporaneous review of this one on-line – Paul Taylor from the Independent – click here…

…scraped to here just in case the above link goes down.

Here’s a Michael Billington clipping:

Billingtpn On PentecostBillingtpn On Pentecost Fri, Oct 28, 1994 – 40 · The Guardian (London, Greater London, England) · Newspapers.com

Billington On Pentecost Part TwoBillington On Pentecost Part Two Fri, Oct 28, 1994 – 41 · The Guardian (London, Greater London, England) · Newspapers.com

Here’s Michael Coveney’s take:

Coveney On PentecostCoveney On Pentecost Sun, Oct 30, 1994 – 79 · The Observer (London, Greater London, England) · Newspapers.com

Anyway, we loved this play/production, that’s for sure. The notion of art and culture fusing/transferring both from west to east and from east to west is more or less received wisdom now, but the debate in the play, especially while the southern slavic region of Europe was still in turmoil, felt very topical and of the moment in 1994.

Did we eat in Fatty Arbuckle’s that evening? Quite possibly, but unless more evidence turns up we’ll not know for sure.